Showing posts with label Image Comics. Show all posts
Showing posts with label Image Comics. Show all posts

Saturday, November 23, 2013

Dead @ 17: The Battle for Darlington Hills Deck-Building Card Game



Dead @ 17: The Battle for Darlington Hills Deck-Building Card Game
 
Take on the role of Nara or Pitch in a battle between the holy resurrected and a seemingly endless army of demons –with original art from Josh Howard, creator, writer, and artist of ‘Dead @ 17’.

San Diego, CA (November 21, 2013)
 Never Peak Games, an independent producer of board and card games, announced the Dead @ 17: The Battle for Darlington Hills deck-building game. Josh Howard has been writing and illustrating comics for 10 years and is best know of the indie horror series Dead @ 17, published by Image Comic. His other credits include Black Harvet (Image), Clubbing (DC/Minx), Ghostbusters: Con-Volution (IDW), and The Lost Books of Eve (Viper). He is currently at work on the seventh installment of Dead @ 17, scheduled for release in 2014. Funding for the game is now taking place on Kickstarter: http://www.kickstarter.com/projects/neverpeakgames/josh-howards-dead-17-battle-for-darlington-hills

The world of Josh Howard's Dead @ 17 comes to life as players take on the role of Nara and her friends or relentless demons fighting a war for our souls. The battle rages through the streets of Darlington Hills where players must use every weapon they can get their hands on to protect our world or destroy it. Who will be victorious in this epic clash of good vs. evil? Using their starting decks, players will earn powerful cards and enhancements to fight for control of the familiar locations in the Dead @ 17 universe. Demons must be banished before the gates of Hell are opened.

Featuring 209 cards, 3 large location tokens, and 39 resource tokens with Kickstarter rewards and stretch goals that include an exclusive backer-only Dead @ 17 comic, promo cards, and multiple expansions.

Dead @ 17
 is currently seeking funding at www.kickstarter.com. For more information about Dead @ 17 the board game, please visit www.neverpeakgames.com.

About Never Peak Games
Founded in 2011, Never Peak Games is an independent producer of board and card games. Never Peak Games is looking to make its mark on the hobby gaming industry by combining amazing art with compelling game play that will keep players coming back to the table.

Monday, October 21, 2013

Comics News: New Age of Bronze Continues Trojan War



FOR IMMEDIATE RELEASE

NEW AGE OF BRONZE GRAPHIC NOVEL CONTINUES THE TROJAN WAR


Berkeley, CA—Oct. 18, 2013 Image Comics announces Age of Bronze: Betrayal Part Two, the new book in Eric Shanower’s award-winning Age of Bronze graphic novel series. The book compiles issues 28 - 33 of the critically-acclaimed Age of Bronze comic book series, which tells the complete story of the Trojan War. Age of Bronze: Betrayal Part Two retails for $28.99 hardcover and $18.99 paperback. Find it at your local bookstore (hardcover ISBN 978-1-60706-757-3, paperback ISBN 978-1-60706-758-0), in your local comic book store (call 1-888-COMIC-BOOK for the store nearest you), or online at www.age-of-bronze.com.

As the Greek and Trojan armies clash, the action begins immediately where the previous volume left off. It’s the first battle in a war that will last for ten long years. Achilles fights Hektor with sword and spear while from high on the walls of Troy Helen watches warriors fall dying into the dust.
Inside the city of Troy elaborate schemes of royal intrigue play out. Pandarus manipulates his niece Cressida into becoming the lover of the Trojan prince Troilus. But when the Greeks take Cressida prisoner Pandarus’s plan blows up in their faces. The players scramble for safety, but not all of them can find it.

One of the fascinating aspects of Age of Bronze: Betrayal Part Two is how graphic novelist Eric Shanower adapts earlier tellings of the Trojan War into his story. Betrayal Part Two includes Shanower’s version of a William Shakespeare play. Shanower explains, “Shakespeare’s Troilus and Cressida from 1602 is considered one of his problem plays. The scene when Cressida meets the Greek leaders and they take turns kissing her is powerful, but many productions make Cressida a willing participant. I couldn’t see her doing that, so I found a way to stay true to Shakespeare and true to the characters at the same time.”

Shanower’s elegant pen-and-ink drawings and deft weaving of the story bring Age of Bronze: Betrayal Part Two to brilliant life. Readers will thrill to the action and suspense in this newest book in the series that Salon.com has called “fit for the gods.”


