Hey folks this is Jake, and I have a interview with Roberto Williams, director of Fathers of the
Dark Knight stage production. Enjoy!
All photos are property of Roberto Williams! |
Hey Roberto, what is your educational background?
I am a graduate of the Laguadia High School of Music and The
Arts (class of 1985), and I completed 3 years at NYC’s School of Visual Arts
as a film major.
How did you get
started working with kids?
In 2005, I ended a 10-year career in Federal Law Enforcement
as a contract linguist working on narcotics wire-taps. With no other
prospects lined up, I turned to the arts as a way to make a living. I
formed LION’S ROAR KARAOKE as a promotional service for bars,
lounges, and restaurants, and as a for-hire service for private parties,
weddings, anniversaries, holiday and corporate events.
Shortly after, I answered an ad placed by a Brooklyn Community-Based Organization soliciting the services
Shortly after, I answered an ad placed by a Brooklyn Community-Based Organization soliciting the services
Andrew |
What’s your
background in comics?
Creating the outfits! |
My connection to comic books dates back about as far back as
I can remember. As a little boy living in Brooklyn
in the very early 1970’s, my older brother and I were exposed to the daily
television adventures of The Batman, Superman, Spideman, The Lone Ranger, and
so many other characters. It wasn’t long before we discovered the
original source material of those characters… the COMIC BOOKS! At
.25 cents per book, my brother and I voraciously began to collect the titles of
our favorite characters. With my preferred hero being The Batman,
and his being The Amazing Spiderman, we quickly fell into a pattern of
collecting DC Comics and Marvel Comics titles, respectively. Soon, I
my interest in drawing emerged and I developed my artistic skills by copying my
favorite panels from Batman comics. Pretty soon, my bedroom walls
were covered with a couple of hundred drawings of The Batman and
Robin swinging into action! This passion continued as I entered into High
School and then into college.
What made you so
fascinated with Batman, and why did you wish to tell the true story behind his
creation and make a play about it?
Well, that is something of a complex story to tell:
As a kid, I knew that the eerie Dark Knight Caped Crusader
of the comics was nothing like the cowled boy-
scout from the
television series that everyone seemed to be so familiar with. And I
wanted to know more about the guy from the comics! HE was the one
that resonated with me and somehow rang true… even at the age of 7!
Also, it’s important to note that at that age, I was already
attracted to darker things. I loved the old Universal Studios
monster films “Frankenstien”, “Dracula”, “The Wolf Man”, and others. I
watched them religiously on late Saturday night television and on “Chiller
Theater”. I began to enjoy atmospheric murder mystery-type stories
like Ellery Queen and Columbo, and the old “gumshoe detective” films of the
past.
So as I became more and more involved with The Batman’s
comic book exploits… as he was revealed to me as “The World’s Greatest
Detective” and simultaneously as “The Masked Manhunter”… I realized that my
affinity for the character was just a logical extension of the strong
attraction I felt for darker material. The spooky portrayal of The Batman
in the comic book works of Denny O’Neil, Neal Adams, Steve Englehart and
Marshall Rogers made a powerful impression on me. I soon discovered
his tragic and grim origin story, and as the years passed, I rejected more and
more material that presented The Batman in a campy light.
Creating the outfits. |
It frustrated me to no end that my favorite hero was largely
defined by the silly television series which continued to play in daily
syndicated reruns. At school, it was not considered “cool” among the
other kids to like The Batman. He was thought of as “corny”, and I
endured a LOT of teasing (and bullying) for having chosen him as my preferred
hero. Pretty soon, I became known as the “Batman-kid”. The other
kids would sing the “Jingle Bells, Batman smells…” song anytime I entered the
room, simply to annoy me. But I didn’t care. I remained
faithful. The Batman was my hero, and nothing was
going to change that. There was just something about that awesome,
spooky costume… something about the bravery and nobility of a man with no
super-powers leaping into danger to protect the innocent… and punish the
guilty... that spoke to me. When it came to The Caped Crusaders, as
far as I was concerned… what was NOT to like?
I remember walking through Times Square in New York City one night with my family and
spotting a Batman poster in a novelty shop that stopped me right in my tracks. It was done in an illustrative style that was much more realistic than standard comic book artwork. It depicted a spooky Batman stalking the rooftops of Gotham
City as an avenger
of the night. I begged my father to buy me the
poster. But he refused to part with the $2 cost saying that it was a
“waste of money”. Years later, (I believe it was in 2004), a buddy
of mine purchased that same poster for me as a birthday gift for well over
$100.
