Showing posts with label Voodoo. Show all posts
Showing posts with label Voodoo. Show all posts

Monday, March 17, 2014

1st Impressions: SHADOWMAN # 16

SHADOWMAN # 16
Written by Peter Milligan
Art by Roberto de la Torre & David Baron
Valiant Comics


FLIPPING THROUGH:
                The Abettor decide that want to take out Jack with the Screaming Whip, a mystical whip that was used on slaves and mystical beings. Yet, Alyssa realizes that she’s been played and helps Jack make some tough choices. Jack finds that he must confront demons head on in order to regain control of the Loa.

ART:
                De la Torre does a spectacular job this issue with his art. A great amount of detail alsongside some very moodly looking backgrounds. De la Torre presents a very gritty look at Shadowman and his battle yet can also produce some powerful, emotional panel work.  De la Torre does a good job with creating angles in panels that make things visually appealing and not typical.
                The grittiness is balanced out with Baron’s colors as he knows what scenes to keep dark and dreary while other scenes are a little brighter. Baron does a fantastic job of coloring the right tones to match the mood of the scene while also creating something very appealing with De la Torre’s art. A really fantastic job from this creative team.

WRITING:
                Milligan wins me over with this final chapter of his first storyline. Jack and Alyssa get some very strong development while also tying up all the loose ends of the storyline. Jack, especially, seems to have growing a lot in the course of the story as he faces his demons, personal and real, head on. Milligan captures the right amount of emotion for the book  he redefines Jack and Alyssa during this last chapter.
                The pacing was great as we got a very packed issue but it didn’t feel too heavy. There seemed to be just enough between action and drama to really make the book stand out. The dialogue definitely felt real and Milligan adds more and more to the Shadowman mythos.  An outstanding finish by Milligan.

OVERALL IMPRESSION:
                At the beginning of the storyline, I was not too keen on this new direction. Now, I am very much on board. This issue tied up everything well with great art and some powerful moments. The cliffhanger ending will make you want more. That said, this was definitely a great issue.

RATING:

                I give Shadowman # 16 a 10 …. Out of 10. This issue was perfect. Pick it up.

Saturday, January 18, 2014

First Look: A Look to the Future in Milligan's SHADOWMAN: END TIMES

SHADOWMAN: END TIMES #1 – Coming in April from PETER MILLIGAN and VALENTINE DE LANDRO!


Valiant is proud to announce Shadowman: End Times #1 (of 3) – an oversized, prestige three-issue mini-series from master storyteller Peter Milligan (Hellblazer) and acclaimed artist Valentine De Landro (Bitch Planet)! The end times begin this April when Valiant unleashes an all-new starting point for New Orleans' nocturnal guardian and a perfect introduction to Peter Milligan's sinister new direction for Shadowman!

Jack Boniface thinks that he's finally fixed his life — and the source of the dark power inside him. But when a figure from the past emerges to reveal the troubling truth about his destiny, the latest Shadowman will be forced to run a gauntlet of his darkest fears realized: the rise of a wild new pantheon of Voodoo loas… the return of his father, Josiah…and the earthly restoration of his oldest and deadliest enemy, Master Darque. Make no mistake — doom is coming for Shadowman…and the devastating consequences are about to lead Jack Boniface to a perilous new turning point!

"I don't want to give too much away, but I will say that it's unlikely if Shadowman could ever be the same again after this mini-series. As to what hope fans might have of Jack and Shadowman making it out of this adventure, I'll quote Shelley: 'Hope may vanish, but can die not," Milligan told Newsarama

"Shadowman: End Times is where we absolutely blow it up," added editor Alejandro Arbona. "Peter has masterminded a long-term plan for Shadowman, and End Times is its beating heart and guts. Frankly, it's like nothing I've ever read in superhero comics. Don't think of it as an ending…it's the beginning of a Shadowman we've never seen before."

This April, Shadowman gets pushed to the edge…but can Jack Boniface survive the plunge? The answers await in Shadowman: End Times #1 (of 3) – featuring covers by red-hot talents Giueseppe Camuncoli (Superior Spider-Man), Jeff Dekal (Journey into Mystery) and David Mack (Daredevil,Kabuki)! Start reading here this April with an all-new entry point into the savage depths of Peter Milliagn's Shadowman saga!

For more information, visit Valiant on Facebook, on Twitter, and at ValiantUniverse.com.

For Valiant merchandise and more, visit Valiant.CinderBlock.com.

SHADOWMAN: END TIMES #1 (of 3)
Written by PETER MILLIGAN
Art by VALENTINE DE LANDRO
Cover by GIUSEPPE CAMUNCOLI
Pullbox Exclusive Variant by JEFF DEKAL
Variant Cover by DAVID MACK
$3.99/T+/40 pgs.
COMING IN APRIL!



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Friday, December 21, 2012

SPECIAL: Ron Marz & Erik Larsen Tweet About Writing Comics


Last Night, Ron Marz (@ronmarz , writer of various comics including current writer of Artifacts after a long run on Witchblade & papa to Kyle Rayner) started a discussion and gave a how to write comics. As his tweets went along, he was soon joined by other creators, such as Erik Larsen (@ErikJLarsen)& more.

Here is a transcript of the Tweets in semi paragraph form & take notes hopeful writers. I KNOW I DID.

RON MARZ:

First, I write 1-20 (or however many pages) down the side of a piece of notebook paper. I pace out what happens on each page in.....just a few words or a sentence. You make sure your story fits into the allotted space in this way. Then on notebook paper I break down each page into panels, figuring out the visual storytelling. No specific number of panels per page......is right or wrong. It's about what each page needs. But remember, somebody has to DRAW this. Don't overload the page with too much.But also be aware that each page is precious, and should add another building block to the overall story. Every page must have a purpose.
I'll include dialogue notes to myself in the page breakdowns, so I know there's room to convey information and characterization.You should have a page-turn/cliffhanger moment at the end of every page; metaphorically, you ask a question at the end of every page......"what will happen next, who is casting that shadow, who said that from off panel?" etc. Make reader turn the page to get the answer. Page-turn moments are more important at the end of odd-numbered pages (which are actual page turns).
Once I'm happy with the breakdowns -- and stuff gets moved around at this stage -- I type up the breakdowns and dialogue notes in MS Word. I don't use Final Draft or any screenplay software, because your script is NOT a screenplay. Your script is a long letter to the artist......so he/she knows what to draw. Writer's job is to give artist all info they need to draw the page, and then LET ARTIST DRAW THE PAGE.
Artist will interpret and often improve the picture in your head. Add panels, combine panels, change angles, etc. That's the artist's job. The artist is more than likely BETTER at it than you are. So don't expect artists to be art monkeys obeying your whims. Collaborate. Once I have breakdowns and dialogue notes typed up, I go through and write a more complete take on first-draft dialogue. First-draft dialogue is wretched, but conveys what will be said, in what order, and how much balloon room needs to be left. 
When that's done, off the script goes to the editor and artist. Include color notes if you have them, since colorist should get a copy too. As they art comes back in, I write the final dialogue, so it's matched to what's on the page. Adjust your script to fit the art. It's easier and more time effective to rewrite dialogue than redraw pages. Adjust what you do to what the artist does. Remember: 5 or 6 people in the world will read the script (editor or two, artist, letterer, colorist). Your script is NOT the final product.The comic is the final product. All parts of process should be working together to make a great comic, not to give any one part precedence. Also be aware that different types of scripts work better or worse for different artists: more detail, less choreography, etc.  If I can't see the page in my head, I do not have the right to hand it to the artist and say "draw this." But ... I fully expect the artist to come back with something different than what's in my head. That's where the creative magic is. 
Things to know: how much visual info fits on page; how much visual info fits in panel; how much lettering fits in a balloon and in a panel. Another thing to know: characters CANNOT perform multiple actions in a panel. Can't park a car, get out and walk into building in one panel.  When you write stuff like that, artists curse you soundly, laugh at you behind your back, and then tell other artists about it.Starlin explained it to me like this, at start of my career: each panel is a frozen moment in time. The job is to show the right moments.So that's what I know. Now I gotta go write some comics.
And that was what Ron Marz stated. He was then asked questions that he answered like:

The choice between breakdowns and full scripts, Marz answered:

Depends on the artist. Many are used to full script, because plot style has become much less common.
I'll work whatever way artist is comfortable, and yields best book. Sometimes I have specific thing that needs full script.
And Marz reiterated the importance of the Artist:


As I said earlier, writer gives the artist everything needed to draw the page, then artist decides how to do it.