Image Comics is a comics and graphic novels publisher formed in 1992 by a collective of best-selling artists. Since that time, Image has gone on to become one of the largest comics publishers in the United States. There are currently four partners in Image Comics (Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino), and Image is currently divided into four major houses (Todd McFarlane Productions, Top Cow Productions, Shadowline and Image Central). Image comics and graphic novels cover nearly every genre, sub-genre and style imaginable, offering science fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. Visitwww.imagecomics.com.

Tuesday, July 2, 2013

Comic News: Burn the Orphanage Comes to Image This August


Starting in August, Image Comics will show readers that revenge is a dish best served with blazing side-scroller-style action when it publishes BURN THE ORPHANAGE, the first part of the BORN TO LOSE trilogy by Sina Grace (THE LI’L DEPRESSED BOY, NOT MY BAG) and Daniel Freedman (UNDYING LOVE).

Rock was a young orphan when he was left for dead in a burning building, and now he’s out to find the person responsible. With action inspired by 1980s video games like Double Dragon and Streets of Rage, Rock will take on every goon and punk in the city, along with his friends Lex and Bear, who bring their own talents into the mix.

"I'm lucky enough that I get to work with one of my best friends on a comic book that was birthed from a love of video games, music, and styles of our shared childhood,” said Grace, who both co-writes and draws the series. “We're going to put our rough and tough hero Rock through the wringer in Burn the Orphanage, and I'm glad that the industry embraces the product of our intense friendship."

Co-writer Freedman agreed. "Burn the Orphanage is Sina’s and my baby to the world,” he said. “While it was in our collective womb, we piped in shred guitar and 8-bit techno. Birthed it by way of interstellar travel. Nursed it on an unhealthy amount of side-scrolling, brawling, and button-mashing. And clothed it in the fur-lined rags of our childhoods, meaning acid washed jeans, bandanas and fishnets. I'm just excited for people to finally get a look at this monster. "

Grace and Freedman talked about the BORN TO LOSE trilogy and their influences, appropriately, at IGN. BURN THE ORPHANAGE, the first issue of the BORN TO LOSE trilogy, will feature a variant cover by CHEW artist Rob Guillory and a Hastings-exclusive cover by Riley Rossmo (BEDLAM, DÍA DE LOS MUERTOS), both of which were revealed on MTV Geek.

BURN THE ORPHANGE: BORN TO LOSE #1 will be in stores on August 7.

Tuesday, June 18, 2013

Comic News: Monkeybrain & Image Comics/Shadowline to Bring Out Masks & Mobsters Hardcover

IT’S CAPES VS. TOMMY GUNS IN MASKS AND MOBSTERS


MASKS AND MOBSTERS was hailed as one of the best webcomics of the year when it was released by MonkeyBrain in 2012, and now the Image Comics imprint Shadowline is bringing it to print in style, with a deluxe hardcover edition that collects all seven issues. Written byJoshua Williamson (GHOSTED, DEAR DRACULA) and drawn byMike HendersonRyan CodyJason Copland, and Justin Greenwood, MASKS AND MOBSTERS explores the secret stories of superheroes and mobsters vying for control of Golden City.

Writer Williamson imagines a world where, in the 1930s and ‘40s, superheroes and supervillains didn’t start appearing just in the pages of comic books but in flesh-and-blood life, confronting the underground powers that had maintained a fearful status quo.

"One of the things that always has stuck with me was... if all these superheroes started to pop up, how did that affect the mob's business?” said Williamson. “The masked men couldn't be paid off, and the supervillains didn't care about paying dues, right? How did organized crime deal with it all? I wanted to see that world from their perspective.”

Praise for MASKS AND MOBSTERS:

“Best digital series [of 2012]... an intriguing black-and-white tale about gangsters, snitches and the first caped do-gooders.”
– USA Today
 
"Smart work brilliantly presented. My favorite Monkeybrain series."
– Mark Waid

"Masks and Mobsters is such a fantastic idea that I burn with jealousy I didn't think of it first. Fortunately, Joshua Williamson, Mike Henderson, and company are doing things with the notion that I never could have imagined possible. One of my absolute favorite comics currently being published."
– Chris Roberson 

MASKS AND MOBSTERS is a 128-page, black and white hardcover, retailing for $19.99 (ISBN 978-1-60706-765-8). It will be in stores on July 3 and can be pre-ordered from the May issue of Previews.

Comics News: Image Comics Unveil Image Expo 2013

IMAGE COMICS ANNOUNCES IMAGE EXPO 2013


Image Expo 2013
 is a unique media event that will take place in San Francisco’s Yerba Buena Center for the Arts on July 2, 2013.

