Showing posts with label Naruto. Show all posts
Showing posts with label Naruto. Show all posts

Monday, May 20, 2013

DaWaRou Posts: Naruto

As promised, here's another post! On time! I actually can't believe it's come to this, I mean, this is my nineteenth post and here I am blogging about...*sigh* well, I suppose it could be worse. I could be blogging about Master of Martial Hearts. But I suppose that I'm not being entirely fair here as today's series is much more...dare I say..."respected" than that piece of fanservisey shit. But let's just get this over with. Ladies and gents, I'm John Cortez and this is my nineteenth post for...The Broken Infinite.

You know, I like to think that I'm a pretty decent reviewer. I'm able to look at a series with a critical eye and point out the glaring flaws and outstanding positives that it may or may not have. Despite this, I know that I'm a very biased reviewer. I've got a habit of inserting my own personal thoughts and opinions into my reviews regardless of what others may think of it. While from an objective point of view this is a bad thing since if I'm reviewing something, I should be mainly objective but in my opinion if you rate a series purely on the facts about it you're not really telling what you think is good or bad about it, you're just saying what's already acknowldged as good and bad about it. Today we're going to be talking about a series that's...kind of love it or hate it. Today everyone, we'll be talking about one of the series that gets people into anime but at the same time gives it a bad name. Today...is Naruto.


The plot is this: Naruto Uzumaki aspires to be a ninja but not just any ninja. He wants to be the Hokage, the strongest ninja in Konohagakure or The Village Hidden in the Leaves. Unfortunately, his skills are...lacking to say the least and he'd much rather play a good prank than attend his ninja classes. Upon failing his graduation exam for the third time in a row, Naruto is told to take a powerful scroll and master one of the many jutsu within it and if he can, his instructor Iruka Umino will be forced to pass him. Well he does end up mastering one jutsu and he does end passing but he also learns that he is the vessal for the Nine Tailed Fox, a powerful monster fox that killed a great many ninja 12 years ago. This, he learns, is why all the adults in the village treat him like a walking plague. So, now that Naruto's become a Genin or Lower Ninja he's placed in a team with two of his classmates. The first is Sakura Haruno, the brightest girl in his class who Naruto is majorly crushing on and the second is the ultra "badass" bad boy Sasuke Uchiha who Sakura is majorly crushing on. They're lead by Kakashi Hatake and together they go on ninja missions and all that cool stuff.

I feel kind of dead trying to describe the plot of Naruto but that basically is all there is to it in a nutshell. Of course by now everyone knows about the Sanin and Orochimaru and all that but for the purposes of this review they're not really important.

So, where do I begin to actually review Naruto? Well, I suppose we should start with how the series looks. It looks decent enough. Nothing about the animation or how the series is drawn is of particular interest to me and it's pretty much typical shonen. The music in the anime is...alright. I like some of the openings and endings and I suppose the background music is alright as well. Really there isn't a whole lot to say about the audiovisual stuff here. It's just shonen.

Now before we get into everything that Naruto does horribly wrong, lets take a look at the things it does well and right. First of all, the series manages to establish itself with an interesting introduction and well crafted world. The next thing it does, most importantly, is establish likable and sympathetic characters, especially the main character. Naruto himself is a very likable person with his abundance of energy and drive to prove himself as well as his strong desire to find his place in a village that does not at all want him. The other characters are also likable enough and varied in their appearances so that no two people look exactly alike. The character relationships are enjoyable and so are each of their personalities and desires and goals. And finally the fight scenes are some of the best I've ever seen in a shonen series, hands down.

And now we get into the series flaws. First of all, Naruto is like almost every other shonen action series out there. A main character struggling to overcome  and change public perceptions of himself and wanting to be something that they're not. The main character has a rivalry with a character who's superior to him in every way and struggles to bridge the gap in power between them while also having a crush on a girl who can't even care enough to give him the time of day. The series also suffers from Flashback abuse. Naruto will seriously and shamelessly flashback to something that happened 5 minutes earlier in the episode. It's annoying and it distracts from the action because the series seems to think that we're all idiots. Next up, Naruto has some of the absolute worst fillers in anime history. Remember the fillers from the original DragonBall Z like where Goku and Piccolo had to learn to drive and it was funny? Naruto's aren't even funny in a "So Bad It's Good" kind of way. They're just...baaaaaaaaad most of the time. But in personal opinion, Naruto really losses points with it's characters because the ones who aren't named Naruto and Sasuke don't really get enough focus.


