Showing posts with label Joshua Williamson. Show all posts
Showing posts with label Joshua Williamson. Show all posts

Tuesday, June 18, 2013

Comic News: Monkeybrain & Image Comics/Shadowline to Bring Out Masks & Mobsters Hardcover

IT’S CAPES VS. TOMMY GUNS IN MASKS AND MOBSTERS


MASKS AND MOBSTERS was hailed as one of the best webcomics of the year when it was released by MonkeyBrain in 2012, and now the Image Comics imprint Shadowline is bringing it to print in style, with a deluxe hardcover edition that collects all seven issues. Written byJoshua Williamson (GHOSTED, DEAR DRACULA) and drawn byMike Henderson, Ryan Cody, Jason Copland, and Justin Greenwood, MASKS AND MOBSTERS explores the secret stories of superheroes and mobsters vying for control of Golden City.

Writer Williamson imagines a world where, in the 1930s and ‘40s, superheroes and supervillains didn’t start appearing just in the pages of comic books but in flesh-and-blood life, confronting the underground powers that had maintained a fearful status quo.

"One of the things that always has stuck with me was... if all these superheroes started to pop up, how did that affect the mob's business?” said Williamson. “The masked men couldn't be paid off, and the supervillains didn't care about paying dues, right? How did organized crime deal with it all? I wanted to see that world from their perspective.”

Praise for MASKS AND MOBSTERS:

“Best digital series [of 2012]... an intriguing black-and-white tale about gangsters, snitches and the first caped do-gooders.”
– USA Today
 
"Smart work brilliantly presented. My favorite Monkeybrain series."
– Mark Waid

"Masks and Mobsters is such a fantastic idea that I burn with jealousy I didn't think of it first. Fortunately, Joshua Williamson, Mike Henderson, and company are doing things with the notion that I never could have imagined possible. One of my absolute favorite comics currently being published."
– Chris Roberson 

MASKS AND MOBSTERS is a 128-page, black and white hardcover, retailing for $19.99 (ISBN 978-1-60706-765-8). It will be in stores on July 3 and can be pre-ordered from the May issue of Previews.

Friday, July 20, 2012

Do You Like Your Aliens Bi-Sexual: A Voodoo #1-8 Review





Voodoo 
Issues #1-8 
Written by Ron Marz & Joshua Williamson
Art by Sami Basri

DC Comics

Review by Frankie Rodriguez



TALE OF THE TAPE

     Long time ago, during 1993, Jim Lee had joined 6 other artist to form what is now called Image Comics. His studio, Homage, grew and became Wildstorm. Jim Lee's first book with Image Comics was called WildCATS. WildCATS has become a very popular property;so much so that it had a 13 episode cartoon series on CBC back in the 90s. Then it was reran on USA. The team comprised of many characters ... Grifter and Voodoo among them.

    Voodoo was introduced as a stripper who can see the alien Daemonites within the humans they possessed. She joined the WildCATS and Alan Moore had unlocked much potential with her; giving her training from Zealot to her being part Daemonite herself, Voodoo had gone from the whiny girl to a kick ass fighter.

   Fast Forward to September last year, the new 52 titles were coming and the Wildstorm characters had gotten intergrated into the new DC Universe. Grifter and Voodoo both getting their own series. How does Voodoo pan out? I'll give you that answer.



RUN DOWN

    Voodoo starts with our main character ... on all fours in a strip club called the Voodoo Club, dancing. Want to get attention right away, huh Marz? And attention she gets as many men and at least one woman are  staring at our man star as she strips off her top. The woman and one of the men in question are Special Agents Fallon (the woman) and Evans (one of the guys).They argue about them keeping tabs on their target and Fallon mentions how she does not want to be there. Evan states how he wants to stay close while Fallon reminds him that they are not to engage without executive orders. Evan's just watches Voodoo . .. much to the disgust of Evans who leave ... and finds herself beating up 3 guys outside the club before going back to the hotel.
Working hard for her money

   Voodoo shakes her ta tas and body some more while Evans gets a  . .. waitress at the strip club to give him Voodoo's real first name; which is Priscilla. After a small but interesting scene where Voodoo talks to the other strippers about helping each other and how men put down their defenses ...and wallets while they are at the strip club, she ends up being called into a private room where she was told that a customer wants a private dance. She enters the room and low and behold . . . it's Evans.  Evans and Voodoo have some flirting banter as she removes clothes still Evan's pushed a conversation about her past. Voodoo gives a story  about being a 'mixed-race' which Evans calls bullshit on.