An all-day event featuring announcements from Image Comics, the publisher of the best-selling comic book titles THE WALKING DEAD, SAGA, FATALE, EAST OF WEST and JUPITER’S LEGACY, Image Expo will also be host to superstar creators, including Image partner and THE WALKING DEAD creator Robert Kirkman; Ed Brubaker, co-creator of the Eisner-nominated FATALE; J. Michael Straczynksi, whose Joe’s Comics imprint has debuted TEN GRAND and unveiled SIDEKICK; and Kurtis J. Wiebe, writer of the skyrocketing Shadowline title PETER PANZERFAUST. There will also be special surprise guests, revealing panels, and autograph sessions. Tickets for this exciting event are available now!

Image Expo 2013 will be be the most intimate comics event of its kind, offering unprecedented access to creators, exclusive swag, and the first chance to hear what the publisher that has been taking the comics industry by storm has planned for the future.

Image Comics fans can keep on top of all the latest Image Expo 2013 developments at www.imagecomics.com/expo for ticket information and guest announcements.

Saturday, May 18, 2013

Saga # 12 Review (Mature Content Warning)

WARNING: MATURE CONTENT in Review. You have been warned. 

SAGA # 12
Written by Brian K. Vaughan
Art by Fiona Staples
Image Comics



FLIPPING THROUGH:

   While we don’t realize it at first, the book opens with a flash back of Robot IV when he was wounded. And OH MY GOD … is that … wow. Okay! Yeah. Robot IV has an interesting subconscious.

            After he wakes up from the flashback/dream, Robot IV gets hounded about finding his prey, Alana, hubby & child, or else. So, he goes to a backwards planet to talk to the author of a book that inspired Alana in the first place. And what starts out as an interesting talk about a writer throwing something together to get paid gets darker and darker as the discussion goes along.

  And as with the beginning of the issue, the end of the issue leaves us with a twist.


ART:

            Fiona Staples is one of the greatest artist of our generation and this issue continues to show why. From quiet, intimate moments such as Robot IV talking to the writer, Mister Heist to the grand opening which has … Robot IV’s television face showing a man …having vivid, oral sex with another man … to a mouse looking medic getting his head blown apart because of gas .. . Staples draws it all with class and style that few other artist I have seen.

            The pencils and inks are smooth. There is enough detail that everyone is distinct. The backgrounds are varied and lush, although a little lacking for this one issue when Robot IV visits Heist. There is emotion in the movements of Robot IV and the faces of Heist that encapsulate the emotions of the subject matter. And the colors just amplify Staples work even more. A wonderful job by Staples in this book.


WRITING:

            Vaughan writes a book that is full of multiple layers and wonderous characters and Saga is no different. This issue really spotlights a lot on Robot IV. We are finding that there is far more to him than we original suspected. From his discussion with Heist, to his dream/flashback of him nearly dying, to possible self loathing issues from his time in combat or even, as the 2 screens may hint, him being gay … Robot IV really shines as a character. He’s very easy to talk to. Intelligent. Feels very duty bound but at the same time, seemingly does not enjoy his station.

            Heist provides an eerie window to both authors who do stuff to get by while also making statements on parents of former soldiers who end up dying or killing themselves due to the horrors of war. Vaughan flawlessly brings about this conversation as it provides great exposition, rising tension, character focus and used to set up what is to come for the next issue.

            The pacing of the book is excellent and Vaughan really gives us a great book that stands on its own while being a part of a much bigger story.


OVERALL IMPRESSION:

            Well damn! I do not think I will forget this issue for as long as I live. It held that much impact on me. Great art. Superb writing. It builds upon what has gone before while really focusing on a character that we had less focus on with good character building, great dialogue and wonderful build up. This issue was AMAZING.


RATING:

            Saga # 12 gets a 9.5 out of 10.  A near perfect issue.

Thursday, March 21, 2013

CoW: Cover of the Week 3/21/13

Elephantmen #47

I know next to nothing about the Image's Elephantmen run. So I'm coming to this cover from a completely unbiased perspective. It's not my typical. It's not action packed. It's quaint; almost tranquil. The shear composition of this cover was orchestrated very well. The white/light background against her brown skin and black hair... The petals falling... And then there is this mech-rhinoceros helmet upon her head that just warrants so many questions. Whats the deal with the helmet? Whats up with the baby rhinothing dressed up as a human baby? Are they worried? Are they scared? Do they feel protected? Calm?  I'm pretty sure this is my favorite cover to date.