Growing up throughout the 1970’s, it did not take long for me to notice that my favorite hero was created by a guy named “Bob Kane”. I mean, there it was… prominently displayed in every Batman comic book I ever read… every Batman TV episode, or cartoon: “Batman Created By Bob Kane”.
Growing up throughout the 1970’s, it did not take long for me to notice that my favorite hero was created by a guy named “Bob Kane”. I mean, there it was… prominently displayed in every Batman comic book I ever read… every Batman TV episode, or cartoon: “Batman Created By Bob Kane”.
Creating the outfits. |
“What a swell guy”, I thought. I had no reason to
think differently, and this Kane fellow was clearly quite the innovator. I
even remember spotting his name in the credits of the “Courageous Cat and
Minute Mouse” cartoon of King Features Syndicate, and realizing that those
characters were just comical versions of his other creation Batman and Robin.
As the 1970’s came to a close, I watched with delight as The
Batman character grew even more grim and moody. The comic books were
steadily creating a bigger gap in tone between the gritty stories being
published, and the character’s still-dominant Adam West TV series public
perception. A whole new generation of fans gradually began to
discover the character. He developed greater popularity and more
legitimacy! It was becoming okay to like the Caped Crusader! By
the middle of the 1980’s, It had actually become cool to be a Batman fan! Frank
Miller, Brian Bolland, Alan Moore, Dave Mazuchelli and so many other talented
artists were all putting their indelible stamps on the Bat-mythology with their
classic comic book works, and whispers were beginning about The Batman coming
to the big screen! It was a happy time for me. I had TWO
heroes that I looked up to: One was fictional and wore a wicked cape
and cowl. The other was a real-life artist, who had single-handedly
created an iconic American legend.
But then in 1989, something happened: No, I’m not
talking about the release of the long-awaited
“BATMAN” film by Tim
Burton. And I’m not talking about the new wave of Bat-mania that
seemed to take the country by storm. No… I’m talking about the
publication of a single special edition magazine. I’m talking about
a publication that would have me seeing my “hero” Bob Kane in a whole different
light. David Anthony Kraft’s Comics Interview Super Special hit the
newsstands and comic book specialty shops in late 1989. It was
billed as an edition devoted entirely to telling the “real origins of The Dark
Knight”. It would feature interviews with Bob Kane, Jerry Robinson,
Dick Sprang, Gardner Fox, George Roussos, and Bill Finger’s son Fred. Each
of these legendary figures told stories, in their own words, of their
involvement in The Batman’s origins. Naturally, if you ask three
people to tell the same story, you are going to get three different
perspectives. I expected that. What I didn’t expect was
the undercurrent of what I was reading. It was something darker…
uglier.Episode after episode was recounted by Golden Age artists that painted Bob Kane as an egotistical, belligerent, plagiarist who refused to give the proper credit for the contributions of his collaborators. For years, it was virtually unknown that writer Bill Finger was instrumental in helping to shape the Batman’s final costume and method of operation… or that artist assistant Jerry Robinson originated the concept of The Joker and developed the final look of The Batman’s colorful protégé Robin The Boy Wonder. And while Kane himself had become contrite and somewhat apologetic about his hand in the late Bill Finger’s disenfranchisement, he nevertheless remained defensive and confrontational regarding Jerry Robinson’s claims of contribution.
For years afterward, I read various publications that
confirmed and repeated these un-flattering allegations about Bob Kane, not the
least of which was Kane’s own autobiography “Batman and Me” published
in 1989 and “The Batcave Companion” written by Michael Eury and
Michael Kronenberg.
Meanwhile, the years passed and eventually I entered into
the field of Arts in Education. It didn't take long
for me to notice a definite
need among the current generation of young people for strong examples of moral
values. I saw an opportunity to instill such values in my students through the
performing arts and through the excitement of the comics. I wanted
them to develop pride, dignity, and self respect through their own talents and
hard work... and I often rewarded my hardest working students with spare Batman
comics or trinkets that I had laying around. It was important to me
that my students learn the value of striving for excellence, in whatever they
did, so that they could make a significant mark in this world as decent and
productive human beings. That became the cornerstone
philosophy of every performing arts program or class that I taught… every
student show I produced.
And every step of the way, I wore my Batman fandom on my
sleeve (and literally on my lapel) for the express purpose of inviting student
inquiry that would allow me to express the importance of moral code... via The
Dark Knight's example.
In 2010, I accepted a three-year teaching residency assignment at a Bronx performing arts high school. As the Director of the
Vocal Music department, and as an active assistant in the Drama department, I
put on numerous concerts, stage musicals, and dramatic plays throughout the
years that provided production value unlike anything the school had seen
before. I quickly developed a reputation among the students and
school administrators as an instructor that delivered exciting, quality
product. With each ambitious production I put on, the (self-imposed) pressure
to TOP myself with bigger and more spectacular productions grew.