   Evans proceeds to ignore a call from Fallon while telling Voodoo that he's a special agent and that they are on to her being an alien with shape changing and telepathic abilities. Then the smart special agent goes on about how they are gonna strap her down, cut Voodoo open and study her so they can know how her 'species' operates. Voodoo locks eyes to get a great telepathic visual which prompts her to slice open Evan's with her hands after she shape shifts to her real form. After killing Evans, Voodoo walks out, fully clothed, saying she quits. Fallon calls Evan's cell again but Voodoo answers it after shape-shifting into Evans herself.

    Fallon and 'Evans' romp around in bed while talking over details as to when they are supposed to attack Voodoo. The phone rings once but 'Evans' convinces Fallon to ignore the phone to fool around more. After more talk of the attack on Voodoo and how they could lose their jobs over what they are doing, naked 'Evans' crawls out of bed and goes to the bathroom. While in the bathroom, Fallon gets another phone call. Inside the bathroom, ' Evans' shape-shifts back to Voodoo and decides to leave. Fallon drops her cigarette as the call says they found Evans in the Voodoo Club ... dead.

   Fallon goes to the club to look over what happened to Evans and vows to get Voodoo. As Voodoo, now clothed, tries to get out of town as quickly as possible, she runs into her first encounter with the Black Razors  and Black Jack, who looks like Captain Atom Pre-New 52 but all black with white accents and a star in his chest. Fallon makes it to the site where the Black Razors corner Voodoo. Black Jack tells Fallon to back off only to be reminded that she out ranks him and that she will get the alien woman. After a quick chick fight, Voodoo escapes ... walk right out looking like Fallon.

  After a brief encounter with Green Lantern Kyle Rayner that proves to her that not all humans are bad, Voodoo marches on. During said encounter, Voodoo met with several other Daemonites who revealed that they were all half-breeds and that Voodoo's mission was to collect all he could about the super heroes on the planet Earth. She then broke into a government installation, in which Black Jack and Fallon are there reviewing their information on her and the heroes of Earth. Voodoo is able to get the information on the Earth's Heroes and escape in front of Fallon and Blackjack again.

   Voodoo goes to a top secret archaeological dig where they found an old Daemonite ship. After killing two guards, she enters the ship.She heads inside the ship in hopes of contacting the Daemonite War Council about the information she has on the heroes.  When she enters, she finds a guy there. This guy had been chasing her for sometime. Come to find out that he's a full-breed Daemonite and detests any half-breeds; so he plans on killing Voodoo and taking her information. After a hard fight, she brings out an image of Grifter, which the other Daemonite fears, and she BITES HIS HEAD OFF .... GOOD LORD!

   SHE ...BITE HIS HEAD OFF! WOW!

Ah ... Voodoo Gets More Head
*plays the rap from Janet Jackson's  So Excited*

Is ya is ya is ya hungry,
I gotcha
I gotcha
I gotcha licking on my
Licking on my
Licking on my body body like it's something to eat




While Voodoo is having some head, we find that Fallon and Blackjack feel that they are at their wits end. Voodoo's slipped by them three times. They fear their bosses will want their heads as Fallon tells Blackjack they have one chance. The two appear at a secret installation that only few others, besides Fallon, actually knows about. Blackjack and Fallon take down Black Razors as they open the doors to find . ..

   While Blackjack and Fallon are attacking guys they would be normally working with, Voodoo is accessing the information on the chip before ending it to her Daemonite masters when she finds a file called Mission Voodoo. As she opens it she finds . . .

That Voodoo is, indeed, a clone of the real Priscilla Kataen who was experimented on by the Daemonites.

   Cause of this revelations, two things happen: Voodoo ... angry and confused, goes through some kind of portal to see the Council of Daemonites while Fallon and Blackjack break out Pris from her captivity. Voodoo goes through several Daemonites, killing them till she meets with the Council for answers. Fallon and Blackjack succeed in helping Pris escape and she agrees to help them take down Voodoo without hesitation. Fallon and Blackjack's breakout calls attention from a certain Blackhawk.