Wednesday, February 13, 2013

Comic News: Kirkman's Walking Dead # 1 Exclusive Variants During All Wizard World Cons


Robert Kirkman’s ‘‘The Walking Dead #1’’ Exclusive Variant Covers Available to All Wizard World Comic Con 2013 Attendees
First TWD #1 variant cover by comic writer/artist Michael Golden debuts at Portland Comic Con, Feb. 22-24; Limited Editions Via Skybound Only Available At Wizard World Throughout 2013
NEW YORK, February 13, 2013 – Robert Kirkman, creator and writer of the groundbreaking, Eisner-Award winning The Walking Dead comic book series and graphic novels continues to break records in all of its incarnations. Wizard World and Skybound, Kirkman's imprint at Image Comics, have teamed to bring fans what they want, more of The Walking Dead! Now, all full-price attendees at every Wizard World event in 2013 will receive a limited-edition, exclusive cover variant of The Walking Dead #1.
A different superstar artist will create the variant cover art for each of the eight scheduled shows this year. Comic book writer/artist Michael Golden illustrates the first variant cover at Wizard World Portland Comic Con, Feb. 22-24 at the Oregon Convention Center. At each event, the cover artist will be on hand to sign fans’ copies. More cover artists will be announced shortly.
The exclusive The Walking Dead #1 editions will be produced in extremely limited quantities and are available to fans only while supplies last at each Wizard World convention.
Wizard World cons have always been great events for The Walking Dead,” said Kirkman. “I’m excited to present the all-new #1 cover variant by the legendary Michael Golden at Portland Comic Con this year.”
John Macaluso, Wizard World CEO added, “With The Walking Dead #100 as the highest-selling comic book of last year, we are absolutely thrilled to have this exclusive book that started it all available to all our Wizard World fans, beginning in the Pacific Northwest. Giving it away for free to all paid attendees is our way of giving back to the fan community that has supported us!”
The Walking Dead graphic novels accounted for seven of the 10 bestselling titles of the year and were #1 overall for both 2011 and 2012.
Michael Rooker and Norman Reedus, stars of the AMC series based upon The Walking Dead will attend Wizard World Portland Comic Con. Comics legend Stan Lee, Happy Days star Henry Winkler, Evil Dead star Bruce Campbell,Homeland headliner Morena Baccarin and WWE® Superstar The Miz® are among the other headliners. They will be joined by a top-drawer collection of well-known artists and a variety of activities, exhibitors and special attractions in the first event on Wizard World’s 2013 calendar and the first Wizard World event in Oregon.
Wizard World Portland Comic Con, produced by Wizard World, Inc. (WIZD.PK), will bring together thousands of fans of all ages to celebrate the best in pop-fi, pop culture, movies, graphic novels, comics, toys, video gaming, television, sci-fi, gaming, original art, collectibles, contests and more. Admission is free for kids 10 and under, and Sunday, February 24, is “Kids Day,” an array of programming specially designed for children. Event hours are Friday, Feb. 22, 3-8 p.m., Saturday, Feb. 23, 10 a.m.-7 p.m and Sunday, Feb. 24, 10 a.m.-5 p.m.
About Robert Kirkman
Robert Kirkman's success and passionate advocacy for creator-owned comics led him to become the first person invited to become a partner at Image Comics since the company's inception twenty years ago. Kirkman is the creator/writer of the Eisner Award-winning The Walking Dead, long-running Invincible, all-ages Super Dinosaur andThief of Thieves. In 2010, Kirkman formed his own Image imprint, Skybound, which publishes his own work and Witch Doctor, Invincible Universe and Clone. Kirkman has earned the respect of the comic, writing and television communities and topped the New York Times bestseller list for graphic novels in 2011 and 2012. In April 2012, he took the top five spots on both the hardcover and paperback lists. He's the creator/executive producer and writer of the hit Emmy®-winning television show, AMC's The Walking Dead, the highest-rated basic cable drama of all time in the U.S, also an international success in 122 countries and 37 languages. AMC is developing Thief of Thieves as a potential series with Kirkman serving as creator/executive producer and writer. Your destinations for all news and merchandise from Robert Kirkman, The Walking Dead and all Skybound titles is www.Skybound.com andwww.TheWalkingDead.com
About Skybound
Skybound is the home of Robert Kirkman's creator-owned work including his Eisner Award-winning comic book series,The Walking Dead, long-running Invincible, all-ages Super Dinosaur, Thief of Thieves and Clone as well as Witch Doctor and Invincible Universe. Since its inception, Skybound has created television shows, merchandise and a wide spectrum of platforms, games (The Walking Dead: Assault iOS app), and entertainment events (The Walking DeadEscape). Skybound's successes include the comic behind the hit Emmy®-winning television show, AMC's The Walking Dead, the highest-rated basic cable drama of all time in the U.S, also an international success in 122 countries and 37 languages. AMC is developing Thief of Thieves as a potential series. Skybound/Kirkman frequently top the hardcover and paperback bestseller lists. Your destinations for all news and merchandise from Robert Kirkman, The Walking Dead and all Skybound titles is www.Skybound.com or www.TheWalkingDead.com
About Wizard World
Wizard World produces Comic Cons and pop culture conventions across North America that celebrate graphic novels, comic books, movies, TV shows, gaming, technology, toys and social networking. The events often feature celebrities from movies and TV, artists and writers, and events such as premieres, gaming tournaments, panels, and costume contests.
The 2013 event schedule to date can be found at www.wizardworld.com.
***** SAVE THE 2013-14 DATES *****
February 22-24 – Wizard World Portland Comic Con
March 22-24 – Wizard World St. Louis Comic Con
May 30 - June 2 – Wizard World Philadelphia Comic Con
August 8-11 – Wizard World Chicago Comic Con
September 20-22 – Wizard World Ohio Comic Con
October 18-20 – Wizard World Nashville Comic Con
November 22-24 – Wizard World Austin Comic Con
February 7-9, 2014 – Wizard World New Orleans Comic Con