And shortly after he sparked this fire, other creators sounded off. One of the most vocal is comic icon and veteran Erik Larsen added his own advice:

First things rookie writers need to understand is that they're not writing a movie. Characters can't do multiple tasks in one panel.  Second--is to understand that a reader sees every panel of a spread at once. Surprises don't work in panel three on a right-handed page.

And Erik went on to give answers to hopefuls on twitter which hold wisdom such as:

When dealing with ads:

generally writer contend themselves with single page bites and having each end on a mini-cliffhanger.


Also:

If you can cut a panel without harming the story--cut it. Keep only panels that add something. 
writing comics is a totally different discipline. You need to be succinct.

Every kind of writing has its rules. The important thing is to use them.
 

A lot of sound advice here. Hopefully, any one who wants to create comics get's something out of this.

Monday, October 15, 2012

Blue Beetle, Grifter, Frankenstein and Legion Lost Join the Pit of Cancellations



    Yep. DC does it again. With their low selling performances, Legion Lost, Frankenstein  Blue Beetle and Grifter will all be cancelled as of their #17th issues. This titles, added to the other previous cancelled books that include Voodoo, Static Shock, Mr Terrific, Blackhawks,OMAC, JLI, Men at War, Hawk & Dove, the recently started GI Combat, Resurrection Man and  Captain Atom. That makes 15 titles, over 1/4th of the new 52 has been cancelled.

   While the announced new Superman title by Snyder & Lee plus Justice League of America do bring in some hope ..., that doesn't change the fact that DC is getting very used to chopping off titles.

  According to CBR though, not all the cancellation were part of the 4 lowest selling books:

Fro example, two of the cancelled books – "Grifter" and "Blue Beetle" – are definitely the lowest-selling books in the New 52 line that haven't been announced for cancellation already, so their end comes as no surprise. However, "Firestorm: The Nuclear Men" is next in lowest sales before "Frankenstein," and a number of other titles like "Hawkman," "I, Vampire" and "DC Universe Presents" mix in before "Legion Lost." Meanwhile, the next lowest series up are "Deathstroke" and "Demon Knights."


    The final issues of these books will hit stores this February. And maybe it is time to have Grifter & Voodoo on a new incarnation of WildCATS .... I'm just saying.

Friday, July 20, 2012

Do You Like Your Aliens Bi-Sexual: A Voodoo #1-8 Review





Voodoo 
Issues #1-8 
Written by Ron Marz & Joshua Williamson
Art by Sami Basri

DC Comics

Review by Frankie Rodriguez



TALE OF THE TAPE

     Long time ago, during 1993, Jim Lee had joined 6 other artist to form what is now called Image Comics. His studio, Homage, grew and became Wildstorm. Jim Lee's first book with Image Comics was called WildCATS. WildCATS has become a very popular property;so much so that it had a 13 episode cartoon series on CBC back in the 90s. Then it was reran on USA. The team comprised of many characters ... Grifter and Voodoo among them.

    Voodoo was introduced as a stripper who can see the alien Daemonites within the humans they possessed. She joined the WildCATS and Alan Moore had unlocked much potential with her; giving her training from Zealot to her being part Daemonite herself, Voodoo had gone from the whiny girl to a kick ass fighter.

   Fast Forward to September last year, the new 52 titles were coming and the Wildstorm characters had gotten intergrated into the new DC Universe. Grifter and Voodoo both getting their own series. How does Voodoo pan out? I'll give you that answer.



RUN DOWN

    Voodoo starts with our main character ... on all fours in a strip club called the Voodoo Club, dancing. Want to get attention right away, huh Marz? And attention she gets as many men and at least one woman are  staring at our man star as she strips off her top. The woman and one of the men in question are Special Agents Fallon (the woman) and Evans (one of the guys).They argue about them keeping tabs on their target and Fallon mentions how she does not want to be there. Evan states how he wants to stay close while Fallon reminds him that they are not to engage without executive orders. Evan's just watches Voodoo . .. much to the disgust of Evans who leave ... and finds herself beating up 3 guys outside the club before going back to the hotel.
Working hard for her money

   Voodoo shakes her ta tas and body some more while Evans gets a  . .. waitress at the strip club to give him Voodoo's real first name; which is Priscilla. After a small but interesting scene where Voodoo talks to the other strippers about helping each other and how men put down their defenses ...and wallets while they are at the strip club, she ends up being called into a private room where she was told that a customer wants a private dance. She enters the room and low and behold . . . it's Evans.  Evans and Voodoo have some flirting banter as she removes clothes still Evan's pushed a conversation about her past. Voodoo gives a story  about being a 'mixed-race' which Evans calls bullshit on.

   Evans proceeds to ignore a call from Fallon while telling Voodoo that he's a special agent and that they are on to her being an alien with shape changing and telepathic abilities. Then the smart special agent goes on about how they are gonna strap her down, cut Voodoo open and study her so they can know how her 'species' operates. Voodoo locks eyes to get a great telepathic visual which prompts her to slice open Evan's with her hands after she shape shifts to her real form. After killing Evans, Voodoo walks out, fully clothed, saying she quits. Fallon calls Evan's cell again but Voodoo answers it after shape-shifting into Evans herself.

    Fallon and 'Evans' romp around in bed while talking over details as to when they are supposed to attack Voodoo. The phone rings once but 'Evans' convinces Fallon to ignore the phone to fool around more. After more talk of the attack on Voodoo and how they could lose their jobs over what they are doing, naked 'Evans' crawls out of bed and goes to the bathroom. While in the bathroom, Fallon gets another phone call. Inside the bathroom, ' Evans' shape-shifts back to Voodoo and decides to leave. Fallon drops her cigarette as the call says they found Evans in the Voodoo Club ... dead.

   Fallon goes to the club to look over what happened to Evans and vows to get Voodoo. As Voodoo, now clothed, tries to get out of town as quickly as possible, she runs into her first encounter with the Black Razors  and Black Jack, who looks like Captain Atom Pre-New 52 but all black with white accents and a star in his chest. Fallon makes it to the site where the Black Razors corner Voodoo. Black Jack tells Fallon to back off only to be reminded that she out ranks him and that she will get the alien woman. After a quick chick fight, Voodoo escapes ... walk right out looking like Fallon.