But let's get down to the personal part of this review. Everyone knows how infamous Naruto is for it's fillers and flashbacks but what are the problems that I have with it personally and where do I stand on it? Well, despite me saying that it's a love it or hate it series, I'm rather neutral towards Naruto in general. I like and loathe it for multiple reasons. I like the characters, the fight scenes and the interesting and involving world that Kishimoto has crafted over the years. I like how the characters are portrayed especially the character of Sakura Haruno. At the beginning, Sakura was a love interest of Naruto but she loved Sasuke for his reputation and status and good looks and in general acted like an annoying Sasuke fangirl. Sasuke eventually calls her out on this and says that she's even more worthless than Naruto because at the end of the day, Naruto can make a hundred solid clones of himself while Sakura just kind of stands there. This prompts Sakura to try and change herself into someone worthy of Sasuke's affections and it also leads her to acknowledging that Sasuke is a human with flaws and she begins to truly fall in love with him for who he is. And when he finally leaves the village and Naruto is the one who vows to bring him back for her, Sakura realizes that Naruto isn't just a little pest but a good person who'd do almost anything for his fellow ninja. After the timeskip she becomes a badass medical ninja and cements her spot on her team. I'll also say this for Naruto, it knows how to create memorable characters, especially it's antagonists. No one's ever going to forget Zabuza and Haku, or Garra or Orochimaru.

But why do I hate Naruto? I thoroughly despise the way that Kishimoto seems to just use characters to get Naruto into whatever situation he needs to be in to win the day. For example, in part 1 of the series is the fight between Neji and Hinata Hyuuga. Now, why does Hinata lose this fight? Well it's not because she isn't a capable fighter, it's because she needed to loose the fight in order for Naruto to avenge her and take her place in the finals of the Chunin Exams. Further on the characters, while  a lot of the characters backstories and histories are revealed throughout the show, some characters like Shino and Tenten haven't even really gotten that many chances to show what they're made of. Sure, they get a battle or two here and there, but what about their personalities and goals and dreams? What else is there for me to loathe about Naruto?...Maybe the use of female characters? While it's common knowledge that females get the short end of the stick in shonen anime and manga, the females of Naruto might have it the absolute worst. Their motivations and aspirations mainly revolve around romance and men and their backstories, similarly, revolve around men. Hinata wants to be her best because she loves Naruto. Ino and Sakura want to be their best because they love Sasuke. Even Tsunade's backstory involves the tragic death of her lover. Now that leaves, among the relevant cast, Temari who got upstaged by Shikamaru, Tenten who gets upstaged by EVERYONE due to her lack of screen time, and...Kurenai who isn't seen that much to begin with but later gets kind of...cast aside when she becomes pregnant. Now, that's not to say that each female character is without her moment of severe badassness but...honestly they're not very well written at all. Oh and then there's the shipping wars.


That's really all I feel I can write about Naruto. I'll see you all next week, DaWaRou~!

Wednesday, February 8, 2012

INTERVIEW WITH SHAWN ALLEYNE

After last weeks landmark interview with Jamal Igle, we wanted to follow up just as strong. And now, this week's interview with artist and Xion founder Shawn Alleyne

Interviewed by Frankie Rodriguez

CBC: Shawn, you just recently had your first online convention for your studio, Pyroglyphics. How did that go for you?


 Shawn Alleyne: To be honest, it was ok -- I feel it could've been better. However, if there's anything this art biz has taught me it's that you have to view every experience in a positive light in order to progress. So I know now what changes i want to put into effect for my next one, and that's how you grow.

CBC: Overall, how do you feel about the online convention while you were getting it together? Now that it's over, how do you feel about it now?

 Alleyne: I felt nervous as hell putting it together. mainly because of the video element I wanted to add...I don't like being in front of a camera. Lol Now that that it's over I feel relieved and excited to do another one. Now that i know what mistakes i made and what I need to do to fix them.

  CBC: Was there any big sellers at the convention and what were they?

 Alleyne: Commissions were the biggest orders. I think people really like the idea of having their favorite characters interpreted by me in my "style".


 CBC:  So, not only are you running your own studio, but you also founded and run Xion, the comic book networking group based here in Philadelphia. For those who don't really know about it, can you give us a break down of what Xion is and how it came to be?

Alleyne: Xion is a Philadelphiabased comic book network group designed with the intention of being a social club, a business resource, and a creator's support group allin one package. The first meeting was held on Saturday November 1st, 2008, at Bucks County Coffee Shop, and advanced from there with monthly meetings. 


Xion exists to build a community. From the casual hobbyist, to the fan-boy, to the future comic book superstar. We love comics of all kinds here at Xion, but we really want to encourage the growth of the independent market and the independant creator. To that end, we go beyond the blogoshere, and invite members drag themselves from behind the keyboard, unchain themselves from their art-desk, and (gasp) meet up face to face. At our monthly meetings we draw, write, create, discuss comic books and the comic book industry as a whole.
To paraphrase a great quote: Ask not what your network can do for you, but what you can do for your network. 