Monday, February 11, 2013

Mario Gully (O.M.G) quits ANT due to racy fight scene.


Back in 2012 O.M.G sold his beloved ANT to Erik Larsen, and the two had decided that they would conclude the series with one final issue that would tie up the dangling plot lines from the previous series. After that Erik Larsen would reboot the series, and go his own direction with the character.

So O.M.G would get a script along with breakdowns from Erik Larsen, and O.M.G being the creator felt he knew his character best would follow Erik’s script, but made small tweaks that he felt would show his flavor and ultimately give his character a proper sendoff. 

The changes had ANT in a deadly match against a villain where she got her foe into a leg strangulation with her legs and the bad guy has his tongue come out licking her vagina. Here is the image below.

Here is the page that steered the hornets nest? What do you think?


Erik Larsen was not quite as thrilled about the scene and almost worried that he could get sued, along with retailers which I felt was a odd response considering that Image Comics had published Howard Chaykin’s Black Kiss II that had very explicit sex scenes, erect penises left and right, hardcore sex scenes, blowjobs and crotch shots.

Here is what Erik said:

Erik Larsen I like Mario's work--make no mistake--and this is sexy as all shit--but panel two would mean this book would be on the porn shelf. Retailers would hit the roof if this showed up without having been told about it. I'm not saying the book needs to be suitable for a six-year old--but I don't want retailers being sued for selling adult material to minors either. It can be sexy--WitchBlade is sexy--but it can't be obscene and panel two with a tongue out at her crotch and panel three with a dripping cooch is asking for trouble.

Then he shows what his scripted breakdown page looked like, and what he expected O.M.G to draw, and didn’t want any deviations of the completed page. He felt that the page was awkward.

Here's the page Erik had laid out and wanted O.M.G to follow.  You decide?

 Mario felt that he was censored but Erik argued it was the other way around.

Erik Larsen This isn't a case of me "censoring Mario"--it's a case of him not following the script. If you're writing a story and ask for a shot of a character kicking a bad guy and you get back a shot of the bad guy licking her crotch--it's unreasonable for the guy who made the change to argue censorship. He's censoring me--not the other way around.

Mario charged back.