Then, during the Spring Break of 2011, one of my students
(who sadly, was involved in gang activity) was brutally murdered at a party he
attended. For over a year prior to his death, I had warned this
young man to change his ways… to become an example of decency and excellence to
the younger students who looked up to him. But he was stubborn,
angry, rebellious... as so many inner-city youngsters are... and now he
was gone. I loved this student as if he were my own son, and when he
was killed, I fell into a deep depression. But in short order, it became
necessary for me to acknowledge that other students depended on me… that they
looked to me for answers and to be an example of artistic possibilities and
excellence. So I forcibly snapped myself out of my depression and
redoubled my efforts to show them their own value and beauty as children of The
Bronx … to hopefully prevent this from ever
happening again.
As a Batman fan… even after all these years… the notion of a
Batman stage production for the school was already something that I had begun
to discuss with a few choice students. While trying to find a way to make the
Batman show concept something that the school Principal would sign off on, I
developed the idea of telling the story of former Bronx
kids Bob Kane, Bill Finger, and Jerry Robinson. I saw a golden
opportunity with this real-life story to help my students realize that
greatness, drama and elegance can come even from poor kids of The Bronx … just like them! It did NOT have to end with
brutal gang violence or death.
Where is the play
located?
We are currently in negotiations with Bronx
Community College to present our play
at the Hall of Fame Playhouse in the Roscoe Brown
Student Center . It
is our intention to premiere the show at the campus in the early fall
utilizing the BCC theater students as stagehands and crew.
Why did you decided
to go with fundraising?
This production has been in development for nearly 2
years. During that time, I have personally designed and fabricated
most of the (fantasy character) costumes and props that will be featured in the
play. I have lit and photographed a series of “glamor” production
stills that demonstrate the mood and tone of our show. Designs for elaborate
set pieces… fight choreography for intense action sequences… casting
sessions… development of our official website… script re-writes… weekly
rehearsals… Live promotional appearances… you name it, I’ve done it… and PAID
for it right out of my pocket. Shows with ambitiously high production value
like the one we are launching, are quite expensive to produce. So
far, it is estimated that I have spent roughly $10,000 - $11,000 of my own
money to develop “FATHERS OF THE DARK KNIGHT”. And I calculate
the final production cost of this show to be $30,000. It became necessary
for me to begin a grassroots fundraising campaign through Indiegogo.com to
realize my dream of producing this exciting stage play with my hard-working
students.
Which characters are
going to be featured in the play?
Can you mention a few
of the key actors in your play?
THE BATMAN: Played by 19 year old Bronx drama student Andrew
BOB KANE: Played by 20 year old Kenneth Thornton of
BILL FINGER: Played by 21 year old
HARLEY QUINN: Played by 18 year old
What if the
fundraiser isn't met? You aren't going to quit?
One way or the other, we will meet our fundraising goal! And even if we fall short, there is no way that "Fathers Of The Dark Knight" will ever be cancelled. The students are fully committed and so am I. We believe far too strongly in this project... have far too much faith in its entertainment (and educational) value... to ever abandon it. By any means necessary, we are determined to show the Public School system, student theater, and the Bronx Community at large that even if it is by force of will alone, quality artistry can and will be produced on the stage by and for young people. For us, there is no turning back.
Seeing as you put so much time, effort and money into this one project are there any other projects you have down the line besides this one?
The productions I put on with my students are always very complex and very ambitious... none more so than "Fathers of the Dark Knight". The origins of this play took shape while I produced a full chorus workload and several concerts, and while I assisted in various other productions for the school's drama Department. I do not believe that splitting my artistic focus in that way is ideal, and it is certainly a contributing factor to FOTDK's long development time.
Artistically, I prefer to work on one thing at at time, and take it to its conclusion before assuming a new project. Unfortunately, working as a performing arts Teaching Artist does not allow for that. This reality weighed heavily on my decision to NOT actively pursue a teaching assignment this school year and instead work full-time to produce "Fathers Of The Dark Knight".
Concept sketch drawn by Roberto Williams! |
Roberto, thanks for
the interview. I want to wish you great success in this project. You have done
something great with this play and I can feel your devotion to your students.
We here at the Broken Infinite will do what we can to help you get the word
out. Furthermore, I look forward to seeing more from this project in the coming
weeks. Thank you for sharing with me and the rest here!
You can help by
either visiting the main home page of Fathers of the Dark Knight here: http://www.fathersofthedarkknight.com/
Thanks!
Jake Estrada
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