Showing posts with label George Perez. Show all posts
Showing posts with label George Perez. Show all posts

Friday, June 8, 2012

Broken Infinite Invades Philly Comic Con & I Almost Kill Stan Lee

PHILLY COMIC CON REPORT

by Frankie Rodriguez (Seraph)

Welcome one and all. Tis I, Frankie Rodriguez. New site. New day.  And boy, much has happened since we last talked. To my Clashers, be not afraid. Comic Book Clash has evolved. THIS is the next stage. The next Evolution. Read all our usual quality stuff and enjoy the ENTIRE BROKEN INFINITE site. ALL OF IT. But after you read this. This past weekend, I had the pleasure of covering the 4-Day event. Yep. This year, it was 4 days. Normally,it's 3 but some new management and some pretty awesome guests changed all that. Who were the guests you ask?

 Let see: We had Chris Helmsworth . ..Thor himself in the flesh (but only on Saturday).

 We had legendary wrestlers: Ted Dibiase, Amy Dumas (aka Lita), Jimmy Hart, Diamond Dallas Page & Paul Bearer.  Not to mention current WWE Champion himself (and known comic book enthusiast) CM PUNK!

  We had Dean Cain, Melissa Joan Hart, James Marsters & all 5 .. count 'em 5, STAR TREK CAPTAINS.

   WE EVEN HAD STAN LEE. (How I almost killed him later.)

 Arriving early, I had picked up my press pass and was able to walk in during the end of set up for the con Thursday Afternoon. The new set up was amazing. Instead of the normal two halls, they opened up 3 full halls just for the con while the forth was used for registration, lines and tickets. (Excellent move there Wizard)  Watching the set up made me feel the positive energy.  I looked at the line of VIP who were ready to get in as I walked up to a female volunteer when I asked her, "So, what do you think of the set up and this year's con going to look?" The volunteer replied, "I been here for several years and this year just seems so much better. It looks bigger, it feels bigger ... just feels like its gonna be a great con."   After walk around taking some pictures, the VIP entered as they passed by the Zenescope and Avatar tables on the red carpet.

The vast convention space was well utilized as there were areas for stars that split the normal commerce areas while the vast majority of the stars were nestled in the center of the con;which I personally dubbed Red Carpet Row since red carpet went up nearly to all the areas where each of the celebs were stationed. Past Red Carpet Row, there were more merchants and Artist Alley, which was HUGE this year. So many artists. From local and indy artists like Shawn Alleyne, Inkbot.net & Interrobang Studios to known comic professionals such as  Miguel Sepulveda (of Stormwatch fame), Jamal Igle (who I interviewed a few months back), Greg Horn and legendary artist Neal Adams. While talking to several independent artists, I was able to get their business cards and close the day with meeting up with my friend and Broken Infinite writer Hector Ramirez. My friend and Hector were both in extremely jovial moods.

      Then Day Two happened. And Dear Lord. For the first time in years, if ever, Friday had a turn out that was almost as good as a Saturday turn out. Many of the celebrities had arrived (such as Anthony Michael Hall, James Hong and the aforementioned Legendary wrestlers). The fans were jovial. Artists were working hard on commissions or keep attention to customers. Parents were walking their children around the many merchants with clothing, comics and swords. (Yes. SWORDS) There was even LIQUOR up in this con. Liquor! As I saw my friend, we noticed George Perez and decide to take the time to get him to sign a book, just to take a break. And after an hour and a half (and an personal apology from Perez himself), I got to talk to George Perez. As a journalist and a fan, I was estatic. He signed my New Teen Titans (Vol. 1) # 6 and I asked him how he was enjoying the con.

 "Oh. I am having a great time," replied Perez.

 In my mind, I was squealing like a 12 year old girl in joy. In person, I had a big smile as my friend took a picture of George Perez and I. (I have idolized this man for 20 years. He is why I am doing this now.) After living that moment, I was able to observe the Jedi Master Class then went on my way to lunch with same friend as earlier. As we walked out the door, Dean Cain was just coming back from his panel ... stopped my  friend (who was ex-military and wore his dogtags) and introduced himself. My mouth dropped (Superman stopped us to talk to my friend) then I shook his hand. He was not able to take time  at the moment to really talk but he thanked my friend for his service and wished us well.  After a picture with my friend that I took. (Lucky punk.)

