Showing posts with label Fantastic Four. Show all posts
Showing posts with label Fantastic Four. Show all posts

Thursday, September 27, 2012

Comic News: Mark Millar to be consultant with Fox Studios' Marvel films.



Through a Press Release sent out earlier today, it was revealed that Mark Millar (Kick-Ass, Ultimates, Secret Service), would be the consultant for future Marvel Comics films through 20th Century Fox. 









PRESS RELEASE:



Marking an expanded commitment to some of its most important franchises, Twentieth Century Fox has brought on comics superstar Mark Millar to serve as a creative consultant on the studio's upcoming projects based on Marvel Comics properties.


Millar wrote several celebrated Marvel books such as The Ultimates, Civil War and Wolverine: Old Man Logan, before moving on to found Millarworld (http://millarworld.tv), where he continues to develop existing film franchise titles Wanted and Kick-Ass, as well as newer comic properties The Secret Service, Superior and Nemesis — the later also in development at Fox. Millar will work with Foc on developing new avenues for its "X-Men" and "Fantastic Four" tent-poles.


Commented Fox production president Emma Watts:
“We are excited to be working with Mark. In addition to his groundbreaking Marvel work, he is simply one of the most original voices in
comics today and will be an invaluable  resource to us and to our filmmakers as we look for fresh opportunities to innovate within our shared Marvel universe."



Upcoming for the Studio is The Wolverine, staring Hugh Jackman, directed by James Mangold; X-MEN: DAYS OF FUTURE PAST, helmed by Matthew Vaughn; and a reboot of "FANTASTIC FOUR", to be directed by Josh Trank (Chronicle).
As someone who has spent his entire life obsessed with both comic-books and movies, this is essentially my dream gig as it's a unique combination of both,” stated Millar.

“I spent ten years working at Marvel and am really happy with the work I did on the comic side of things so the idea of working with these characters now in a brand new medium is enormously exciting for me. I really like the Fox team, love this bold new direction they have for their franchises and am proud to be working alongside some of modern cinema's biggest talents. James Mangold is incredible, Matthew Vaughn's one of my closest pals and Josh Trank gave us, in my opinion, one of the greatest superhero movies of the last decade with Chronicle. The invitation to join this crew was maybe the coolest phone-call I've ever had."


About Mark Millar:
Mark Millar is the writer of Civil War, Marvel's biggest-selling series of the fifteen years, Ultimate X-Men, Wolverine: Old Man Logan, Spider-Man, Ultimate Fantastic Four and The Ultimates (described by Time magazine in 2010 as the best comic series of the decade). His Millarworld line of comics boasts a roster of creator-owned books such as Wanted, turned into a blockbuster movie starring Angelina Jolie; Kick-Ass, which starred Nicolas Cage; and Nemesis, which Fox is presently developing as a theatrical feature. Kick-Ass 2 is currently filming in London and Toronto, starring Jim Carrey and Chris Mintz-Plasse and Universal is also developing his War Heroes series with Mike DeLuca producing. The Secret Service, co-created with Watchmen legend Dave Gibbons and X-Men First Class director Matthew Vaughn, is also currently in-development. In his native UK, he's the editor of CLiNT magazine, an advisor on film to the Scottish government and managing director of his film and television company Millarworld Productions."


About 20th Century Fox:

One of the world’s largest producers and distributors of motion pictures, 20th Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions and Twentieth Century Fox Animation.


With the release of X-Men: First Class last year and the pitch that director Joe Carnahan showed for his take on a Daredevil reboot last month (before the idea was completely scrapped and it's now on it's way back to Marvel Studios), the confirmation of a Marvel cinematic universe with the rights that FOX owns is a great idea and one I personally hopes that flourishes, rather then one that's destroyed.


I think the announcement of Mr. Millar being an consultant with current and future MARVEL/FOX projects is a vast step in the right direction that the company has started to take.


For all your comic news, updates in the industry and comic culture, please stay tuned to the broken infinite.
What do you guys think ? Leave your comments and thoughts in the comment box below.


Source:

- IGN


- /Film


Deadline


twitter:


- @mrmarkmillar


- @MARVEL


- @20thcenturyfox


- @IGN


- @slashfilm


- @NikkiFinke


----------------------------------------------------------------------------------------------------------------


Also, please leave some creative criticism below in the comment box as well. It will help me get better and improve in future articles, editorials and reviews. 

If you want to follow my recent endeavors on the interwebs…

Twitter: @16bitJeff


ikaricast"Mondays at midnight" on that (review) site



Sunday, August 12, 2012

A Look Into the Covers of Marvel NOW!



He is the line up of titles that have been confirmed, besides Uncanny Avengers, Avengers, New Avengers & All New X-Men.



First up, is Fantastic Four. Written by Matt Fraction with art by Mark Bagley, Marvel's First Family will be going on a roadtrip for its opening arc. Here's a look Fantastic Four # 1.















Next up, is the people who will be taking care of the Baxter Building while the Fantastic Four are away. Ladies & Gentlemen, I give you the new FF, written by Matt Fraction with art by Mike Allred. Featuring Ant- Man (probably Scott Lang, since he was a former member), She-Hulk, Medusa and ... She- Thing?!









 Next, the Merc With A Mouth starts over with a brand new #1. Written by Brian Posehn &  Gerry Duggan, with art by Tony Moore.


























 Then we go into the solo books of the various Avengers. Starting us off first, is Thor: The God of Thunder, written by Jason Aaron with art by Esad Ribic. Watch as the first arc of Thor has the God of Thunder dealing with a being known simply as the " God Butcher."
















Following Thor, we go to the Gamma Goliath himself, The Hulk. The Hulk comes back from writer Mark Waid and artist Leninl Yu. Waid promises that this Hulk will be different as Bruce and the Hulk have finally struck up an alliance with each other. And this alliance will shake the very foundations of the Marvel Universe.







Tony Stark goes through some changes in his life ... and with the many woman and enemies that are part of that life as writer Kieron Gillen and artist Greg Land decide to take us down a new path with Iron Man.















Finally, see the many changes in the life of Steve Rodgers as he deals with his decisions and the aftermath of AvX. Welcome to a new era as we see a new look and a new attitude for Captain America. Written by Rick Remender with art by John Romita Jr.









Saturday, August 4, 2012

Marvel NOW! - 8 More Titles/Creative Teams Confirmed



  Marvel has had a busy week as they have made a slew of announcements throughout it. These announcements confirm titles that they will be releasing in November during their Marvel Now Relaunch. Here are the titles with the ads as shown.







Monday, We got confirmation that Kieron Gillen and Greg Land would be taking over Iron Man:









Tuesday, We heard that The Mighty Thor will have a brand new creative team of Jason Aaron and Esad Ribic:








Wednesday, We heard that Hulk returns and is "Indestructible" as his new creative team is recent Eisner Award Winner Mark Waid and artist Leinil Yu: 







Thursday, Deadpool gets to go nuts with writers/comedians Gerry Duggan and Brian Posehn with art by Tony Moore:





Then we were attacked by Marvel on Friday with 4 New Title Announcements as first, Rick Remender and John Romita Jr take over as the creative team for Captain America, as confirmed by twitter from current Captain America scribe Ed Brubaker.