  After a brief encounter with Green Lantern Kyle Rayner that proves to her that not all humans are bad, Voodoo marches on. During said encounter, Voodoo met with several other Daemonites who revealed that they were all half-breeds and that Voodoo's mission was to collect all he could about the super heroes on the planet Earth. She then broke into a government installation, in which Black Jack and Fallon are there reviewing their information on her and the heroes of Earth. Voodoo is able to get the information on the Earth's Heroes and escape in front of Fallon and Blackjack again.

   Voodoo goes to a top secret archaeological dig where they found an old Daemonite ship. After killing two guards, she enters the ship.She heads inside the ship in hopes of contacting the Daemonite War Council about the information she has on the heroes.  When she enters, she finds a guy there. This guy had been chasing her for sometime. Come to find out that he's a full-breed Daemonite and detests any half-breeds; so he plans on killing Voodoo and taking her information. After a hard fight, she brings out an image of Grifter, which the other Daemonite fears, and she BITES HIS HEAD OFF .... GOOD LORD!

   SHE ...BITE HIS HEAD OFF! WOW!

Ah ... Voodoo Gets More Head
*plays the rap from Janet Jackson's  So Excited*

Is ya is ya is ya hungry,
I gotcha
I gotcha
I gotcha licking on my
Licking on my
Licking on my body body like it's something to eat




While Voodoo is having some head, we find that Fallon and Blackjack feel that they are at their wits end. Voodoo's slipped by them three times. They fear their bosses will want their heads as Fallon tells Blackjack they have one chance. The two appear at a secret installation that only few others, besides Fallon, actually knows about. Blackjack and Fallon take down Black Razors as they open the doors to find . ..

   While Blackjack and Fallon are attacking guys they would be normally working with, Voodoo is accessing the information on the chip before ending it to her Daemonite masters when she finds a file called Mission Voodoo. As she opens it she finds . . .

That Voodoo is, indeed, a clone of the real Priscilla Kataen who was experimented on by the Daemonites.

   Cause of this revelations, two things happen: Voodoo ... angry and confused, goes through some kind of portal to see the Council of Daemonites while Fallon and Blackjack break out Pris from her captivity. Voodoo goes through several Daemonites, killing them till she meets with the Council for answers. Fallon and Blackjack succeed in helping Pris escape and she agrees to help them take down Voodoo without hesitation. Fallon and Blackjack's breakout calls attention from a certain Blackhawk.

   Voodoo is first rejected for a meeting with the War Council when she kills more Daemonites to prove her point. The Daemonites concede and begin to talk to Voodoo, point out how special she is as you find that she was the ONLY CLONE that actually worked. All the other clones were incomplete. She kills all the other clones, vowing there will never be another Voodoo when the Daemonites come to her with an offer.

   Meanwhile, at a safehouse that Blackjack has, the three heroes talk over what is going on with Fallon saying that they need Pris to catch Voodoo when Pris decks Fallon; for knowingly letting her stay captive in that facility. Pris vows to take down her clone but also warns that she will never again be a captive. The three track down Voodoo's last movements to the now destroyed Daemonite ship (forgot to say that the bomb that Voodoo's . . . dance partner had left detonated).

   As they look through the wreckage, Voodoo returns ... shifting her hands into an inhuman form. Pris, Fallon and Blackjack take on Voodoo as she kills Blackjack and . . .


BREAK DOWN

   Voodoo was definitely something interesting and different amongst the new 52. And I liked it ... intitally. She was full of secrets. Her using sex and other easily relateable methods of gathering information were intelligent yet very gripping. Voodoo kept your attention . .. for most of it.

  This book was one of the many titles mired in controversy when it first was released because of its sexual overtones, even with the Rated T+ on the cover. Yet, in the entire time of the initial writer, Ron Marz, wrote the book, the sexually never felt wrong, forced or out of character. Voodoo was a spy and that was played off very well by Marz. Williamson also did a good job with her but the tonal shift with Voodoo after he took control was very noticeable. And why, the story was still entertaining and pacing was still great, the shift seemed to hurt the book. The idea of a clone was a little rocky when first subjected to it but still fit within the confines of this first story arc.

  With that said, both Marz and Williamson did a great job with the character. They wrote a very complex Voodoo. Yet, I think the clone really took away from what Marz had originally  intended as Voodoo became flat out evil instead of being a woman who is on the fence. In issue 3, we saw the conflict within Voodoo as she came across Kyle Rayner . .. finding that all humans might not be bad. That was a glimmer of what Voodoo could have been if Marz had stayed or not been let go. Williamson did the best he could and did a great job with characterizations. Except for Voodoo. Making a clone of her and giving any possible redeeming qualities to Priscilla felt like a cop out. I understand the idea behind having two similar characters and it makes sense ... yet still downgrades Voodoo and all that she could have been. Still,overall plot and pacing, Williamson did a great job of keeping the story going, interesting following what Marz started.

   Sami Basri is a true wonderful find. While the style very simple, Basri is a true master of sequential art. Emotions are easily conveyed. One minute, Voodoo is seductive, sexy and innocent. The next, she is fierce, sly and horrifying. Basri gives panel after panel of quality work that really shines. Jessica Kholinne's colors for Voodoo have been amazing. Each panel is alive and vivid; each one matching the mood that needs to be conveyed with Basri's art. Every issue made me more excited with all the art I had seen.

  Overall, Voodoo was a thrilling ride full of mysteries, interesting characters with very human motivations and wonderful art. There was something that always made you come back. The tonal shift between writers and splitting Voodoo and Pris hurt the book somewhat but overall, it was a good, solid ride to start out with. I enjoyed the book very much.

 With that, I give the book a 4 out of 5. Which is a shame considering the book is cancelled as of September. Ah well. Here's to the formation of the WildCATs.

Friday, March 30, 2012

DC NEW 52 HALF YEAR REPORT CARD

  Welcome Clashers! This is a special look at the titles we've read from the new 52. Now, unfortunately, we were unable to collect all 52 titles for the first six months (I know it's been 7 months but work with me). Now, Hector Ramirez, Darryll Carter & Frankie Rodriguez gives you the break down of the titles they did read and give you a grade. Some of the books were read by only one member of CBC. Others, by 2 and even some by all 3. You will get to see those with multiple opinions at the bottom. 


Hector Ramirez


Action Comics

            The Good: I’ve always been a big fan of Superman nobody could tell me anything about Clark Kent. So when a retelling of his origin came out I had to read it and I’m not disappointed. First thing I like is he started as an Average Joe type hero and they combined the old with the new. As any true Superman fan knows when Siegel and Schuster first created him, his powers were speed and strength and that’s it. In Action Comics, that was integrated because his powers slowly developed to where they are so he only started off with the basic powers and the rest came with experience. Another thing he actually looks different as Superman than he does as Clark, extremely different which is great but begs the question where do his clothes go since he dresses in layers to hide his physique and is he carrying hair styling products around on his person. The art is good throughout never too cartoony but not exactly full on realism. Story wise I have no real complaints it’s a decent reintroduction to a classic character. There are just a few small elements I’m not so on board with.  