 After lunch and looking at I checked out the Stan Lee photo op, just to hear fan reactions. Stan Lee, 89 years old, was a HUGE draw as the line started about an hour before his photo op. Fans were going on about ... between some complaining about the wait ... to others who were just happy to be there and get this chance with him. One fan stated, "I never thought I would get this chance but here I am. I am  gonna meet Stan Lee!" The line for Stan Lee moved quickly and I moved on to talk with a few more artists and cover some panels. (more on those later) I actually ran into a lovely Wonder Woman cosplayer.  She smiled as I asked her for a picture. She had told me that some people had complained about her costume while I said that I thought she did a great job. What do you think?

 Saturday rolled by as the con was jammed. People were everywhere. I tried several times to talk with Greg Capullo but the line was far too long and was not able to get to speak to him. The Chris Helmsworth panel was fun with a lot of people going on how they enjoyed his Thor while he answered questions. At one point, I ran into my friend again and we were gonna head to lunch. As I talked to him about what were gonna eat ... I was pulled away in a 45 degree angle. Mere seconds later  .  . . MERE SECONDS ... I see  Stan Lee say excuse me. If that bodyguard or whoever pulled me back didn't stop me, I would have crashed into Stan Lee. STAN LEE IS 89 years old.

 I ALMOST KILLED STAN LEE.


    If I had crashed into him, I would have become American's most hated man. Comic Fanboys would have wanted blood.  I almost walked into Stan Lee. Me hitting him could have killed him ... THANK GOD I DIDN'T WALK INTO STAN LEE. (Mr. Lee, if you are reading this ... I am so sorry)

 After that and a late lunch, I calmed down, I had gone to Artist Alley and talked with Shawn Alleyne, local Philadelphia artist, to ask him about the con. "This is good. Been keepin' busy. I been doing well, selling prints," said the artist. "This year seems so much better than last year," he stated after I asked him what he thought of the convention. After talking with some cosplayers and retailers and getting Miguel Sepulveda's autograph, it was time to call it a night.

      Final day had arrived. I had overslept so I missed Stan Lee Q & A (FRELL) but I was able to look around at some deals and attend another panel (Writing & Editing in Comics - that will come up in another post) and pretty much talk with creators, enjoying the rest of the con. The con ending with a high note as many con goers left with smiles and a great sense of satisfaction. And while the Big Two (although DC artists Greg Capullo, Miguel Sepulveda and more were there) and Dynamite Entertainment were noticeably absent this year, there was much fun from many of the fans, creators and even staff. With that, It is time for me to get on the TARDIS and see if I can catch Stan Lee's Q&A. Till then, Break the cycle and take it all in.


- Editor-In-Chief & BI Founder Frankie Rodriguez

Wednesday, June 6, 2012

Philly Wizard World Impressions

by Darryll "YTC" Carter



     With all that out of the way, Wizard World Philly was a blast. In the four days it was open it managed to bring something new and interesting each day. The amount of people in attendence was tremendous. There were tons of artists who set up tables; from Greg Capullo to George Perez. This convention had celebrities out the wazoo; Stan Lee, Patrick Stewart, William Shatner, the original Buffy, Kristy Swanson, Melissa Joan Hart, WWE's Lita, CM Punk, Chris Hemsworth and the list goes on.

     The cosplayers were in good taste this year, with an alarming amount of them dressed as Fin the Human from Adventure Time, including CBC's own, Hector Ramirez. There were various panels and programs; How to edit and write comics, How not to make a comic book, Jedi Weapons Training,  Q & A with the various celebs and Sci Fi Speed Dating. The latter of which didn't pan out to well for most of the guys who attended. Sadly.. as expected.

     In the end Wizard World impressed and exceeded my expectations. I can't wait to see what they throw at us next year.

Wednesday, November 16, 2011

NEWS EDITION #17 - DC CREATIVE CHANGES, MORRISON'S STEED & MRS. PEEL, MARVEL SEASON ONE & THE TRUMAN'S HAWKMEN

Welcome to this week's news highlights.