  Next up is the confirmation that  Matt Fraction will be handling both Fantastic Four and the returning FF. Handling Fantatic Four with the scribe is superstar artist Mark Bagley.










Following up with Fraction on the Fantastic Four's sister title, FF, will be cult favorite artist, Mike Allred, leading the Future Foundation into the next stage of Marvel.










Finally, there is the finally promotion that states Legacy, featuring the team of  writer Simon Spurrier and artist Tan Eng Huat. While most speculation states that this is probably X-Men Legacy relaunch, there is also some rumors that this could be for another Avengers related title, possibly dealing with the Picture with Nick Fury Jr and his photo of Wiccan, Miss America and Loki. Could it be the return of the Young Avengers? We won't know till November.



These titles join the following that were already confirmed:

- Uncanny Avengers with Rick Remember and John Cassidy
-Avengers with Jonathan Hickman and Jerome Opena.
- New Avengers with Jonathan Hickman and Steve Epting.
- All New X-Men with Brian Michael Bendis and Stuart Immonen.


12 Brand new titles down, not counting Red She-Hulk will be taking over as the main star in Hulk but that is not getting relaunched. What does this mean for the last 10 titles yet to be announced or any other changes in creative teams on long standing books? Find out as we keep an eye on Marvel Now.

Thursday, July 12, 2012

Marvel NOW starts One New Beginning & A Whole Lot of Endings



As we inch closer to Marvel NOW, the solicitations for October has come out. And as such, things are gonna change very much for the Marvel Universe. We got 1 new title in October. Well ... technically 3.

Space Knights mini series #1 and the Dexter adaption hits stores alongside the much anticipated Uncanny Avengers; as we showed the cover in a previous post.

Yet, For this new beginning, we are getting a LOT of endings.

The Following titles are having their final issues during the month of October:


Captain America (with issue #19)
The Mighty Thor (with issue # 22)
Invincible Iron Man (with issue # 527)
Incredible Hulk (with issue #15)
Fantastic Four (with issue #611)
FF (with issue # 23)
Uncanny X-Men (with issue # 20)
New Mutants  (with issue # 50)
X-Men Legacy (with issue # 275)


 Most of these titles are not a surprise. Unfortunately, New Mutants and X-Men Legacy are two of the biggest surprises. I know Astonishing X-Men and Wolverine & the X-Men are still focusing on the Jean Grey School but damn ... I love X-Men Legacy. *sigh* Forgive my fanboy moment. It does look like they are not going to cancel Wolverine & the X-Men anytime soon. Although, Avengers and New Avengers are on their final arcs, so they'll be ending next.  But at the very least, we are gonna see quiet a few changes with the restarts of most of these series. I say most cause I doubt that X-Men Legacy, New Mutants or FF are coming back.

I guess we'll find out. Keep your eyes here for more news. The end is coming.

Wednesday, March 21, 2012

THIS WEEK IN AWESOME #7

Another week, an other look at the things that made this week Awesome.

Darryl "YTC" Carter 

   My Epic Moment come from the motion comic Thor Loki: Blood Brothers. The writers of that thing managed to tell a tale and present a scenario that painted Loki as an unfortunate, neglected child that was dealt a raw hand by destiny. It made me like Loki. I wanted Loki to beat Thor. Whatever Loki had in mind I wanted him to win. That’s crazy.

Hector Ramirez 

   This week, my Epic Moment comes from Fantastic Four #604. Adult Franklin Richards is fighting 3 Celestials as Nathaniel explains to Reed how Although Galactus had many heralds, Franklin only had one. Then Franklin screams RISE! RISE TO ME MY GALACTUS and revives Galactus. That ... was . . . awesome.

Frankie Rodriguez 

  Honestly,  my epic moment this week is from Justice League of America: Rise of Eclipso storyline. The fact that Eclipso does everything he does in that storyline (see my review of it this week) just so that he can KILL GOD. The explanations. The battles. It really proved that incarnation of the JLA but the one moment that made me scared to the point where I was screaming "Oh my God!" outloud was when Eclipso .. . after KILLING The Spectre .. .  SPLITS THE MOON IN HALF! THE MOON!!!!







BROUGHT TO YOU BY . . .


One of the few Tokusatsu Reviews I know. Great guy with a good set of reviews, a few countdowns and some specials. Tokusatsu is special effects in japanese but it is what the genre of live action stuff like Power Rangers and Kamen Rider Dragon Knight are based off of. Toku Time or Reviewtopia: Toku Time is where you can find him.

It's the new, BRAND NEW, Super Mario Dubstep Album. Listen as your favorite music from Super Mario has been transformed into remixes. The album is so addicting, you will feel like you're an addict!

GREEN MUSHROOMS & SUPERSTARS

From J1's own Shinigami (Ray Riley) & Forafire (Forrest Shamlian). FREE TO DOWNLOAD! NOW! 




And don't for get the recently released Sonic Remix Album, SPIN DASH AUDIO is also available now.





RAJIO NIHON . . . the internet Toku Station where they play songs from tokusatsu, anime and give you in depth looks into the world of Tokusatsu. RAJIO NIHON



Wednesday, November 16, 2011

NEWS EDITION #17 - DC CREATIVE CHANGES, MORRISON'S STEED & MRS. PEEL, MARVEL SEASON ONE & THE TRUMAN'S HAWKMEN

Welcome to this week's news highlights.


DC CREATIVE TEAM CHANGES CONTINUES; MARZ OFF VOODOO & MORE

By Frankie Rodriguez

     Last week, we were talking about how Marvel was scrambling with all their recently axed projects. This week, DC seems to be dealing with a lot of changes but no cancellations . . . at least not yet. There have been several rumors and there have been reports confirming the changes. DC seems to have been extremely proactive in making sure their books are on time as well as making sure that their books are selling well. And while there has been no statement flat out confirming that if a book does not do well that they are gonna change things . . . Ron Marz seems to be the latest casualty.
    It was confirmed on Monday morning that Ron Marz has been taking off the Voodoo ongoing for DC. Marz, a veteran scribe and man who kicked off the new ongoing, recently stated that DC Editorial was changing for Voodoo and they told him that they wanted to go in a new direction. This is of course, mere issues after the series began. Marz's final issue of  Voodoo will be number #4, even though he was originally solicited to write issue # 5.  Was this due to pressure from the controversy of its first issue or from lagging sales, no one can say for sure.
     Here are some comments from Marz about his recent lay off:


The only thing I was told was that they wanted a different direction for the book. I had a 10-minute phone call with the outgoing editor, who gave me the news. I asked what direction they wanted, but since the editor was leaving staff the next day, he didn't really know. So that's all the information I was given. I haven't heard from anyone else, beyond a call from the book's new editor to work out details on my last issue.
I have to admit, I was pretty surprised, since I'd been making the revisions and changes that had been requested by editorial as the book evolved. But it seems like they want something other than what I was giving them. Obviously I'm disappointed that I won't get to continue the story we began telling, and I'll certainly miss working with the art team of Sami Basri and Jessica Kholinne, who are doing amazing work on the series. I wish them and the new writer much success as Voodoo moves forward. I still feel like the New 52 was a very bold and positive move for DC, and for the industry as a whole, and I'm glad to have been a part of it.