The Bad: They take a few elements from Spiderman and I’m not so sure it works with Clark. For instance, the crappy apartment the nosy land lady and the out of his league love interest. I’m not exactly sure how I feel about Clarkworking for a rival newspaper, it really amplifies the whole rivalry between Lois and Clark to the point where there’s almost an animosity between the two. Grade A-



Superman 
            The Good: Although he’s further along than he is in Action, Clarkis still learning about himself. He isn’t all “I’m Superman and I’m all powerful.” He still isn’t completely in tune with who he is and what he is capable of as a Kryptonian and the first 6 issues deal with that really well. There’s also development of the background characters like Jimmy Olsen and Lois Lane. Story wise it’s pretty solid they don’t stray too far from the Superman legend we all know and love but with very obvious changes that compliment it well like the new threats and of  course the awesome new costume. The art is great same as Action no complaints there



The Bad: More Spiderman elements in this one now all of a sudden Superman is considered a menace REALLY!?!?! I kind of felt bad when Clarkwent to see Lois to confess his feelings and a half naked man comes to the door ….FAIL!!! Well, that’s about it for the bad. Grade A


Superboy

The Good: Aww man what can I say about Superboy, character wise he’s one of my favorite revamps so far. He’s a lot more in tune with his powers now and doesn’t come off as a brat or a punk like his first incarnation. He’s a lot more mature and intelligent than he’s been in his entire existence. As for the story element there are no complaints from me, it’s solid and entertaining. I love the way it crosses over with the Titans. The new origin really gives you an in depth look into his character. Without knowledge of his connection to Superman he is his own person not hindered by living in Superman’s shadow.
           
  The Bad: One word, arrogance. His attitude is kind of dark and he doesn’t really adhere to morality. Grade A

Green Lantern

The Good: It completely balances how he is portrayed. Without his ring Hal Jordan is definitely humbled. You also see a less harsh side to Sinestro without taking away from who he is. The story is definitely solid no real gaps.    
   
            The Bad: The story is relatively slow not a lot of action in it. For the most part there’s a lot of talking and you don’t really get any memorable moments. Grade C




Darryll Carter


Suicide Squad

   The Good: Suicide Squad is on my A list for entertaining and action packed reads within the new 52. Deadshot proves to be a riveting and strong lead character followed up by the illustrious Harley Quinn. Her silly and comical banter adds a nice contrast to the stark and cutthroat behavior of Deadshot and some off the other team members. The premise of Suicide Squad itself is a pleasant departure from the norm of DC’s line up; a team of convicted supervillains, drafted by a secret government organization (presumably CADMUS) headed by Amanda Waller. Speaking of which, they did a great job making Waller actually attractive.

The Bad:   Diablo, just might be the most annoying character I’ve had to endure since Jar Jar Binks. All his talk about redemption and refusing to act when the situation calls for tries to throw a wrench in the well oiled machine that is the comic. Good thing Suicide Squad is using KY to stay lubed up. Grade A


Frankie Rodriguez  

Animal Man

The Good: Jeff Lemire, Travel Foreman & Steve Pugh display the adventures of not only Buddy Baker, the Animal Man but his family. The mix of horror, drama and super heroics mesh into a unique but enjoyable experience. The opening arc deals with the source of Buddy’s powers, his daughter getting her own abilities and the Hunters, a group that are avatars to a power of death known as the Black. Lemire displays each character with a unique voice and Foreman & Pugh really thrill you with scenes that can be light and fun one minute, then dark, macabre and horrifying the next.

The Bad: The only bad is that I feel not enough people are picking up this book. Sure, it’s # 1 had the most printings besides Justice League # 1 but more and more people should be reading this book.

                                                                                                                 Grade: A+



Blue Beetle


The Good: Blue Beetle was one of those books were clamoring for before the New 52 was in place. They were clamoring for it since the previous Blue Beetle ongoing was canceled a few years ago. THIS Blue Beetle book starts out with very familiar settings and people we know. Yet, it quickly changes to something VERY different from it’s predecessor. No longer holding Jamie Reyes’ origin to Infinite Crisis, this new origin has Jamie stumbling to the scarab during a battle between 2 villain factions. Artist Ig Guara is a real find. He has a great level of versatility with him as an artist: making space seem vast and wonderous while making El Paso, Texas feel very connected with community and small. Tony Bedard sees to really keep the book fresh with twisting familiar concepts from the previous series on its ear; building something new and different for Jamie Reyes. The pieces of Spanish sprinkled on the script adds to the books authenticity while displaying Jamie as a reluctant but smart hero. There were a lot of elements here that just made me re-read the book several times.

The Bad: While there are some great work from Ig Guara over all, drawing women that are not in normal clothes seem a bit lacking. I don’t know if it’s Phobia’s new look or Guara’s art that makes Phobia look like a Jade after she bleached her skin and got bald during Mortal Kombat. My one gripe about Bedard’s writing is that this first storyline was paced well, yet could have very well stretched out longer. I understand DC wants to put their best foot forward but Jamie’s difficulties of not revealing himself to his family while living with them could have went Far longer. The first few plots, in my mind, could have taken up the first year of the book and really establishes Jamie and his plight before leaving (much like what Scott Synder is doing with Batman but more on that later). Overall, the story was good … even great but there was more potential to let things go at a slower burn.

                                                                                                            Grade: B-


Mr. Terrific


The GoodNow, here is a book I was looking forward to. Mister Terrfic Michael Holt has been one of my favorite creations in comics within the last decade. The new Mister Terrific more than lived up to his successor; he surpassed it. And when I read this new series, it elevated him even further. Eric Wallace turned Michael Holt to one of the smartest heroes on Earth to one of the smartest people on the planet. The third smartest in fact. There was a great amount of new concepts that were introduced with a supporting cast that included Karen Starr (hmm .. . Power Girl anyone?) that really seemed to work for Michael. His new origin was filled with tragedy but still ended up being up lifting in an odd way. There were levels of Mr. Fantastic concepts that Mister Terrific was doing and it was Glorious. I read the first issue 3 times.  Which gets me to the next part of this report . ..


The Bad:  Right now, I am gonna say that art is perspective. We all have our tastes. And normally, art is not the biggest issue on a book for me. NORMALLY. Unfortunately, this is NOT normally. The art for Mister Terrific span from awful to pretty good to ewww. And there are things about the first two issues that always make me cringe … not in a good way. Particularly the panel of Michael’s “son”, who is looking especially sinister and psychotic for a moment. Whether it was on purpose or not, it just did not work. It make the book feel off. The best artist in the first several issues was Scott Clark, currently artist over on Grifter. Yet, Clark has had better inkers and shading when he first started on Stormwatch back in the 90s than in his issue of Mister Terrific. I love a good story but this is comics. Art has to have some fact. And I was so hopeful for this book but I dropped it after issue # 4. I am sorry. I think that the artists on this project did not fit Wallace’s style or what he needed … except for Scott Clark. And now that it’s getting cancelled, I wish this book was given a better chance.

                                                                                                            Grade: C-


Frankenstein: Agent of S.H.A.D.E.


The Good: Okay. When this book was first announced, I was intrigued by its concept and how well I enjoyed the Frankenstein and the Creature Commandos miniseries during Flashpoint. This was something else … and I seemed to like it. The characters had mostly blank slates. S.H.A.D.E. was another organization that was being added to all sorts of other organizations on Earth but seemed a little different. There was some strong characterizations. Some great plots were used and the characters and story moved at a great pace. Artistically, it took a bit to get used to the art but after the third issue, I found myself in love with the look of the book.

The BadWhile I love the fact that Frankenstein is obviously the main focus, there are times were I would like to see a little more of the Creature Commandos. Not much more but a bit more so we can really get to feel more connected to them. And while I liked the cliffhangers and the characters, there were times when I read this book and paused. The art does take some getting used to. At first, you don’t think it fits but it does. The crossover with OMAC didn’t do the title many favors.