  CBC: I know Xion expanded out to New York. What other things have happened since expanding Xion?

 Alleyne: The biggest thing that has happened since expanding Xion is that I now have a greater support base to lean on in the form of XION nyc's manager Sha-née Williams and Our Chief Advisor Tekia Dunlop. With their help, motivation, critiques and ideas, there are a lot more plans in place and fresh perspectives. This allows me to breathe a little instead of having to do everything myself. Also, with the work they do in NY, I feel compelled to step my game up here in Philly. The biggest thing we have coming that I'm really excited about is getting a XION anthology rolling.

  CBC: You have always been an artist first it seems. Tell us, how did you become an artists and what drove you to form Pyroglyphics?

 Alleyne: Art for me was just one of those things I always did from very young. It was always inside of me and the one thing I was better at the other kids others around me. As I grew I never imagined a life without me drawing in some form or another. I never went to school for art so I can't pinpoint any one moment where I "became" an artist, i just always did it.


 The only real shift i can think of in my nature as an artist was when I was laid off from my 9-5. I used to draw for fun and started doing maybe one convention a year, with the lazy thought in the back of my mind that one day i'll really make that leap into freelancing. But after my layoff happened I figured,"hey,what do I have to lose?" At the time it seemed like all 'real' artists had a studio, so as part of my process of being legit I created the name Pyroglyphics for my  studio name so I could get into a serious mindset, and that was when i really started thinking about art as my career.

  CBC:  What would you say are your influences artistically?

 Alleyne: My influences for art are all the elements of life around around me. I know it sounds spacy but it's true. Lol It's my Barbadian culture; its hip-hop; its the funny pattern on the bathroom floor; its anything that makes me look at it and say "oh sh**! That's crazy!" And while i could sit here and name artists for days that also inspire me-  Carlos Pacheco, John Brynes, Art Adams, Travis Charest, and more- they are only part of it. My West Philly neighborhood inspires me; martial arts inspires; anime; the list goes on.


  CBC: Growing up, what were the characters that had the deepest impact to you?


 Alleyne: I used to read tons of mythology growing up, and always gravitated towards characters steeped in it. That's why I'm a huge fan of Thor. I also have always loved characters that were flawed, whether externally and/or internally, and in that light we have Ghost Rider. And even if the character was a "bad guy", I always liked the scoundrel that still held a steadfast set of beliefs...like Dinobot from Beast Wars.


  CBC: Now that you have done both the online convention scene and normal convention scene which do you prefer? What do you find rewarding most about both options?

 Alleyne: Nothing beats the regular convention scene. What's most rewarding about it is the chance to physically interact with supporters. You get to see the look on their faces as we talk about our favorite characters, or worst anime, etc. You get to see their faces light up as they flip through your portfolio and come to something they've only seen online, now it's tangible. The most rewarding thing about the online show is being able to simultaneously reach anyone and everyone in the world with just the click of a button. Plus, table fees or pricy plane tics. Oh, and not wearing pants while you sell stuff. Hmm, now its looking neck and neck. Lol


  CBC:  What do you have coming up this next year? What direction is Pyroglypics heading? What direction Xion is going?

 Alleyne: I dont like to count my chickens before they hatch, so i wont get into specifics, but in a simple answer, Pyroglyphics is headed anywhere there's art. Whether it be t-shirts, books, posters, whatever...my plan is to draw till I can't draw anymore.


 The plan with XION is simple as well- to get more stuff in print and build a larger resource base for people to pick from.

  CBC: Finally, what would you like to say to all aspiring artist out there looking to break into and make a career out of being an artist?

 Alleyne: Take the best from every situation. If at first things don't go your way, use the experience to make you stronger and a better artist. Also, see if you can do with less sleep at night so you can draw more. That always helps. Lol

Wednesday, October 26, 2011

NEWS EDITION #14 - GAGE TAKES ON X-MEN LEGACY, SHONEN JUMP GOES WEEKLY AND DIGITAL & THE RETURN OF A COMICS LEGEND

News Edition is here again for another week of comic book news for all you Clashers out there. Here are these weeks Headliners.