   Voodoo is first rejected for a meeting with the War Council when she kills more Daemonites to prove her point. The Daemonites concede and begin to talk to Voodoo, point out how special she is as you find that she was the ONLY CLONE that actually worked. All the other clones were incomplete. She kills all the other clones, vowing there will never be another Voodoo when the Daemonites come to her with an offer.

   Meanwhile, at a safehouse that Blackjack has, the three heroes talk over what is going on with Fallon saying that they need Pris to catch Voodoo when Pris decks Fallon; for knowingly letting her stay captive in that facility. Pris vows to take down her clone but also warns that she will never again be a captive. The three track down Voodoo's last movements to the now destroyed Daemonite ship (forgot to say that the bomb that Voodoo's . . . dance partner had left detonated).

   As they look through the wreckage, Voodoo returns ... shifting her hands into an inhuman form. Pris, Fallon and Blackjack take on Voodoo as she kills Blackjack and . . .


BREAK DOWN

   Voodoo was definitely something interesting and different amongst the new 52. And I liked it ... intitally. She was full of secrets. Her using sex and other easily relateable methods of gathering information were intelligent yet very gripping. Voodoo kept your attention . .. for most of it.

  This book was one of the many titles mired in controversy when it first was released because of its sexual overtones, even with the Rated T+ on the cover. Yet, in the entire time of the initial writer, Ron Marz, wrote the book, the sexually never felt wrong, forced or out of character. Voodoo was a spy and that was played off very well by Marz. Williamson also did a good job with her but the tonal shift with Voodoo after he took control was very noticeable. And why, the story was still entertaining and pacing was still great, the shift seemed to hurt the book. The idea of a clone was a little rocky when first subjected to it but still fit within the confines of this first story arc.

  With that said, both Marz and Williamson did a great job with the character. They wrote a very complex Voodoo. Yet, I think the clone really took away from what Marz had originally  intended as Voodoo became flat out evil instead of being a woman who is on the fence. In issue 3, we saw the conflict within Voodoo as she came across Kyle Rayner . .. finding that all humans might not be bad. That was a glimmer of what Voodoo could have been if Marz had stayed or not been let go. Williamson did the best he could and did a great job with characterizations. Except for Voodoo. Making a clone of her and giving any possible redeeming qualities to Priscilla felt like a cop out. I understand the idea behind having two similar characters and it makes sense ... yet still downgrades Voodoo and all that she could have been. Still,overall plot and pacing, Williamson did a great job of keeping the story going, interesting following what Marz started.

   Sami Basri is a true wonderful find. While the style very simple, Basri is a true master of sequential art. Emotions are easily conveyed. One minute, Voodoo is seductive, sexy and innocent. The next, she is fierce, sly and horrifying. Basri gives panel after panel of quality work that really shines. Jessica Kholinne's colors for Voodoo have been amazing. Each panel is alive and vivid; each one matching the mood that needs to be conveyed with Basri's art. Every issue made me more excited with all the art I had seen.

  Overall, Voodoo was a thrilling ride full of mysteries, interesting characters with very human motivations and wonderful art. There was something that always made you come back. The tonal shift between writers and splitting Voodoo and Pris hurt the book somewhat but overall, it was a good, solid ride to start out with. I enjoyed the book very much.

 With that, I give the book a 4 out of 5. Which is a shame considering the book is cancelled as of September. Ah well. Here's to the formation of the WildCATs.

Wednesday, November 16, 2011

NEWS EDITION #17 - DC CREATIVE CHANGES, MORRISON'S STEED & MRS. PEEL, MARVEL SEASON ONE & THE TRUMAN'S HAWKMEN

Welcome to this week's news highlights.