                                                                                                            Grade: B

Batwing
 
The GoodDear Lord, Jeebus, Lords of Cobalt and all other entities, this book is GLORIOUS. Winick hits a home run on this title. Meet David Zavimbe, the Batman of Africa and a hero in his own right. But David is very different from Bruce. Living in Tinasha, the largest city in the Democratic Republic of the Congo, Batwing must face the trials of drug lords, war lords and more as he sets himself as a symbol for his people. It is also a way of redemption for David. The opening arc has not finished yet but could not be any more interesting to watch and fun to read. Winick brings to life Batwing and his dark world in Tinasha as we look at not only Batwing but his city, his countries legends and a main antagonist that may or may not have connections to our hero. This is all beautifully rendered by Ben Oliver and Chriscross. Thus making this book a true sight to behold.


The Bad: This book should also be in everyone’s pull list. It is a very different book with a unique character. Not even the fill in artist made a dent to this story. Nothing bad here.

                                                                                                            Grade: A+


Hawk & Dove

The GoodThis book kinda of called to me because of listening to Sterling Gates talk about how excited he was to write this book and work with Rob Liefield. That kind of infectious excitement prompted me to pick up the first issue … and the next 3 issue. The story is actually fairly solid with some great character bits from Hawk and Dove as well as this new supporting cast they were building around them. The mystery behind the original Dove and Deadman were also welcome editions; making this partnership feel a bit more unique. The new Avatars plot as good with good strong build up. And the first 2 issues had some really good pencils from Rob Liefield. Yes … I just said that sentence. But . . .


The BadThe first 2 issues aside, things were starting to go downhill real fast. Liefield’s art began to look lazy in comparison to the work he was doing for Robert Kirkman’s The Infinite … which had the same inker as well. The lower quality of art work continued on till the end of the first arc which was disappoint. There were points in issue # 4 where some panels had more detail on the characters than others . .. on the same page. That really interrupted the flow of the story. And the story itself began to feel really rushed at the end. Like Blue Beetle, Hawk & Dove felt a bit crapped to me and would have really done much better with the first storyline taking over a set of 8 to 12 issues. Honestly, it is a shame cause Sterling Gates usually hits people with quality work. Yet, this project, along with Rob Liefield, the end seemed to be lacking. And unlike Mr. Terrific, I did not feel the need to reread issue 1 or 2.

                                                                                                            Grade: D+


Voodoo

The Good:

            Out of all the Wildstorm titles that came over to the DCU proper, Voodoo was a big surprise. While she’s had miniseries before, this was the first ongoing for the character. And good lord, was this ongoing starting off with a bang. Pricilla Kitaen keeps her stripper roots, at least for the first issue, but quickly shifts into a murder mystery. The book’s support cast only seems to add to that mystery. And as former writer Ron Marz said, we are still not sure which side Voodoo is on. That only becomes even more confusing when current scribe Josh Williamson takes over. Sami Basri’s art really helps keep this book looking sleek, sexy and versatile … much like the character. And Yes, I meant the double entondra. Voodoo looks as sexy and beautiful as she is intelligent and deadly. Really, a strong outing by DC with this book and we are all the better for it.


The Bad: At first, I would think that the transition between Ron Marz to Josh Williamson would be fairly smooth. But reading Marz’s last issue (# 4) and Williamson’s first issue (#5), it was not. It felt a little bumpy in the transition. While the main themes were there, there were some changes. And while some of those changes added to what Marz had done, there are several that just seemed to make me scratch my head. Particularly, the whole full breed to half breed Daemonites subplot. Voodoo herself seemed to be a contradiction at times but over all, true to the core of her character that was established by Ron Marz. Yet, there are some good, slight changes in character.

                                                                                                            Grade: B+


Aquaman

The GoodYou know all those jokes about Aquaman in Robot Chicken? How about your friends saying how lame a super hero who can communicate with fish? Sound familiar. Well, Geoff Johns & Ivan Reis, creators behind Green Lantern and the Blackest Night maxiseries, are gonna change your perceptions. This book is unadulterated fun. It clearly knows about all the heckling people have given Aquaman over the years and uses it to really establish Aquaman as a hero not to be messed with. And not just him, but Mera as well. The book establishes a brand new status quo for the former Atlantean King, sets up two very different yet horrifying new threats, rebuilds Aquaman and Mera’s reputations from jokes to bada**** and overall gives you a taste of the universe under the sea. Sound characterizations and a different attitude that work with this couple help make this book a great read.


The Bad: The only real issue with the book is how often John tries to prove that both Mera and Arthur are not a joke. I can understand that it is not going away in time. Yet, the frequency of it is what feels a little off to me. Particularly in issue # 6 with Mera as she is just looking to shop for dog food, how the cops, in the town she had just saved merely 2 issues before, still mock her. Other than that, this book is perfect.

                                                                                                            Grade: A-
 Green Lantern: New Guardians

The Good: Tony Bedard does a good job writing space dramas and Kyle Rayner as we get to see Kyle stand out in this book. The characters that make up the cast of New Guardians are some of the most diverse in GL history and Kyle really shines as we find him able to take on the ring of any of the main corps, except Black or White. The worlds are amazing. The characters are of all shapes and sizes. And Tyler Kirkham renders these beautifully. This team works extremely well together and I look forward to more of Kyle and his team’s adventures every month.


The Bad: My only real quip is that there seems to be a lack of Balance with the other characters. While I can understand that Kyle is the main character of the books, the spotlight needs to shine a little more on the other characters to make it feel a bit more balance. Otherwise, solid book.

                                                                                                                 Grade: A-


Stormwatch

The Good: Out of all the Wildstorm properties coming into the DC proper, this was the one that I looked forward to the most. Stormwatch is a secret group saving the world from larger threats that the Justice League barely knew about; much less dealt with. And these threats seem a little out of the ordinary. Cornell does a wonderful job scripting characters old and new to the title to build a status quo, only to shake it and rebuild it. The characters seem real and he made Martian Manhunter fit perfectly into the group; giving J’onn J’onzz a different kind of depth. New characters the Eminence of Blades and the Projectionist were seemingly fitting both the Wildstorm and DC molds. And making this the start of the now-fan favorite couple of Apollo and Midnighter was a great mood. Miguel Sepulveda gives some of the best work of his career with Stormwatch. Engineer looks elegant and strong. Jenny Quantum has the charm of a little girl. Apollo has a more relaxed look but still powerful yet unsure of what he wants to do. Martian Manhunter looks alien yet friendly and reserved. All in all, I could not put this book down and I love every second of it.

The Bad:  The only thing that makes it go down a bit was the fill in artist that help Sepulveda. While their styles don’t completely clash, it will take away from the book slightly. Sepulveda’s art really shines in these books and the other artist are good but are overshadowed a little. Yet, it doesn’t hinder the story much at all. This is still a beautiful series this far.
                                                                                                            Grade: A-

Swamp Thing 
The Good: Okay. This is the OTHER regular DC title that Synder writes. And honestly, it made me care about Swamp Thing. Honestly, I have yet to really read much of him over the years. And there were good parts of other runs but I didn’t want to collect Swamp Thing … until now. This book is rich in characterization, horror and drama. Good storylines that would make a great show to have right after “The Walking Dead” (hint, hint AMC & DC). The plight of Alec Holland has been a joy to read and Synder brings his A game to this book. Both artist really give the book a great sense of flare, utilizing Swamp Thing itself for panel work. The characters are multifaceted, real and dynamic. The comic never feels breezy. It feels like its still 32 to 40pages when its only 20. And it made me care about Alec Holland and Swamp Thing.

The Bad: The book made me care about SWAMP THING! SWAMP THING.