Marz later thanked everyone for their support of his work on Voodoo on his twitter Monday afternoon . And with that, Marz is off the book but not the art team. Sami Basri will continue with new writer, Joshua Williamson, who currently writes the Uncarted video game adaption for DC. Yet, This is not the only change.

   George Perez was confirmed to leave the book after issue # 6 of  Superman, to be replaced by the team of Dan Jurgens & Keith Giffen. 


  Jurgens will stay on to co-write Green Arrow till Ann Nocienti's first issue but not draw it. New Green Arrow artist will be Ignacio Calero.

  Lopresti and Ryan will be leaving art duties for Justice League International to Marco Castellio.

 Jesus Saiz will no longer be ongoing artist for Birds of Prey, being replaced by Javier Pina. And George Perez confirmed to be drawing at least 1 issue of Birds of Prey as well. 



 Federico Dallacchio will be leaving Suicide Squad, to be replaced by long time Marvel artist mainstay Tom Raney.

 Gail Simone confirmed she will be leaving co writing duties on Firestorm to work on a brand new group of Teen superheroes for DC at a recent convention. 



Gianlua Gugliotta & Wayne Fauncher will no longer be doing art duties on Mr Terrific. Writer Eric Wallace will be joined by new artist Oliver Nome. 

 All these and not to mention the slew of artist doing fill in issues and new directions for some titles here and there. Didio stated before that DC was committed in making sure DC's books come out on time and they are not pulling any punches. But what do these creative shake ups all mean. Between Marz recently walking papers off Voodoo to Simone's leaving Firestorm for a new team book; DC is seemingly making sure they keep their books interesting and selling. Yet, will this strategy work out for them. We will have to wait and see.


BOOM! STUDIOS REPRINTS STEED & MRS. PEEL FROM MORRISON

by Frankie Rodriguez

   BOOM! recently had solicitations of a brand new 6 issue miniseries from prolific and fan-favorite scribe, Grant Morrison and artist Ian Gibson. It details adventures of Steed and Mrs. Peel from the popular British television show, The Avengers. Yet, there is something that BOOM! has not mentioned to other fans . . . that it's actually a reprint.
   The original printing of the series, done under Eclipse Comics, was issued out around 20 years ago. The format of the series was prestige, so it was basically 3, 48 paged issues. BOOM! is splitting it into 6 issue and releasing them in January. So for those who missed it or just love Grant Morrison work, you can grab the issue of this cult classic adaptation.





MARVEL SEASON ONE GEARS UP TO ATTACK READERS


By Frankie Rodriguez

    Marvel has been making their own strides to bring new readers in in various ways. From there new Point One issues to the Ultimate Universe, Marvel has been working hard on creating new places for readers to come in and get caught up into your world. Now, Marvel's latest innovation is the Season One books.
   Season One will be a set of graphic novels that will retell the origins and early stories of some of Marvel's iconic characters in a fresh new way. Not to be confused with its own universe, these stories are merely retelling of original tales in new ways. The books will average about 136 pages that will each bring these retellings done by different art times and available with a free digital copy of these books when you purchase them.

  The Season One first waves include:

 Fantastic Four: Season One will be written by Roberto Aguirre-Sacasa with art by David Marquez coming out in February.

X-Men: Season One written by Dennis Hopeless with art by  Jamie McKelvie will be released in March.


Daredevil: Season One written by Antony Johnson with art by Wellinton Alves seeing shelves in April.

and



Spiderman: Season One written by Cullen Bunn and Neil Edwards to appear in May. 

Dennis Hopeless commented on his upcoming X-Men: Season One release:

Our story is actually split into somewhat self-contained chapters. I wrote it just like I would a miniseries. I guess I took the "Season One" thing literally because it's structured a lot like a short television series. One story told in 5 episodes.
Continuity can be intimidating to the uninitiated. But these stories take place before most of the continuity happened. The reader doesn't need to have read anything else when they pick up a Season One book. As far as they're concerned, this is Marvel Universe day one.
It's just such a great premise. You have mutant teenagers trying to figure themselves out in a world that hates and fears them. And a rich bald mindreader who thinks he can change the world by training kids to be freedom fighters. That's brilliant.

I love writing the original five as teenagers. They're all messed up in such interesting ways. They trip over their own feet and hurt each other's feelings and fall in love every ten minutes. Just like we all did. But these are X-Men, so afterward they have to go out and fight Magneto.



All Season One books will come shrink wrapped, similar to polybagged comics with the code for a free digital copy with around 136 pages for $24.99 a book. The first Season One graphic novel, Fantastic Four: Season One, will hit stores in February.


VIDEO OF THE WEEK:
In honor of it being aired during the premiere of Green Lantern: The animated series:


IDW & TRUMANS GO WEIRD WESTERN WITH HAWKMEN

 Directly from IDW site

All-new miniseries illustrated and co-created by comics legend Tim Truman


Hawken #1San Diego, CA (November 15, 2011) — IDW Publishing is proud to announce the launch of HAWKEN, the all-new weird western series co-written and drawn by Tim Truman, best known for his work on Grimjack and Hawkman. The industry legend teams with his son, writer Ben Truman, to co-develop this original series.

“I’ve been affiliated with a lot of great co-creators and titles in the past, but I can safely say that none have effected me the way HAWKEN has,” says Tim Truman. “Something happened while doing this project with Ben. As far as my artwork goes, it’s been shot full of high-octane fuel.”

Starting tomorrow, HAWKEN follows the tale of Kitchell Hawken, an old man in search of revenge against the Ring, a brotherhood of arms merchants and corrupt politicians who once employed him. Scalped, tortured, and left for dead by the Ring, he arises from his near-death experience able to see the ghosts of everyone he’s killed. Are the phantoms real, or illusions from Hawken’s blood-soaked past?

“The ghosts provide a direct link between the readers and Hawken,” says Ben Truman. “He’s a tough old bastard on the outside, but his relationship with the ghosts provide insights into his inner world. I think readers will come for the two-fisted, six-gun action and stay for the character.”

In addition to co-writing HAWKENTim Truman will also provide illustrations for this six-issue series using his Wild West-style art to bring this eerie story to life.