GAGE TAKES ON X-MEN LEGACY

by Frankie Rodriguez

    As most of you know, the X-Men franchise has been given a pretty big overhaul; spending the last several months breaking down the current status quo; Not only in Schism but in Uncanny X-Men and other books. Each X-Men book were dealing with the ingredients that lead to the monumental split between Cyclops's group of X-Men and Wolverine's group of X-Men. X-Men Legacy is no different.
   For the past six years, writer Mike Carey has given readers a great journey through the X-Men's existence through the eyes of several characters; most prominently Rogue. And as the recent end of Schism, Carey's last story will be the dividing of the makeshift team he has created over the last year; thus providing an ending to his run and a new jump-on point with the new X-Men Legacy scribe, Christos Gage.
   As Gage jumps on the book as of #260.1, merely 2 weeks after the end of Carey's six year run. And the writer stated that his run will pick up certain things from Carey's run while giving a fresh start. Gage confirmed that Rogue, who has become synonymous with the title over the last six years, will still be front and center when he takes over. Quote from CBR:

The great thing about Rogue, and I think Mike handled this brilliantly, is that by the very nature of her powers -- borrowing abilities and memories from others -- she is a window into other characters, so while she is very much the headlining character, this can't help but be an ensemble book. I think Rogue is one of the most fully developed characters in comics, having gone from a villain who can't control her powers to a strong leader who can show others how to be their best. I want to explore what it's like for her as she strives to figure out who she wants to be and what she wants to do with her life at a time of great transition -- from Utopia to the Grey School, in terms of what is best for both her and mutantkind, and, of course, that juicy love triangle between her, Gambit and Magneto! So yes, the emphasis on Rogue will certainly continue.

And she won't be alone as Gambit, Frenzy and recently returned Rachel Grey (Summers) will be carried over from Carey's run. Plus, Gage adds in additions Cannonball, Husk and original X-Man Iceman into the mix; providing the cast of what will be a "teacher book" in comparison to his other well known ongoing, Avengers Academy which is a "student book." Gage made it no secret that this cast gives him the most story potential and  talked a bit about what their roles in the books as teachers and overall role in the new Jean Grey School for Higher Learning.

Much in the way that Mike did, we'll be using characters from all over the Grey School, but you're right, those characters are the core of "Legacy." I thought they provided the most potential for cool stories -- it's as simple as that. They represent the history of the X-Men from the very beginning to the recent past. And while they have all chosen the same path, they will not necessarily agree on how to walk it.

The X-Men in "Legacy" are all involved in Wolverine's school in some way, and we'll see them in that role, but we'll also see them in their lives outside the school. And the question of what their mandate is looms large. Big picture, their job is to educate, protect and support the students so that they are able to make it to adulthood safely and decide what they want to do with their lives. But since they're carrying on Professor X's dream of human/mutant coexistence, they will also, from time to time, tackle threats to the public in general, just as a team of heroes like the FF or Avengers might.


Gage seems to have great plans for the cast as he hinted that him and new artist, David Baldeon will have these X-Men deal with being teachers while facing all sorts of threats. And their first threat is the extra dimensional demons, the N'Garai. And following that particular threat is dealt with, they face one of the most powerful mutants and old adversaries in Exodus. And as Gage pointed out, last time we saw Exodus, he was convinced that mutantkind can't survive without uniting by Professor Xavier.

When we last saw him, Professor Xavier had convinced him that mutantkind could not survive unless it was united, and he went on a pilgrimage to ponder his role in this new world. Now he's back -- only to find that mutantkind is far from united, and he's not happy about that. Exodus is really going to make our characters examine and defend the choices they've made.

Along with David Baldeon, Gage is prepared to be here for the long haul with Legacy and its characters. And considering the previous history of the team: (for example, Gambit and Rogue's on and off relationship; Iceman's close friendships with Rogue, Gambit & Cannonball) seem to be ripe for the scribe to create all kinds of stories full of character driven plots and great action.

X-Men Legacy #260.1 written by Christos Gage & art by David Baldeon will hit stores in January 2012. 


SHONEN JUMP ENDS PRINT & GOES DIGITAL WITH ALPHA!

by Frankie Rodriguez

  Yes. Viz Media announced during NYCC that they will be ending their popular Shonen Jump Monthly magazine . . . in print form. What Viz decided to do instead is to making the entire book go digital come 2012. Alvin Liu, Senior Vice President & General Manager over at Viz Media, described the reason behind the change is that it posed an idea of a weekly publication that was more fresh and current. And that while Japan does not see a need for them to go digital, Liu points out that while Japan has book stores and convenient stores all over the country, they don't have them in the States.
  Liu hopes that with them going digital and selling Shonen Jump Weekly Alpha for only 99 cents online will drum up more readers, lower piracy and also keep the publication more current with its parent counterpart in Japan. And while Shonen Jump here in the US sold about 125,000 copies monthly, making it one of the highest selling comics in America, Liu states that they should get more with the digital option; as well as open doors to their graphic novels which will still be available in print and digital. Alvin Liu comments:

Once we had the possibility of doing a weekly publication digitally, it made the print magazine, not obsolete, but the content is not as fresh.   We feel that manga in its native form is a periodical, a sort of live performance, as it were.  We went with the print magazine in the first place because it was the closest we could get to that given the limitations that we faced at the time.  Once the possibilities of digital came into play, doing something much more live and fresh came into play, having a print magazine lagging behind that became less essential.