                                                                                                        Grade: A+

Justice League International

Check out Frankie's look into Justice League International for his views.

                                                                                                                    Grade B+



Hector Ramirez & Darryll Carter

Nightwing

Hector:

 I’ll start off with the art, I’m probably going to sound like a broken record throughout this entire report card but I love the art of the entirety of my new DCu collection so to avoid such redundancy I’ll avoid speaking of the art unless I disapprove of it or unless I have something specific to mention. I like the red symbol as opposed to the blue, it just seems to fit better not exactly sure why. The nostalgic use of Nightwing’s original costume as the uniform of the Flying Graysons is definitely a nice touch. Towards the beginning and in later issues the story was really good with plenty of suspense and action. Not much to say in the way of negativity. If I were to complain about Nightwing in any way, it would be about the few filler issues that didn’t really fit into the main story. Grade A



Hector
Darryll: 

I love the inclusion of Haley’s Circus and how the plot revolved around it. Dick has learned from his time as Batman and matured into a fine hero, while still retaining his quirks. The plot focuses on old wounds and secrets that beg you to read on for more.  I wasn’t too fond of the random filler issue in Louisiana, but maybe it factors in to a plot later on down the road.   Grade A

FINAL GRADE: A

The Flash
Hector : 

Definitely hooked on this book for the long run. The Flash has always been one of my favorite DC characters and as time goes on there is always more to like. Not much has changed during the new 52 with Barry except he isn’t with Iris and I don’t know how I feel about that. I think I see where they’re headed with this possibly killing off Patty to replace her with Iris and that would piss me off if another Peter Parker element is ripped off. Other than that the story is great I like the reintroduction to Captain Cold and the introduction to Mob Rule. Grade A-

Darryll:
They really have Barry stuck in a Peter Parker sort of trap. He does good, but no matter how much good he does it seems to have an unfortunate side effect; emps shorting out the Gem Cities and space/time rifts opening up from tapping to deeply into the speed force. They really set the stage for Flash as a story about choices and it really shines through.The Flash was the hero and cause of the Flashpoint event. As such he was the only character who remembered the world that existed before the events of Flashpoint. But he doesn’t seem to recall it, at least he hasn’t hinted at it. Also I’m a bit disappointed that they let Barry hook up with Patty only to have her hold such disdain for the Flash. It makes for great drama and a great story. But in the end it seems it will only drive them apart and chase Barry back in to the arms of Iris West. I was hoping for something different this time around? I’m not a fan of Iris.  Grade: A+

FINAL GRADE: A

Batman: The Dark Knight

Hector: 

Love it!!! You see Bruce go through a bit of his rogues’ gallery within the span of six issues. The story is pretty good there’s definitely suspense action and twists throughout. Batman is one of the characters the relaunch didn’t really effect and rightfully so, Bruce can’t really be improved, he’s fine as is. It’s like the old saying goes if it ain’t broke don’t fix it. Bringing back Bane and making him smarter was genius it’s like when Braniac took over Doomsday, major problem. I also like how the JLA was involved, you don’t get that to often in newer Batman titles. It was refreshing. Grade A+   

Darryll: 

 Read Darryll's review for his views: Batman: The Dark Knight

Grade: B-

FINAL GRADE: B+ 


Hector Ramirez & Frankie Rodriguez

Static Shock
Hector: 

As a fan of the animated series that’s what I went in expecting. Not saying that I was disappointed I have been enjoying the series. Having Hardware as his mentor was a definite plus. I’m not sure what it was but this title didn’t really catch me. I know one negative is the whole clone bit, I mean why? Thing is, while I enjoy the book, I’d rather watch the cartoon. Grade C


Frankie: 

            This was one of the books I was looking forward to the most. I am a HUGE Milestone fan and loved the original ongoing from the 90s. And now that Static had a new ongoing, I was looking forward to a lot more. And then I read this book and it hurt a little bit. Let me explain. While there are good, solid character pieces done by both Rozum & McDaniel, the thing I loved most about Static seemed to be missing; his regular life. Sure. He’s a super hero. But what made the original ongoing so good and so well received by fans was the balance between regular life and super hero life that Virgil had. That balance was not here at all and it was disappointing. Sure, we got bits of Virgil in school but most of  the issues were given to the villains and their subplots. Rozum & McDaniel are good writers but this felt very much like just watch the last half of a Static episode … you know, where he fights the bad guy and make 2 minutes on personal life. That balance is what sinks the book in my opinion. Otherwise, the extra plots were interesting. The mentor-student relationship between Hardware and Static was really a great idea. And I do like these new villains. Artistically, McDaniel does a good job but he needs better inkers. His older Nightwing or Daredevil were was better.

                                                                                                            Grade: C –  

FINAL GRADE: C-


Demon Knights

Hector: 

I like the way Arthurian legend was integrated into the story.  The story is kind of slow. I mean, a lot of the story consists of them waiting for their pursuers to ravage the town they’ve taken refuge in. Honestly, I haven’t read past issue 3. I lost interest in the characters and the story. Jason Blood was more interesting in modern day honestly. Grade C-  

Frankie:

One of the best things about this title is how quickly it established itself and something very different from the rest while connected to the modern DCU and folklore. With classic characters with new roles such as The Demon, Jason Blood, Madame Xandu & Vandal Savage mixed with brand new characters build a tapestry of super powered beings during the Medieval times. Strong pencils from both Diogenes Nieves & Mike Choi has really give the mythical beauty and danger that the books setting has and really establishes the characters’ looks well. And I can honestly say that this book has the best quotes of nearly every other comic out there. With lines like “Die, Tasty Rare Creatures!”, it is a wonder while writer Cornell has made this book a treat. I don’t think enough people are reading this book. It fuses super heroics into Arthurian and other mythologies well. It is fun, well-developed, and beautiful to look at. You will want more and more. Seriously, this book is GLORIOUS!!!

                                                                                                                Grade: A+

FINAL GRADE: B




Justice League

Hector:

Read his thoughts on Justice League

Grade: A+ 

Frankie: 

I am gonna be real blunt about this: Justice League was fun. It was a blockbuster movie that you know will have multiple sequels. It was grand, widescreen and full of energy. And I liked it. But I did not love it. Sure, I loved parts of it but there seriously was this Summer Blockbuster feel going on with the book. I can understand why. This was the Justice League. Great character bits between the League and the actual formation was pretty good. I am in the minority that actually liked that it took till issue 4 for the entire team to get together. There were great one-liners and Jim Lee really gives some of his best work in years. Which saddens me cause now I will talk about the bad. The main cast had a very lopsided amount of air time with Cyborg, Batman and Green Lantern getting the most. It worked for them some what but it did hurt the other members as they came in. I love the fact that the team's first enemy is not a giant star fish but an evil deity from another planet. Yet, the final battle seemed a tad . .. anti climactic. I can understand it is building towards much more in the future and there is definite promise here, yet ... I found that it felt like it felt a little flat. It was good to watch and entertaining, epic even but those feelings seem to come real quickly and leave just as fast. Decide build up. Good job getting them together. Yet, the book itself felt lacking meat. This story was WAY too breezy for my tastes and I know Geoff Johns can do better. It is a decent start though. 