Mario Gully: I'm a keep this shit real. Erik, first off..I was helping you out. My storytelling isn't flawed, its that you don't know Ant at all. First.. Ant is bulletproof. Her Suit is her SKIN harden to armor. She is bulletproof to small and heavy gunfire bro. She blocks bullets because she can. I'ts fun for her. So, Having her use a "human shield" is cute but I decided to put some stank on it. For your info.. she jumped on his shoulders/ blocked bullets and broke his neck... and yes his tongue slobbered on her Pussy. That's ANT bro. Are you serious? In the following panel.. where she is running...Ant don't run bra. She fought a whole army remember? Issue 5? I guess you guys-- think I was just bullshitting huh? Why would she run from a few guys with gun?? Instead, I appealed to your ego and made her get a better position. I don't run from fights. She don't either. Now about the Pussy licking? Who in here don't eat pussy? Honestly..RAISE YOUR HANDS IF YOU EAT PUSSY!! We all do. If you don't either are a lie or pussyless. I hate censorship and this is a sad example how far Image has fallen. I not changing your book. BTW didn't even get my imput on it which in itself is dumb. You don't know Ant better then I do. Just like that time you drew a tumbnail of Ant and Spawn cover#3. I drew it flawed for me to not correct my idol and drew a bad ass ANT IN SPAWNS LAP!! Same thing happening here ..yeah, And it's funny how a few post ago how that very cover was posted here! My last point. I think people are tired of seeing the same old shit. I KNOW i'm tired of looking at it. I also tired of be underestimated. I think nobody can draw Ant better then I can. Because Ant has soul. I've had letters from ministers and from single parents that got her. I don't think you get it Erik and that's cool. You will find out like the rest. Now. Respectfully I would like very much to draw this book and end with Image with a conclusion and teaming up with you will be nice. But I'm O.M.G man...Mario been gone for some time. So if I draw Ant..your story of not, I got to do my thang. Breaking a neck instead of shooting a guy is still killing him. If you think that I'm really going left then we do have a problem. I got to play my way. Shit, if I can't keep it real then comics are doomed. None of ya is a real as I am and one of these days you will appreciate it. Erik you can make Ant like a all ages Spiderman if you want to. But I know the bitch! People remember when in Ant unleashed her roomate sucking dick. If you turn Ant into a billiondollar girl it will forever trickle down to O.M.G. and I'm raw and uncut so...yeah. They want to see that shit. What gets me the most is everyone passed on Ant and thought it was a bad idea. You even said that " Ant was "too urban" and "Ant was the worst book at Image"! After me proving everyone wrong a million...lets say Thousands times over you guys still think you are right? I hope you are. I hope you can make a sucessful ANT without me. Nobody else did. It's you who should ask me how to make an Ant book. Not the other way around. You'd fuck it up.

Then Erik said.

Erik Larsen This is a free country. If Mario doesn't want to draw my story he can absolutely choose not to that.

Erik Larsen Hell, I encouraged Mario to do his own stuff. I wasn't twisting his arm to do this story.

Ultimately O.M.G relented and just let the topic go.

Mario Gully Honestly I'm over it. Especially now. I'm a do my own books my own way and see how it goes. Tongues?? Shit it gets way worst then that!?! I'm way beyond all this. Erik do Ant the best you can and I wish you the best. 

O.M.G

Erik Larsen Thanks, man. Sorry it went down this way.

Erik Larsen I do think folks deserve something of an explanation: Mario sold the character Ant to me last year. The book hasn't been published in years. Mario was NOT going to continue working on the book. He was done. He was going elsewhere to start something new. I was going to restart the book fresh--and do a new series that I would write and draw. 

Mario offered to do a last issue of his series to tie up the loose ends. I'd already laid out a bunch of pages for an issue #12 some years back and he agreed to work from those.

So--this wasn't a situation where it would have been an ongoing book with Mario back onboard. He was moving on. All this would have done is a single issue. We'd finish off the old series and honestly--it was an odd fit--an odd publishing choice on our part. It really didn't make a lot of sense to do a final issue of a series that had been discontinued long ago just to give it closure and then restart it. But I hate dangling plots and Mario seemed willing to do it so off we went.

But the book was a general audience title and the book will be a general audience title and it makes even LESS sense to do an isolated mature readers issue to cap off a book that ended a few years ago.

In any case--it is what it is. I'm not going to force Mario to draw my story and he's not going to force me to change my story so that's the end of that. As far as I know Mario's drawn just the one page so it's hardly the end of the world.

So that’s with the main thrust of the conversation between both Erik Larsen and OMG aka Mario Gully?

What do you think? Were the images to racy?

In my personal opinion, sure the images were racy, but Ant had always been a racy book, especially the later books. Furthermore, we all know that Image comics do publish comics that have hardcore sexual themes, but to suddenly have Erik Larsen be this squeamish is almost too odd.  However, he owning the character now does give him certain rights. Yet do you think he is being too squeamish? It''s a shame we will never see another Ant by Mario. What could have been. Seeing as he is walking away from the title to pursue new future projects. Let me know what you think.

Good luck, O.M.G.

To follow O.M.G go this his page: HERE

Thank you.

Jake Estrada

Any questions please email at estradajake@yahoo.com