“Shepherding HAWKEN has been an absolute pleasure, very much the opposite of the character himself,” says editor Denton J. Tipton. “Ben’s scripts are tough-as-nails and have spurred Tim into producing some of the finest work of his career. Saddle up and come along for the ride of a lifetime, or afterlife, as it were.”

Readers are encouraged to ask their retailers about the special “wanted poster” edition signed by Tim and Ben Truman.

HAWKEN #1 ($3.99, 32 pages, partial color) will be available November 16, 2011.




And this week . . . J1 AN-EX 4

Where J1 Studios, including us here in Comic Book Clash, will be out in force.

Till Next Week, Later!

Wednesday, May 4, 2011

HALL OF FAME SPECIAL # 1 - ICON (#1-3): Dwayne McDuffie


Welcome to Comic Book Clash where comic books take each other on to find story & character supremacy. The industry has been through many changes, chief among them is the deaths of fictional character Johnny Storm and actual former creator Dwayne McDuffie. So this Clash will just be a little different. There will still be a class but I am going to examine characters in different ways. Partially as a tribute, partially as a review.

So with that said, I am going to dive into the former Milestone Imprint. Ladies and Gentlemen, we will take a look at the first 3 issues of the now classic Icon.

TALE OF THE TAPE:

            To be personal for a second, I have a lot of influences for writing. Particularly when it comes to writing for the comic book industry, Dwayne McDuffie made it among my top 5 influences. Mr. McDuffie’s (I am not going to call him by just his last name) special distinction with me is that he made me believe that you can be a man of color and making it in this business; have a career and love every minute of it.  So, today is going to be a special Clash to me. Everyone has said how much Mr. McDuffie has influenced them and all the work he has done. What I am going to do is give a brief history and review the comic.
            Dwayne McDuffie had done a lot of work for DC, Marvel and other companies over the years. When he started Milestone back in the 90s, I was immediately enthralled. I had only started my comic book collecting 2 years earlier (Next week marks my 20th anniversary of me collecting comics).  I looked at the books that were coming out first from the Milestone line and I felt I “NEEDED” to grab them all. And I did get the first issues of the original 4 books that started the line: Blood Syndicate, Static, Hardware and Icon.
    And I was hooked. I started buying those issues here and there cause I didn’t have a subscription yet. I was amazed by the Milestone universe and greatly appreciated the diversity. Not just in color but in religion and sexual orientation. This was NOT a typical Marvel or DCU that had people of different colors but barely touched anything else. This was new territory and I loved every last panel of it. Still do actually.
            Unfortunately, Milestone was not able to last too long, as they close their doors 5 years later. Yet, I still followed Mr. McDuffie’s career. Fast forward to sometime in 2003 or 2004, where I watched tv one day and out of no where, I see Static in animated form. And while the fact that the cartoon was called Static Shock made me cringe, I loved seeing Static’s adventures being animated. And then I saw the episodes where he teamed up with the Justice League and I nearly exploded and died of  joy. Seeing Mr. McDuffie’s name attached made me jump up and down . . . literally.
            I watched Justice League and Justice League Unlimited with delight. When I found out that Storm and Black Panther were joining the now defunct Fantastic Four, I was elated. When I found out Mr. McDuffie was writing it . . . I nearly peed my pants in excitement. To this day, I still say one of the best moments in FF history is when Ben is holding Ororo (Storm) by her hair and she pouts as she proves that her hair is Not a weave; with Ben regretting ever mentioning that was what Michael Collins (aka Deathlok, who was written by Mr. McDuffie) had told him. He took over the Justice League of America after Brad Meltzer left the book.  It was wonderful. It was glorious. When the Milestone characters were integrated into the DCU, I nearly went into the hospital in a blissful coma of awesome. There was the Shadow Cabinet, with Hardware & Icon, fighting the Justice League of America. I loved every since second of reading that story. I loved every second of Mr. McDuffie’s run on the Justice League of America.
            Time passed and heard he did the animated movie adaptation of All Star Superman. I was psyched. I had not had watched it when Mr. McDuffie past away. Since then, I have been looking for every single last milestone book in existence that I do not own among other things that I do not have that he worked on. And thus, I read what I could of his history, the reports of what was said in his honor and decided that I wanted to honor him. And this will be part of it. Yet, before I get to the review, please note that while I respect Mr. McDuffie deeply, I will still be judging his work just like any other still keeping in mind the time that it came out. Nonetheless, this is still a review, as well as a tribute. And now, Icon.


CLASH FACTS:
           