DC CREATIVE TEAM CHANGES CONTINUES; MARZ OFF VOODOO & MORE

By Frankie Rodriguez

     Last week, we were talking about how Marvel was scrambling with all their recently axed projects. This week, DC seems to be dealing with a lot of changes but no cancellations . . . at least not yet. There have been several rumors and there have been reports confirming the changes. DC seems to have been extremely proactive in making sure their books are on time as well as making sure that their books are selling well. And while there has been no statement flat out confirming that if a book does not do well that they are gonna change things . . . Ron Marz seems to be the latest casualty.
    It was confirmed on Monday morning that Ron Marz has been taking off the Voodoo ongoing for DC. Marz, a veteran scribe and man who kicked off the new ongoing, recently stated that DC Editorial was changing for Voodoo and they told him that they wanted to go in a new direction. This is of course, mere issues after the series began. Marz's final issue of  Voodoo will be number #4, even though he was originally solicited to write issue # 5.  Was this due to pressure from the controversy of its first issue or from lagging sales, no one can say for sure.
     Here are some comments from Marz about his recent lay off:


The only thing I was told was that they wanted a different direction for the book. I had a 10-minute phone call with the outgoing editor, who gave me the news. I asked what direction they wanted, but since the editor was leaving staff the next day, he didn't really know. So that's all the information I was given. I haven't heard from anyone else, beyond a call from the book's new editor to work out details on my last issue.
I have to admit, I was pretty surprised, since I'd been making the revisions and changes that had been requested by editorial as the book evolved. But it seems like they want something other than what I was giving them. Obviously I'm disappointed that I won't get to continue the story we began telling, and I'll certainly miss working with the art team of Sami Basri and Jessica Kholinne, who are doing amazing work on the series. I wish them and the new writer much success as Voodoo moves forward. I still feel like the New 52 was a very bold and positive move for DC, and for the industry as a whole, and I'm glad to have been a part of it.


Marz later thanked everyone for their support of his work on Voodoo on his twitter Monday afternoon . And with that, Marz is off the book but not the art team. Sami Basri will continue with new writer, Joshua Williamson, who currently writes the Uncarted video game adaption for DC. Yet, This is not the only change.

   George Perez was confirmed to leave the book after issue # 6 of  Superman, to be replaced by the team of Dan Jurgens & Keith Giffen. 


  Jurgens will stay on to co-write Green Arrow till Ann Nocienti's first issue but not draw it. New Green Arrow artist will be Ignacio Calero.

  Lopresti and Ryan will be leaving art duties for Justice League International to Marco Castellio.

 Jesus Saiz will no longer be ongoing artist for Birds of Prey, being replaced by Javier Pina. And George Perez confirmed to be drawing at least 1 issue of Birds of Prey as well. 



 Federico Dallacchio will be leaving Suicide Squad, to be replaced by long time Marvel artist mainstay Tom Raney.

 Gail Simone confirmed she will be leaving co writing duties on Firestorm to work on a brand new group of Teen superheroes for DC at a recent convention. 



Gianlua Gugliotta & Wayne Fauncher will no longer be doing art duties on Mr Terrific. Writer Eric Wallace will be joined by new artist Oliver Nome. 

 All these and not to mention the slew of artist doing fill in issues and new directions for some titles here and there. Didio stated before that DC was committed in making sure DC's books come out on time and they are not pulling any punches. But what do these creative shake ups all mean. Between Marz recently walking papers off Voodoo to Simone's leaving Firestorm for a new team book; DC is seemingly making sure they keep their books interesting and selling. Yet, will this strategy work out for them. We will have to wait and see.


BOOM! STUDIOS REPRINTS STEED & MRS. PEEL FROM MORRISON

by Frankie Rodriguez

   BOOM! recently had solicitations of a brand new 6 issue miniseries from prolific and fan-favorite scribe, Grant Morrison and artist Ian Gibson. It details adventures of Steed and Mrs. Peel from the popular British television show, The Avengers. Yet, there is something that BOOM! has not mentioned to other fans . . . that it's actually a reprint.
   The original printing of the series, done under Eclipse Comics, was issued out around 20 years ago. The format of the series was prestige, so it was basically 3, 48 paged issues. BOOM! is splitting it into 6 issue and releasing them in January. So for those who missed it or just love Grant Morrison work, you can grab the issue of this cult classic adaptation.