                                                                                                                             Grade: C+

FINAL GRADE: B+ 



Darryll Carter & Frankie Rodriguez 

Batgirl

Darryll: 

Simone does a great job of bringing Babs back in to the fold. Her early battles in the series are tumultuous and she makes a few mistakes. But before long she’s back to her old self; confident, tactical and graceful.Babs' return has sadly come with the loss of her Oracle persona. With that loss of that very important chunk of her life leaves over ten years of character development rendered invalid. That’s a shame. I would have rather had Oracle over a Barbara Batgirl that never was. Besides, I miss Stephanie anyway.  Grade B

Frankie: 

This is ANOTHER book that spawned a lot of controversy cause of having former Oracle, Barbara Gordon, use her legs again. Many fans, at first, seemed against the idea as many had warmed up to Stephanie Brown as Batgirl and gotten used to Barbara Gordon in a wheelchair. Even writer Gail Simone was initially against it. Then after thinking about Barbara knowing most of the hero community and all the fantastic tech and magic they possess; why couldn’t they do something to make her walk on her legs again? It happened and Barbara returned to being Batgirl and boy … the book is SEVERLY under rated. Simone has been writing Barbara Gordon for nearly a decade and this Barbara is the same  … just a little younger and can walk again after being paralyzed. There are great character bits with her. A new supporting cast that keeps Barbara on her toes and Barbara’s own rogues gallery is shaping up to being one of the best in comics: up there with Spidey’s, The Flash’s and Batman’s. THIS is how you write a book with a female lead. This is how you write Barbara Gordon. Whether in the wheelchair or not, she is somewhat insecure but still willing to do what she needs to. I love this book. Adrian Syf is really delving into his own style that makes the book wonderful to look at. And while even I miss Stephanie Brown, Barbara Gordon was the first and best Batgirl. Thank you Gail Simone!!!

                                                                                                            Grade: A+

FINAL GRADE: A- 


Batwoman

Darryll: 

To find out what he thinks, read Batwoman review. Grade A

Frankie: 

            Dear God, this may be the most gorgeous book I have every feasted my eyes on in comics. And yes, that is putting it up there with Alex Ross’s work. Batwoman is by far one of the most innovative, aggressively different and forward thinking books I have read in years. Kate Kane shines through the darkness with her multifacet personality. Kudos to both writers for really developing Kate into a very strong woman who deserves her own book. The panel work alone makes this book a must by as Williams does some beautify rendered art. Reeder’s art can be just as good. The bad in Batwoman really deals with the art in the last issue and I don’t think Amy Reeder is to blame. Let me explain. The cover for Batwoman # 6 from Reeder is gorgeous. And some of the panel work is too. But there are other panels that just seem rushed. Maybe it is the inker or the colorist but the panels that came out Batwoman # 6 go from awesome to eww. Maybe the issue was a rush job but that is what makes it fall down a little bit.

                                                                                                                  Grade: A-

FINAL GRADE: A


Red Hood & the Outlaws
Darryll: 

Red Hood and the Outlaws… The rag tag trinity of former Robin, Jason Todd, former Green Arrow sidekick, Arsenal and former Titan, Starfire is superb. The creative team really took these three and molded them together. And they did it well. The major lure of this comic is seeing how Jason has grown from the selfish and abrasive brat that he was and into the cold, witty, stoic warrior he became and now back to the team player and leader he was maybe always meant to be. Grade A

Frankie: 

Okay. Scott Lobdell wrote this and was instantly immersed into controversy cause of Starfire’s actions in the first issue. Some fans were disgusted by those actions and swore off the book. And that just made me shake my head saying “It’s the first issue” and “ You weren’t bitching when she was sleeping with Captain Comet to get over Dick, were you?” In one issue, Lobdell had become a pariah, much like the 3 main characters within the book. Red Hood, Arsenal and Starfire were immediately showing that they were like other heroes. That they were the unwanted, the broken and they wanted to just make a way in life. That is what I saw and decided to keep continuing to read the book. The trio grew on me and the art was EXCEPTIONALLY good. Starfire looked gorgeous while Red Hood and Arsenal were rugge. The plots were interesting and the book has a very good pace. I am sorry and I am sure I am gonna get a lot of “REALLYS??” from this one by this book is actually really good. Honestly, the only thing that has brought down the book is that it seemed more heavy on Arsenal and Red Hood and not so much on Starfire … till issue # 4 & 6.  While I don’t consider this a must have, it is a good book with an interesting adventure.

                                                                                                                        Grade: B+

FINAL GRADE: A-


Catwoman

Darryll:

Catwoman starts off on a steamy note. By the end of the first issue she’s already in the pants of Batman and taking him to the dark side. It’s intriguing to see how Selena actually operates and forms her schemes, as well as how she uses every tool at her disposal to hatch or dispatch a plan.I’m a little disappointed that Selena is portrayed as a greener, newb version of herself. It seems somewhat out of order for her to be a greenhorn and Batman and Nightwing to already be the seasoned fighters that they are. You really mean to tell me Bruce has been through four Robins and Selena still can’t figure out her ins and outs? No. Way.   Grade A

Frankie: 

This is another book filled with controversy. Why? Cause Catwoman has sex with Batman … again. Whoop-tie Frellin’ Doo. Like that hasn’t happened over the course of the last 75 years or so. Really, this book re-examines what makes Selina Selina and brings out new facets to her that seem to really fit her character. Gullem March is doing a superb job with the art, making Catwoman sexy one moment and dangerous the next. The book exudes risk, reward and sex. Yet, it is still tastefully done while adding different dimensions to the character. Catwoman is kind of a double edged sword. While I love the new multifaceted versions of her, there are a bit of character inconsistencies that I did not enjoy. I think it was Winick stumbling to get used to her character now. Which is fine but still detracts things just a little bit. And Gullem does draw a great book but there are some inconstant levels of panel work here and there throughout the first 6 issues. Kind of a pain but not too bad.

                                                                                                                        Grade: B

FINAL GRADE: B+


Wonder Woman

Darryll:

Major cudos to whichever member of this creative team came up with the concepts for each god. Hades with melting candles over his head and Hera with her peacock cloak are only a few of the amazing concepts illustrated within the new 52’s Wonder Woman title. Depending on how well versed you are in Greek mythology you can pick out some characters just from their appearance and speech. I’d also like to take my hat off to using Diana’s original ‘clay’ origin as a lie to segue into her new origin as a demigod and daughter of Zeus. The artist does a good job of illustrating the comic in way that it feels like it is part of the Greek mythos. What the hell was up with the character design for Poseidon? He was like a grade A cluster #$#@ of a Right Whale, a seashell, some squid tentacles, a seal, a crab? He was like a failed Poke’mon.   Grade A+

Frankie: 




There was a lot of controversy with this book. First, it was cause of the outfit. Originally, the new 52 Wonder Woman had pants. And fans complained. Then, it was cause the origin that Wonder Woman and readers have always known her by was a lie. A big, fat lie. Wonder Woman is the daughter of Zeus. And honestly, Diana has been better for the origin change. (the Pants thing does not bother me) Azzarello has craft a new look to the pantheons of myth that are horrifying, charismatic and down right amazing. A new supporting cast gives Diana some fresh blood. And for the first time in a long time, Diana feels like her solo book can stand up to the other 2 in DC’s hero trinity. There is gore. The Gods may not be pretty. There are subplots in place and we are seeing the mythology in a brand new light. Azzarello said that Wonder Woman is a horror book and dear god, the book is better for it. Cliff Chiang really stylizes Diana for this new age and makes her both beautiful and deadly. Diana is surely living up to the Goddess she was named after.  Bad?  Um … how about nothing bad and buy the book.
                                                                                                                        Grade: A+

FINAL GRADE: A+ (duh)




Hector Ramirez/Darryll Carter/Frankie Rodriguez


Justice League Dark

Hector: 