            Our story opens with a space ship having problems out in space. It is falling apart as we see someone who looks like the blue cousin to Kermit the Frog run about till he gets into an escape pod. By the way, the date at the beginning of the book is 1839. The pod goes with the Blue Kermie inside and crashes into a plantation here on Earth. As an African American woman approaches it, Blue Kermie inside transforms into a baby. The woman scoops up the baby and then we fast forward to 1993.
            In 1993 in the city of Dakota (not one of the states), we see a man holding shakles who talks to his partner. His partner states that if he is trying to pick up a woman with those, he might want to wait til the second date. The man holding the shackles, Augustus Freeman III, tells his partner that he found the joke in bad taste. One thing that makes August stands out is that he has excellent verbiage; he sounds very educated and is very educated as we find out that he is a lawyer. Augustus tells his partner that he is going over meeting a young girl who sees the world very differently than he does. He says that the young girl reminded him of Estelle, which we found out to be his deceased wife. Augustus says that they are lawyers and that they should do more while his partner points out as lawyers they already help people.
            We go to Paris Island aka the projects where we meet out other main character of this lovely book, Raquel. Raquel is writing her diary as narration as we go with her as she gets picked up by three guys. One of them, Noble, suggests that since the police are busy with a riot known as the Big Bang; they would go to the rich part of town and help themselves to a few things. Raquel protests but Noble reminds her that they are rich and that they can find her a typewriter for her to use. WOW! Dated Reference! Ah . . . gotta love 90’s comics.  Raquel relents because she wants to be like her idol, Toni Morrison and bets that she has a typewriter. And Noble is her boyfriend. Our heroine ladies and gentlemen.
            So Raquel, Noble and the other two guys go into a large mansion in the rich part of town known as Prospect Hills. They enter and Raquel is amazed by the library she stumbles upon. She goes on about all the knowledge in the room when she sees a computer.  Between the library and the computer, she goes on how she wanted them more than anything but she is stopped by the voice of Augustus. Augustus runs into Noble and his boys stealing a big screen tv. Noble pulls out a gun and tells Augustus not to worry about this; they just want to take some stuff from his boss and that no white man’s stuff is worth dying over. Geez Noble! You are such a brain trust. *facepalms*
            Augustus corrects him stating that the house and the stuff were all his and that he intends to not allow it. Noble calls him a “Bougie-ass-em-eff!” As Augustus states that he will not tolerate that language and . . .BANG!
            Noble shoots him. Raquel narrates her horror of someone being shot . . . then someone getting up.
            Augustus standing up after getting shot point blank range from a guy FREAKS out everyone, causing Raquel and the other guys to run. August takes and breaks Noble’s gun and tells him not to move an inch and he’ll be back.  Augustus runs out then flies as Raquel is the only one to stop and look back to see. Augustus collects them all together. Then tells them that they will return what they stole and if they want something . ..  to work for it; that they’re behavior reflects badly on themselves and their people. One of the other guys say he was gonna shoot Augustus in his face when Augustus states: “I sincerely hope that whatever you’re about to pull out of your coat is made of chocolate because I promise you, I’m gonna make you eat it.” Which stops the guy from doing anything. Augustus adds that he wants them to tell nothing of what happened tonight and never do anything like this again . . . or they would see him again.
            We find out that later Raquel visits Augustus formally and come sup with the concept of Icon and Rocket. As Augustus and her talk, she goes on about him setting an example. Augustus again states that if someone wants something they should pull themselves up from their own bootstraps and work for it. Raquel reminds him that it is easy to pull himself up by his bootstraps when he can fly loudly in front of Augustus’s maid. She leaves and narrates that 2 days later, he shows up with costumes made the same way she had drawn them.
They met three weeks later as they take their first sojourn as Icon and Rocket. There is a hostage situation at city hall and Icon(Augustus) wants to go in and ask the police if they need help. Rocket (Raquel) says that they will turn their guns at him for being a flying black man; that she is supposed to be the naïve one. Icon says do not assume everything is racial. They land and ask if the police need help when all the police, including a special police unit called S.H.R.E.D. turn their guns towards the duo. Raquel states, “… I be this never happens to Superman.”
The second issue opens with a man walking into city hall 4 hours earlier with ease as he is welcomed by the receptionist; who is actually surprised to see Kevin (the man); she is so surprised cause she states that they though he was dead. Kevin says that it is not that simple, enters the mayor’s office and holds her hostage; radioing in help under the name Payback. Back with our heroes, Icon is trying to talk to police as they tell them to put up their hands while Rocket says she did do anything so she’s not complying. A member of S.H.R.E.D. goes over and tries to smack her . . . hitting her inertial field; it collects energy , shields her and helps her fly. And she uses it to reflect any force towards her . . .to hit the cop that tried to attack her. And then the cops fight Icon and Rocket, although, Icon is very much resistant to the idea of fighting them. As bullets ricochet off Icon, he goes to help the civilians. After a few minutes, S.H.R.E.D. surrounds them when Icon tells Rocket to leave. She does and Icon gives himself up. He is arrested only to view the hostages attacking and killing cops. Icon frees himself from the shackles and flies, saving members of S.H.R.E.D. Icon calls for Rocket to save the other members of the police and she appears, doing so. She later asks how Icon knew she was there and he answers cause he ordered her to leave. NICE. Payback tries to get Mayor Thomasina Jefferson to admit she gave the order to use the experimental gas at the Big Bang; a gas according to him that killed the majority of the people at the Big Bang that night. The mayor denies it and says that there is no proof of what happened that night. Payback exclaims that he is proof when Icon and Rocket walk in. Icon tells Payback that he does not need the gun anymore and that he’s in pain. Payback throws the gun away then transforms into a muscle bound green monster with talons.
Suddenly, Payback decides to attack our heroes after feeling antagonized by the mayor. As he slams the mayor’s decks on Icon, the new hero stands up, stating enough is enough; till Payback slices into Icon’s chest with his talons. Icon falls to his knees in pain and disbelief. Pissing her off, Rocket goes up against Payback. As the two trade blows, Icon gets to his feet. Payback decides to leave after Rocket his him hard. Payback promises to return for the mayor but retreats. Icon tells Rocket to follow Payback but not to fight him. And what does she do . . .follows him and goes to fight him again of course!
Icon readies himself to go after them when the mayor thanks him for saving her life. The rest of the terrorists that Payback hired run into the room with guns held. Icon handles the terrorists with ease. After which, Icon flies the mayor down and lands her safely with the police. He flies off as the on lookers and police applaud Icon. Rocket follows Payback into the sewer and fight. Payback gives up and tells her what happened the night of the Big Bang. He changes back and tells on how the mayor ordered the use of the experimental gas that ended up mutating him and killing so many people. Rocket suggests that she will pretend that she never found him when Icon hovers in. Icon states he heard the story and asks that Payback turn himself in but vows to find out what happened during the Big Bang.  Payback complies and the next day, Icon is given the key to the city. Icon makes the following speech:

As many of you have already witnessed, I am gifted with certain special abilities. I had possessed these gifts for many years but for the most part refrained from using them. No more. Today I set a challenge for myself. A challenge to be of Service to Humanity. I will do this by being a living example of what’s possible. I intend to hold myself to a very high standard. I ask no less of you. I challenge you to challenge yourselves. You are all gifted with special abilities. Strive to live up to your potential as I will strive to live up to mine. I can fly . . . so can you.

            After that speech, Icon flies to meet Rocket at the broken bridge where they had first dressed as Icon and Rocket. Rocket states that Icon should run for mayor while Icon states they have a lot of work to do and have taken the first step. He adds that she will have to get used to being in the the sidelines due to her condition. Rocket asks what condition. The final panel has Icon revealing that his sidekick is pregnant. I bet that never happens to Batman and Robin.


CLASH TACTICS:

            M.D Bright has one of the most recognizable art styles in comics. You can look at any comic in the last 20 years and you can pick out his style with ease. And it is a great style displayed here. People are as distinct as they should be without extra detail while not being too simple. From the hair to the clothes, you know who is who in this book. And no one is hyper muscular . . . except for Payback who is supposed to be hyper muscular. Bright’s backgrounds are also as distinct as his people which help build this new world that was introduced back in 1993. Honestly, Bright is the Icon penciler. Seeing someone else do Icon is fine  but Bright definitely left his stamp on Icon.
            Mike Gustovitch’s inks and the colorists ( Rachelle Menashe, James Sherman, Noelle Giddings & John Cebollero) bring out Bright’s art with a spectacular feast for the eyes and draw you into the Milestone Universe. Dakota felt like a real city and looked the part. A great job by this team.
            Which brings me to the man of the hour, Mr. Dwayne McDuffie. As much of his work and other work I have had the pleasure of reading in the last 2 decades, this first story is by far one of my favorites. This not only services as one of the introductions of Milestone’s “Superman” but also introduces an interesting part of the Milestone Universe. Where the upper class work with the lower class in order to build something new and interesting. Where people can see the world in all its myriad colors and work together to make something better. And ideally, that is what Icon is about. Not just the brother from another planet. Not the young idealistic yet street smart Rocket. Icon stood for smooth, ideals, abilities to move past where you are and believe in who you are; and from the beginning, Mr. McDuffie made that loud in clear through not only the words within the first story but within art itself. We got told of a story of a man who crashed on earth and was raised by a slave woman without ever been told directly. The pictures and 2 hints were put with in the story to explain that. Our intelligence is not insulted but indeed encouraged as Mr. McDuffie lets Bright give an explanation with art, not words.
            Mr. McDuffie fleshed out our main characters quickly and easily. Rocket was the street wise girl who was underprivileged and looking for more in her life. Icon was a man who had worked up to get to where he was and forgot what the other side felt like. Rocket looked upon what Icon had as gifts and riches; for many readers, they would agree with her. Icon saw what he had as just parts of who he was and what he had earned. It was great to see these two begin this journey and look at what would become of it. For someone who was well over 150 years old, Icon still learned something. He did not allow his status nor his ego be too big for him to learn something from Raquel. And that alone made Icon a lot different from Superman. Also, Raquel learned a lot from Icon. A new way of seeing things besides just how they are. It was Augustus who first inspired Raquel in the first place that allowed  her to come up with the concept and ideals behind Icon and Rocket; to be inspiration that anyone can do anything.
            Honestly, I could go all day on the aspects and inspiration that Icon provides just in the first 3 issues but I won’t. That is what you going out there getting the issues or the trades are for. Add in the mystery of the Big Bang, a possible political conspiracy, a look at police brutality and the start of one of the landmark characters in all of comics. And as for looking for flaws for the first story arc, I really don’t seem to find any. Anything that could be nitpicked honestly was addressed in its own way throughout the arc.
            Dwayne McDuffie gives an interesting statement on both the minority community and the Superman archetype. As one of the 4 books that constructed the Milestone, this one seemed to have a great balance of gritty realism while still being light and hopeful. Like its name, Icon shined as a beacon and is still some of Mr. McDuffie’s best writing.

With that, I gives this a rating of a World Heavyweight Contender. Mr. Dwayne McDuffie . . . thank you for all your work and inspiring all of us of any color or nationality or orientation to go for our dreams and believe in ourselves. For this, you are the FIRST inductee EVER into the COMIC BOOK CLASH HALL OF FAME and will always be remembered.

Thank You All Joining Me.


Next Week: TRIPLE THREAT MATCH BEGINS!!!

Wednesday, April 27, 2011

#8 - FANTASTIC FOUR: THREE (#583-587)

Welcome to another edition of Comic Book Clash: where heroes & villains clash for supremacy. Which gets to TEAM BOOK MONTH. Last week, we started our current war between the Dynamo 5 vs. The Fantastic Four. Well, it is time. Time to tell, the final storyline with Marvel’s First Family with the original team.  Ladies and Gentleman, COMIC BOOK CLASH gives you our review of “THREE”


TALE OF THE TAPE

     Honestly, I really don’t see how or why I have to do it for THIS TEAM. But for those of you who are not too familiar with the Fantastic Four’s original, I will sum it up. Reed Richards with his best friend, Ben Grimm; piloted an experimental rocket ship alongside Susan Storm and her little brother, Johnny Storm. They take the rocket through some cosmic rays and crash back on Earth. When they get out, Reed is all stretchy. Johnny is able to light himself on fire and even fly. Sue is able to go invisible and Ben . .. transforms into orange bricks.
    Thus the Fantastic Four was born. And much have they done in their team together. They have crossed dimensions, planets and time itself. They have fought off Reed’s rival and old college buddy, Victor Von Doom, now Dr. Doom; time and time again cause . . . well Dr. Doom has a hard time not being right all the time and feels that he’s the smartest of all. They have fought all sorts of threats . . . from subterran monarchs, to planet eating demi gods. The Fantastic Four has run the gambit. But not just as a team but as a family. And while their membership has shifted over the years, the Fantastic Four, at its core have always been Reed, Sue, Johnny & Ben. Now, Mr. Fantastic, Invisible Woman, Human Torch and The Thing have been working with the next generation as they take care of not only Reed and Sue’s children, Franklin and Valeria Richards; but also some mole men children, Dragon Man and a child cloned from FF enemy, The Wizard. Alex Power, former member of the Power Pack & New Warriors , has been acting as babysitter and close friend to Franklin. And now, let us begin getting into . . .”THREE.”