And to have an idea of how much more current the new content will be when Shonen Jump Alpha starts in January 2012, Viz stated in a press release that they will end up being only 2 weeks behind their parent anthology in Japan. Only 2 weeks. And Shonen Jump Weekly Alpha will be available through Viz Apps in all iPhones, iPads, iPod Touch and through even some Android apps.
   Shonen Jump Weekly Alpha will be available through year long subscriptions . .. 52 issues (one every week) for $25.99 or rent single issues for a month at 99 cents. To even catch up to the new jump on points in Shonen Jump Weekly Alpha, Viz unleashes it's Shonen Jump Digital Warp; which will collect graphic novelization that will summarize and catch up to their starting point in Alpha without taking much away from their previous stories. They recently started with releasing 7 graphic novels of Naruto online in 7 days and added other popular Shonen Jump properties such as One Piece and Bleach.
   Shonen Jump Weekly Alpha will debut with Naruto, One Piece, Bleach, Nura: Rise of the Yokai Clan, Toriko and Bakuman and is slated to start January 31st, 2012 while the Final Print issue of Shonen Jump Monthly will be on sale in April 2012.



ANNIE GET YOUR GUN (OR ARROW)

by Special Correspondent, Derrick Jones


It is the comeback of the season and it has everyone abuzz. Ann Nocenti returns to the world of comics
after a fifteen year “break”. The project that brought her out of hiatus is one of DC’s new 52 titles Green
Arrow. Announced recently at the 2011 New York Comic Con, Ann will be taking over writing chores for
the recently relaunched book from J.T. Krul with her first issue hitting stands March of 2012.

Ann was very busy in the 80’s and 90’s in the comic world wearing writing and editor hats, her most
notable and well-remembered work being her Daredevil and New Mutants runs. She is also co-creator
of some popular characters including one of my personal favorites Longshot. Ann got her start at Marvel
comics as an assistant editor, a position she got after bluffing her way into an interview after reading
about the position in the “Village Voice”. While most of her work was at Marvel she did a fair share
at DC but as time went on found other projects outside the comic realm that seemed to speak to her
more. In an interview on Manwithoutfear.com she answered a question thus

“I edit and write for a film magazine now, called Scenario, and I'm in the middle of a mystery novel, so I'm pretty busy with that. Next on my plate as a writer is maybe some TV work, maybe another X-Men prose novel. I had a lot of fun writing the Prisoner X novel. I'd love to write comics again, if the right project crossed my path, with a company and/or editor I trusted. The business has been kind of ugly and traumatic for the past handful of years. Projects I loved stories that are probably my best work, were dumped and never saw print when the industry sales collapsed, companies went bankrupt, and scores of comics
were cancelled. A few years ago I was hired to write a treatment and first issue for a comic called "The Darkness" for the cats at Top Cow. They used my work, but never paid me, never credited me. That experience turned me off to comics quite a bit, and I'm afraid stories like that are typical of the business these days. But hopefully comics are on the rise again, and I'll be able to be part of that.”

When coming back into writing Green Arrow, she commented during NYCC on her approach:

I have a particular way of writing a comic. Comics are short. Yhey are only twenty pages, so you can take a year of comics and that can be your opera, and the opera can have a lot of different passages in it. I kind of believe every issue should be a single story, just a complete story. But there is a momentum that forms like triptychs over it, and then it forms your big overtures, and then the whole thing ends up kind of operatic. I also want a beginning, middle and end, a classic short story approach to every single comic. What I do is I try to figure out, what is the kick in this comic, what is the main feeling I want to get, and everything in the comic has to serve that. I mean, this is real technical writer talk and probably boring for most! [Laughs] I think where comics get in trouble is when they try and plot too much in a single issue. It's only twenty pages and you should leave with a feeling that you get from reading a short story or watching a short film. But most of all I want to have fun, because if I have fun, the book will be fun!

Well Ann, I hope that, for you, comics are indeed on the rise again also and that you will stick around for a
long time.


VIDEO OF THE WEEK:


Was going to put this up last week but . ..















Looking forward to this when it premieres next year.


That's it for this week. More news next week