The whole idea of a mystical branch of the Justice League intrigued me so I read a few issues then I remembered how slow paced mystical based comics can be this one being no exception. First off it jumped all over the place confusing the crap out of me. Secondly, not much action to speak of. And it was just kind of weird not my cup of tea. Interesting concept not played out very well. Grade C- 


Darryll: 

 For Darryll's views, just look at this week's review of Justice League Dark

Grade B


Frankie:

This series was something I was looking forward to. And you know what ... it didn't disappoint ... much. First, the art was beautiful, gothic and really helped set the mood and tone for the series. The characters were interesting and multi-dimension: particularly June Moone, Deadman, John Constantine & Zatanna. They made the book a joy to watch. The threat of Enchantress brewing and the conspiracy behind that threat made the book that much more entertain. Unfortunately, the ending was anti climatic and it just opened up more issues for this group of people; and not all of it in a good way. The threat of Enchantress was built up so well that I felt like a strong, nearly issue long conclusion was coming and yet ... no big conclusion. Some quick McGuffin type deal was done and there you go. And that ticked me off. I enjoyed the book thoroughly till then. The pay off SUCKED with the exception of the last couple pages where Constantineis being a douchebag. The art is amazing. The story is great till the end. And ... the character of Mindwarp didn't really add much, in my opinion. Such a grand start to end on a sour note. 

                                                                                                                                  Grade: B-

FINAL GRADE: B- 


Batman & Robin
Hector: 

To be honest, I hated Damien Wayne at first impression. He’s arrogant, rude and cold. But as I read on he started to grow on me. He is full of surprises and he definitely is Bruce’s son no questions asked. His mind works well beyond that of a 10 year old. He’s highly intelligent, conniving and cunning. The whole father son dynamic plays off very well you see they both care for each other but have strange ways of showing it. The struggle between both as father and son as well as Batman and Robin makes for a great comic book. Grade A+


Darryll: 

Everyone at first glance, you may think that the lure of Batman and Robin is Damian Wayne. When in actuality it is the father son relationship. The two characters have to grow together and Bruce has to fulfill a certain need for a troubled child. He’s had lots of practice, but somehow this kid being blood has changed his approach.It saddens me that Bruce seems to care more about how he influences Damian, than he did the three wards that came before him. Also, after having gone through three Robins, four if we count Stephanie Brown’s short reign, Bruce still has not learned how to talk to a child and tell them what they need to hear.   Grade A


Frankie: 

Okay. I knew I was gonna pick up this book for 2 reason: 1 – Damian Wayne; my new favorite bastard that I want to smack some days and other days I just want to cheer him on. And 2 – Bruce & Damian working together. Damian is a very different Robin than Dick, Tim or even Jason. Damian was raised to be a killer. And he’s got a disposition that give Bruce a run for his money at times. So, while Robin used to be the light over Batman’s dark, this time around it is a near role reversal. Bruce is also a full fledged, biological father. Damian is his blood, his son. And while he did adopt Dick, Tim & Jason, this is different for Bruce. Bruce is now in the role of being the actual father and Peter Tomasi takes FULL advantage of that. Patrick Gleason’s pencils are dark, stylish and macabre when it needs to be. It works extremely well for the two main characters and their adversary this time. The story is multilayered and the examinations of Bruce trying to be a dad while Damian just being a regular boy are gripping. NoBody is a great new foil for both Bruce and Damian. Yet, there are parts of the issues that seemed a little hurried; I don’t know if it was the penciler or the inker. The over all tone of the story is moving but the more hurried panels take the steam away from the story.

                                                                                                                        Grade: B+

FINAL GRADE: A





Teen Titans

Hector: 

So far, this title has been phenomenal. I’ve not been disappointed by a single panel yet. I was slightly annoyed by Cassie’s disdain for being called Wonder Girl but as I read on it starts to make sense. Besides being a highly powered meta human female with a lasso, there is no real correlation between her and Diana. The story, so far, has been great an air of mystery lingers over the whole thing. As for the new costume designs, I love them. Some are iffy on Tim’s wings. I think they’re cool. Grade A


Darryll:Best thing about Teen Titans for me right now is what they’ve done with Cassandra. She retained her feisty side and gained a costume makeover that puts Donna Troy’s outfit to shame.Sadly I can’t say the same thing about Tim’s costume. I’m not a fan of it, especially the wings. I also would have rather had more mainstream teens in the Titans. But brining back previous recruits from the last era isn’t that bad.   Grade B+


Frankie: 


Now, we get into interesting territory. The Teen Titans had its own share go controversy with the inclusion of brand new gay teen member Bunker and the fact that Scott Lobdell was writing it. Skitter has not really grabbed me. Do I feel sorry for her plight? At first I did, but her personality makes me wish she wasn’t on the team. I understand that Solstice was a blank slate for the most part but I missed her pervious, golden incarnation compared to her current one. Red Robin took me a second to adjust to with him being described as an ‘Oracle’ like character for a minute; then we saw him, in his new costume in action and it was glorious. Kid Flash’s origin is now dipped with mystery & I like it. Superboy and Wonder Girl have gone through the most change. And honestly, these changes are for the better. Wonder Girl’s new background & attitude has helped elevate the character while Superboy is a bit more intelligent and cunning … and seemingly stronger.  And while the main plots have been good, I haven’t felt really wow-ed until their first showdown with Superboy. Brett Booth’s art is amazing and really makes this book come to life. Although, the continuity inconsistency: mainly the fact whether or not the Teen Titans existed before, makes it frustrating to fully enjoy. And it just seems like the Titans magic isn’t quite there yet.  I like the book but I don’t love it. Yet, there is potential. We’ll see what happens.
                                                                                                                        Grade: C+

FINAL GRADE: B




Batman 

Hector: 

Just WOW!!! The set up for this Major crossover couldn’t have been better. The introduction to the Court of Owls added a great element to the world of Batman, it poses a serious threat which makes for good reading. The fact that such a serious threat has stayed hidden beneath Bruce’s nose this whole time and are capable of such insane things such as bringing Batman himself to the brink of insanity. It shows Gothamhas a real problem on their hands, and that just makes me all giddy inside:-p  Grade A+


Darryll: 

Batman paints a not so pretty picture of a Batman that doesn’t know everything there is about Gotham City. It shows us a Bruce that can be broken, beaten and rattled. The Court of Owls have Batman watching his own shadow. They have him worried. That’s not easily done and that alone makes this title worth reading.  Grade A


Frankie: 

I am gonna make this short and sweet. Oh Dear God! THIS BOOK IS GLORIOUS. Synder is writing some of the best books in comics but this has to be my favorite of his work. It is smart. It is well written. Great, multilayered characterizations. He made Gotham City into his own character and created probably THE Signature villains for Batman for the next century with the Court of Owls. Add Capullo giving the book a great mix of dark and gothic with the more surreal tones of the storyline (which has not finished yet). The panel work is also amazing, allowing readers to truly be immersed into the book. You cannot escape this book once you read it. Great use of 20 pages and making them feel like 40 pages in a GOOD way. Synder & Capullo are making a Batman comic novel and I am loving every, last second of it. Not reading this book is a crime against man & nature. READ THIS BOOK!

                                                                                                                        Grade: A+

FINAL GRADE: A (almost a +)


And that is the DC New 52 report card. It is looking pretty good for most of DC's titles that we've read. Look for another report card with all these and more titles come October. Till then, for all of us here in CBC and J1 Studios, Keep Clashing!!