CLASH FACTS

            THREE opens when a shot of the Fantastic Four in the Negative Zone, fending off a small invasion group. Then cuts right back to the Baxter Building where Valeria Richards goes into the air ducts and finds herself in a private lab that was hidden from everyone, including them. Valeria laughs off her dad’s security, stating they need better security and that she, a 4 year old girl, will upgrade it. For those of you who don’t know, Valeria is 4 years old and she is as smart as Reed already. Come to find out, Reed built a machine called a Bridge that he promised Sue that he would not rebuild; and Valeria found it and go information it its use and how Reed met a bunch of other Reed Richards who want to solve EVERYTHING. Um . . .Reed, that’s a bit . . . okay, that is VERY ambitious. And you are hiding from your family, including your wife, a machine that you swore you would NEVER rebuild. Val is right: Sue is gonna kill you.
            Then we get a shot of Doom in Latveria, his country that he rules with an iron fist. And we find that he is not is usual meglomanical self. No. Come to find out, Doom is preparing to leave his throne. He mentions Kristoff Vernard, who is actually Doom’s adopted son that he exiled only to find Val teleporting into his throne room. Doom asks why she showed up when Val tells him of the machine that Reed built with a nonchalant manner that Dr. Doom is a family member. She even calls him Uncle Doom. WHAT?! Come to find out, Valeria Richards had a little adventure through the Bridge, meeting the alternate Reeds in the council and finding that Reed made a WRONG choice. Supposedly, Val thinks that her dad made the wrong choice in sticking with his family and personal happiness over the good of the world. So Val says that she notices that Doom isn’t quite himself; revealing she figured out that Doom has Brain Damage. Val poses that if Doom helps her dad, she will find a way to restore Doom to the way he was. Doom agrees.
            The Fantastic Four returns victorious while The Thing has an enlarged cranium due to the radition given off from this one area of the Negative Zone. They stop the invasion and the fight over this one city in the Negative Zone and return; where all the children, including Val are waiting. Johnny makes fun of the Things head for a bit as Val smiles saying that nothing has happened. The first part of THREE ends with Silver Surfer hovering over something and saying “Unacceptable.” The final panel shows us the corpse of Galactus. Wait . . .WHAT?! Hold on! WHAT?! Galactus is dead?!
            The next issue with Thing’s head finally going back to normal self . . . for The Thing. Ben joins Johnny, Dragon Man, Alex and the mole boys for breakfast asking where Reed, Sue and the kids are. They are on the roof; sending off Sue who took on a diplomatic mission. Reed asks if she wants help and Sue says she’ll handle it. Back at breakfast, the mole men and the clone of the Wizard, named Bentley, cooked up a potion that will make Ben human again for a week; stating that it will only work one week a year. Just want to point out that the kids are all part of what Reed started called The Future Foundation. Hmm . . . wonder why I think that name is important for later? Ben takes the potion and after Johnny makes him worried that it made the Thing look worse; a mirror confirms that Ben has turned back into a human. After Ben is ready to beat Johnny up, Johnny points out that this is a great time to have some fun. After which, we see Johnny and Ben through a montage of different things going on; a baseball game, a card game only to come to the park and get into a fist fight: with the new Yancy Street Gang. Why do I say new? Cause they are all in suits and are former investment bankers. Wow. Economy has really hit us hard.
            Sue enters Utopia, greeted by Cyclops and Emma Frost. After a warm greeting from Cyclops and a chilling one from Emma, Namor comes to welcomes her; stating why he doesn’t wait for many, he’ll wait forever for her. Wow Namor. Still wanting Susan after . . . dear god, its been 50 years. Namor tells he looks forward to work with her to forge a new union between New Atlantis, which he rules and old Atlantis, ancient undersea races that recently reemerged.
            While Ben went to see Alicia, Reed was investigating a bleed in space when he gets visited by Silver Surfer, who says he knows that the Fantastic Four was with the Galactus corpse. And Silver Surfer is NOT happy. Yet as Reed is about to explain what happened, Silver Surfer that HE wants answers . . . pointing upward. Then we see Galactus teleport in, alive. Wait WHAT? Galactus is Dead? Now he’s not? WHAT?!
            Ben and Johnny drive home to see Galactus teleport in. Johnny flames on while he leaves Ben with the car. Galactus asks for the explanation behind the doppelganger that is buried on Earth. Reed explained that the corpse is from an alternate future where Galactus was killed. The corpse ended up on this universe after that one was destroyed. Out of respect, Reed buried the corpse. The people responsible for killing him were brought into this universe and are on an artificial Earth. Galactus decides that he needs more answers, so he, Silver Surfer and Reed go to this artifical Earth. Johnny arrives in time to be told that he and Ben will have to look after the kids.
            Sue is arguing back and forth with Andromeda as she comes up with ideas and compromises so that all Atlantaeans, old and new, can live peacefully in the sea. Andromeda protest but is silenced by Namor. Namor has Andromeda leave, stating that she thinks Sue is steering him to a bad choice. Sue explains she is working on doing right for everyone.
Back with Galactus and Reed, Galactus explains that he knows that Franklin has his powers back. Johnny and Ben tell the Future Foundation a story then send them off to bed. Then the two talk about if they want children of their own. We cut to a being called The Anti-Priest, who wears an insignia of a minus symbol inside a circle on his head, stands in front of a group as he gave a speech about taking their choice and that they will live forever. They reveal themselves to be bug people who are loyal to Annihilus. The plan is for them to attack the Baxter building tomorrow and unless a Second Annihilation Wave on Earth. And as a point of reference, the last Annihilation wave destroyed a slew of planets, nearly decimated the Skulls to extinction; crippled the Kree and killed every Xandrian in existence. And they plan to unleash that on Earth.
Sue meets with representatives of Old Atlantis and Namor as they work out a treaty. Andromeda issues a small amount of area in the sea for all the Old Atlantaeans while Namor’s kingdom emcompasses the rest of the ocean. The Old Atantaean King states how unfair their issue is when Namor gets out of his chair. He then throws a trident to the king’s main guard then proceeds to kill the king in the gut; stating that Atlantis will be ruled by one king and one king only . . . him! Then we get Namor, Andromeda and his soldiers surrounded in the hall but then his own army attacks the site of the conference. Sue figured that his was Namor’s plan the whole time. Sue creates a force field to hold off Namor’s army, causing a stand off.
Reed and Galactus are joined by Alyssa, who is now sporting a new robotic body in which her consciousness is housed, and Ted. They travel to the artificial Earth, called Nu-World. When they get there, Reed explains how Galactus’s future self died then established Nu-World. Galactus’s hunger takes over him and he decides that he will eat the planet and its inhabitants. Reed says he needs to save who he can and come up with some kind of resolution. Sue holds the force field with some strain as blood trickles down her nose. Namor tries to convince her that his course is best and that the Old Atlantaeans will sacrifice her as per their old customs of the past.
Reed, Ted and Alyssa travel to the center of Nu-World to find the inhabitants’ minds all within the mind of Natalie X. They run into Lightwave and Natalie X. Not really sure who they are but they chat as Lightwave reveal that he’s not hear to eat Nu-World . . . but to destroy it. They end up moving Natalie X, Lightwave and themselves through a portal as Galactus destroys Nu-World.
Sue ends up talking to the Old Atlantaeans alone, finding that they have admitted that they had a barbaric past but want to build something new and are peaceful. And since their king was killed and his heir is far too young, they name Sue their new Queen. Sue excepts and goes to Namor, asking one last time that they will end their fighting. Namor tells her he will not stop and that she will heed him. Sue states that he will honor their deal and that no war will happen, for the Old Atlantaeans are under her protection. Namor grabs her as she turns away. Sue then beats Namor to the ground.
Sue: Honor the deal, Namor. I’m done asking nicely.
Namor: YOU DARE!
Sue: YOU’RE DAMN RIGHT I DO. IN case you missed it, these are my people now. I RULE HERE. And I am a Queen that bows to NO king.
Namor stares at her for a moment then merely says: God, You are Magnificent.
Sue rolls her eyes and declares their new treaty stands.