MARVEL SEASON ONE GEARS UP TO ATTACK READERS


By Frankie Rodriguez

    Marvel has been making their own strides to bring new readers in in various ways. From there new Point One issues to the Ultimate Universe, Marvel has been working hard on creating new places for readers to come in and get caught up into your world. Now, Marvel's latest innovation is the Season One books.
   Season One will be a set of graphic novels that will retell the origins and early stories of some of Marvel's iconic characters in a fresh new way. Not to be confused with its own universe, these stories are merely retelling of original tales in new ways. The books will average about 136 pages that will each bring these retellings done by different art times and available with a free digital copy of these books when you purchase them.

  The Season One first waves include:

 Fantastic Four: Season One will be written by Roberto Aguirre-Sacasa with art by David Marquez coming out in February.

X-Men: Season One written by Dennis Hopeless with art by  Jamie McKelvie will be released in March.


Daredevil: Season One written by Antony Johnson with art by Wellinton Alves seeing shelves in April.

and



Spiderman: Season One written by Cullen Bunn and Neil Edwards to appear in May. 

Dennis Hopeless commented on his upcoming X-Men: Season One release:

Our story is actually split into somewhat self-contained chapters. I wrote it just like I would a miniseries. I guess I took the "Season One" thing literally because it's structured a lot like a short television series. One story told in 5 episodes.
Continuity can be intimidating to the uninitiated. But these stories take place before most of the continuity happened. The reader doesn't need to have read anything else when they pick up a Season One book. As far as they're concerned, this is Marvel Universe day one.
It's just such a great premise. You have mutant teenagers trying to figure themselves out in a world that hates and fears them. And a rich bald mindreader who thinks he can change the world by training kids to be freedom fighters. That's brilliant.

I love writing the original five as teenagers. They're all messed up in such interesting ways. They trip over their own feet and hurt each other's feelings and fall in love every ten minutes. Just like we all did. But these are X-Men, so afterward they have to go out and fight Magneto.



All Season One books will come shrink wrapped, similar to polybagged comics with the code for a free digital copy with around 136 pages for $24.99 a book. The first Season One graphic novel, Fantastic Four: Season One, will hit stores in February.


VIDEO OF THE WEEK:
In honor of it being aired during the premiere of Green Lantern: The animated series:


IDW & TRUMANS GO WEIRD WESTERN WITH HAWKMEN

 Directly from IDW site

All-new miniseries illustrated and co-created by comics legend Tim Truman


Hawken #1San Diego, CA (November 15, 2011) — IDW Publishing is proud to announce the launch of HAWKEN, the all-new weird western series co-written and drawn by Tim Truman, best known for his work on Grimjack and Hawkman. The industry legend teams with his son, writer Ben Truman, to co-develop this original series.

“I’ve been affiliated with a lot of great co-creators and titles in the past, but I can safely say that none have effected me the way HAWKEN has,” says Tim Truman. “Something happened while doing this project with Ben. As far as my artwork goes, it’s been shot full of high-octane fuel.”

Starting tomorrow, HAWKEN follows the tale of Kitchell Hawken, an old man in search of revenge against the Ring, a brotherhood of arms merchants and corrupt politicians who once employed him. Scalped, tortured, and left for dead by the Ring, he arises from his near-death experience able to see the ghosts of everyone he’s killed. Are the phantoms real, or illusions from Hawken’s blood-soaked past?

“The ghosts provide a direct link between the readers and Hawken,” says Ben Truman. “He’s a tough old bastard on the outside, but his relationship with the ghosts provide insights into his inner world. I think readers will come for the two-fisted, six-gun action and stay for the character.”

In addition to co-writing HAWKEN, Tim Truman will also provide illustrations for this six-issue series using his Wild West-style art to bring this eerie story to life.

“Shepherding HAWKEN has been an absolute pleasure, very much the opposite of the character himself,” says editor Denton J. Tipton. “Ben’s scripts are tough-as-nails and have spurred Tim into producing some of the finest work of his career. Saddle up and come along for the ride of a lifetime, or afterlife, as it were.”

Readers are encouraged to ask their retailers about the special “wanted poster” edition signed by Tim and Ben Truman.

HAWKEN #1 ($3.99, 32 pages, partial color) will be available November 16, 2011.




And this week . . . J1 AN-EX 4

Where J1 Studios, including us here in Comic Book Clash, will be out in force.

Till Next Week, Later!