Finally, we get to Johnny and Ben’s part in the storyline. As they go back to look after the kids in the Baxter Building, Bug people teleport in to get at the portal it has to the Negative Zone. Johnny, Ben, Alex, Franklin, Valeria and the rest of the Future Foundation fend off the bug soldiers, defeating them long enough to realize that they did open the portal to go through to prepare Annihilus’s Second Annihilation Wave. Val points out that the only way to shut down the portal so that they do not come through from the Negative zone to Earth for good is to take care of the systems in the other side of the portal because the bug boys were about to lock the portal open from their side. While they are over run, Val takes a pipe and knocks out fellow Future Foundation member, Leech. With Leech down, Franklin’s powers are unleashed as he, Ben, Johnny and Alex take down as many of the bug soldiers as they can as they cross into the Negative Zone.
The Future Foundation fight alongside Ben, who is still human at this point, and Johnny in the Negative Zone, against the better judgements of Ben and Johnny; yet Val points out that she, Bentley and some of the others can help them and that the Avengers would Never get there in time.As they battle the armies of Annihilus, Bentley notices that the Annhilation Wave was coming. Val confirms that the controls are locked, as per Reed’s specs. They try to come up with ways of being able to close the portal after they go back; but it comes down to a horrifying truth . . . someone has to manually put up shields to keep out the Annhilation Wave and close the portal from the Negative Zone. Someone is gonna have to stay behind.
Ben, hold a gun, tells Johnny to take the kids and that he’ll do it. He thanked Johnny for the best week he’s had in a long time and that he doesn’t want to be owing him. Johnny turns to the Future Foundation, begging that is there another way. With a minute before the Annhilation Wave hits, Val sadly answers No.
Johnny: Okay. That settles it then.
Johnny then kicks Ben hard in his stomach and throws him through the portal after the Future Foundation has all crossed over the portal. Johnny puts up the shield.
Ben bangs at the shield: You Stupid, Dumb . . . Open this back up! Open it!
Val: We can’t. There’s no time left! If he’s going to activate the shield it has to be now.
Franklin: I could make more time.
Ben: No. That’s Not . . . That’s . .. Val. Just tell him how to work the Thing.
Val tells her uncle how to operate the console and states that her father would have built a back door. She murmurs to her uncle that they’ll be back. Johnny engages the locks. Ben begins to slam his fists against the shield, screaming No over and over again as the Annihilation Wave begins to strife their position. Johnny watches. ..
Johnny: Unbelievable.
Ben stops hitting the shield as Johnny reaches out his hand.
Johnny: You don’t wish it any more than I do.
Ben puts his hand up with Johnny’s for a moment. Johnny breaks off to turn around.
Johnny: So this is it.
Blasts at either side of him as the Annihilation wave comes into view.
Johnny: A billion to one. You think I’m a afraid of that? YOU THINK I’M AFRAID OF THAT? FLAME ON!
Johnny is now surrounded by Annihilus’s forces. Ben watches as the portal begins to close. Annihilus himself coming ever closer.
Ben: Oh God. John . . .
A splash page shows Johnny Storm . . . engulfed by hordes and hordes  of Annihilus’s soldiers, barely able to be seen by the swarm.
Finally Ben bows his head as Franklin and Valeria Richard are held at either side of The Thing in utter silence as the final page was in black with 3 in the classic blue and white Fantastic Four symbol with only these words, ending the issue and the storyline:
The Last Stand of Johnny Storm.





CLASH TACTICS

            Ok. When I first picked out this bout and this storyline to review, I was a bit unsure of how to go about it. But both this and Dynamo 5 had to deal with major issues and changes that come about because of them. Both families had to deal with changes with their youngest team member.
            Now with the Fantastic Four, I will say this. When Reed “supposedly” died, there was no real sense of finality in his death. Even with the two years without Reed and the additions of Ant Man and Namor, the Fantastic Four seemed to get this sense that they will always come back together. This . . . this on the other hand had finality to it. The lead up was still somewhat surprising, even with all the press that a member of the Fantastic Four was going to die. If you had no clue that someone was going to die, you would definitely would have been surprised. Even with that, kudos to Jonathan Hickman for producing one of the best Marvel death’s since Jean Grey died . . . back in New X-Men #150. Johnny’s death was very well done. It brought me back to that moment with Jean in New X-Men. It brought me back to watching Angel’s first season and watching Doyle die. A character that we care about and got somewhat attached to dying like a hero. Johnny got that in spades. Just as a death of a major Marvel character, his death seemed to have more resonance than Captain America Steve Rogers did. Sure. He was assassinated after a major storyline just after it ended. Steve Rogers was about to go to jail. Johnny died sacrificing himself to save the world and humanity from being decimated by Annihilus and his Annihilation Wave. I am praying that Marvel keeps him dead. Seriously, it would cheapen his sacrifice if he was resurrected. I know it will come down to what fans want in the end but still, I doubt anything could top the way Johnny Storm died during this storyline.
            As for THREE itself, Hickman gave readers a plethora of Fantastic Four stables and weaved several stories that ran together and built what the team and family will become. At first, I figure that Hickman doing this would have made things very convoluted and hard to read. As I read the storyline, I felt how important each story was in their own way and represented so much of what the Fantastic Four was. In many ways, Three was a final love letter from Jonathan Hickman. This was the last hurrah.
            Hickman gave each character a very distinct and interesting voice. From Reed to Johnny to every member of the Future Foundation, Hickman crafted characters that resonated with readers. Every character was identifiable and had a depth thanks to Hickman’s characterization. He had no problem running the Fantastic Four gambit. And honestly, it was done very, very well. Not a single one of the characters felt they were out of character. He added to them a lot during the storyline. For all the immature infighting between Ben and Johnny, they both produced an air of maturity that showed that while they are who they are . . .they have evolved as people. Reed produced himself in a fashion that was still the famous scientist he always was but a man of honor and family. The most gripping characterizations were Sue and Valeria Richards. The two females of the Richards Clan were strong, brave and honestly took little bull from anyone. Sue went toe to toe with Namor, ready to do what she had to in order to win. Val did what she felt she had to in order to secure the future. Val may have her father’s intellect but she definitely has her mother’s spirit. Hickman really showed up the world of the Fantastic Four for the last time through the eyes of this family that seeming was evolving.
            Steve Epting has been a good artist in the past. But his pencils for the storyline were dark and rich. Full of life and danger while still giving everyone a regal look and feel. Doom felt menacing but matched his lessened status thanks to his brain damage in subtle ways. Epting really put his heart into this storyline and it shows with near-flawless work for the entire 5 parter. Everyone had a distinct look. Emotion was carried over extremely well through just the art of Epting alone. First example is when Johnny was teasing Ben after he had taken the portion and turned back into a human. Nothing had to be explained. All of it, without reading the words, told a story and gave us the emotion of the characters.
Epting continued this by truly capturing all kinds of aspects of the characters in THREE: Sue’s strength. Reed’s worry. Johnny’s determination. Ben’s utter sorrow. The last 7 pages of art in Fantastic Four #587 are some of the most hauntingly beautiful and sad in comic book history. The last 3 panels by Epting are burned into my memory for life. That is how powerful this story was drawn. Epting’s tour de force was beautifully done for this storyline. Kudos to inks by Rick Magyar, Mike Perkins and Epting himself throughout the storyline to really flesh out the characters and give us a visually appealing story without having to be told anything. And Paul Mounts did a spectacular job in coloring the story, letting the inks held the shadows and colorfully gave us the emotions and looks of the characters and places they were in. Nothing looked out of place and every place seemed wondrously real.
The press for Three was huge and I will say that Hickman and Epting deliever. There may be a lot for new readers to kinda shake their head about but Hickman is great about just giving us what we need while still treating readers with respect. Epting’s art really gave us a beautiful depiction of the final days of the Fantastic Four. And that is what this is. The final Fantastic Four adventure. At least for the time being. No one knows what the future holds but Hickman’s storyline gave respect to all that came before him while establishing the evolution.

And with Johnny’s final, brave farewell, I give Fantastic Four’s Three a World Heavyweight title Contenders spot. I tried hard to find something bad about this story but honestly, there was nothing really bad about it.

This makes Fantastic Four the winners of their bout with Dynamo 5. Unless you have a different opinion. Feel free to vote on who you think will win and the winner will advance to the tournament this summer.

Thank is all for this week. Til next time!