DC CREATIVE TEAM CHANGES CONTINUES; MARZ OFF VOODOO & MORE

By Frankie Rodriguez

     Last week, we were talking about how Marvel was scrambling with all their recently axed projects. This week, DC seems to be dealing with a lot of changes but no cancellations . . . at least not yet. There have been several rumors and there have been reports confirming the changes. DC seems to have been extremely proactive in making sure their books are on time as well as making sure that their books are selling well. And while there has been no statement flat out confirming that if a book does not do well that they are gonna change things . . . Ron Marz seems to be the latest casualty.
    It was confirmed on Monday morning that Ron Marz has been taking off the Voodoo ongoing for DC. Marz, a veteran scribe and man who kicked off the new ongoing, recently stated that DC Editorial was changing for Voodoo and they told him that they wanted to go in a new direction. This is of course, mere issues after the series began. Marz's final issue of  Voodoo will be number #4, even though he was originally solicited to write issue # 5.  Was this due to pressure from the controversy of its first issue or from lagging sales, no one can say for sure.
     Here are some comments from Marz about his recent lay off:


The only thing I was told was that they wanted a different direction for the book. I had a 10-minute phone call with the outgoing editor, who gave me the news. I asked what direction they wanted, but since the editor was leaving staff the next day, he didn't really know. So that's all the information I was given. I haven't heard from anyone else, beyond a call from the book's new editor to work out details on my last issue.
I have to admit, I was pretty surprised, since I'd been making the revisions and changes that had been requested by editorial as the book evolved. But it seems like they want something other than what I was giving them. Obviously I'm disappointed that I won't get to continue the story we began telling, and I'll certainly miss working with the art team of Sami Basri and Jessica Kholinne, who are doing amazing work on the series. I wish them and the new writer much success as Voodoo moves forward. I still feel like the New 52 was a very bold and positive move for DC, and for the industry as a whole, and I'm glad to have been a part of it.


Marz later thanked everyone for their support of his work on Voodoo on his twitter Monday afternoon . And with that, Marz is off the book but not the art team. Sami Basri will continue with new writer, Joshua Williamson, who currently writes the Uncarted video game adaption for DC. Yet, This is not the only change.

   George Perez was confirmed to leave the book after issue # 6 of  Superman, to be replaced by the team of Dan Jurgens & Keith Giffen. 


  Jurgens will stay on to co-write Green Arrow till Ann Nocienti's first issue but not draw it. New Green Arrow artist will be Ignacio Calero.

  Lopresti and Ryan will be leaving art duties for Justice League International to Marco Castellio.

 Jesus Saiz will no longer be ongoing artist for Birds of Prey, being replaced by Javier Pina. And George Perez confirmed to be drawing at least 1 issue of Birds of Prey as well. 



 Federico Dallacchio will be leaving Suicide Squad, to be replaced by long time Marvel artist mainstay Tom Raney.

 Gail Simone confirmed she will be leaving co writing duties on Firestorm to work on a brand new group of Teen superheroes for DC at a recent convention. 



Gianlua Gugliotta & Wayne Fauncher will no longer be doing art duties on Mr Terrific. Writer Eric Wallace will be joined by new artist Oliver Nome. 

 All these and not to mention the slew of artist doing fill in issues and new directions for some titles here and there. Didio stated before that DC was committed in making sure DC's books come out on time and they are not pulling any punches. But what do these creative shake ups all mean. Between Marz recently walking papers off Voodoo to Simone's leaving Firestorm for a new team book; DC is seemingly making sure they keep their books interesting and selling. Yet, will this strategy work out for them. We will have to wait and see.


BOOM! STUDIOS REPRINTS STEED & MRS. PEEL FROM MORRISON

by Frankie Rodriguez

   BOOM! recently had solicitations of a brand new 6 issue miniseries from prolific and fan-favorite scribe, Grant Morrison and artist Ian Gibson. It details adventures of Steed and Mrs. Peel from the popular British television show, The Avengers. Yet, there is something that BOOM! has not mentioned to other fans . . . that it's actually a reprint.
   The original printing of the series, done under Eclipse Comics, was issued out around 20 years ago. The format of the series was prestige, so it was basically 3, 48 paged issues. BOOM! is splitting it into 6 issue and releasing them in January. So for those who missed it or just love Grant Morrison work, you can grab the issue of this cult classic adaptation.





MARVEL SEASON ONE GEARS UP TO ATTACK READERS


By Frankie Rodriguez

    Marvel has been making their own strides to bring new readers in in various ways. From there new Point One issues to the Ultimate Universe, Marvel has been working hard on creating new places for readers to come in and get caught up into your world. Now, Marvel's latest innovation is the Season One books.
   Season One will be a set of graphic novels that will retell the origins and early stories of some of Marvel's iconic characters in a fresh new way. Not to be confused with its own universe, these stories are merely retelling of original tales in new ways. The books will average about 136 pages that will each bring these retellings done by different art times and available with a free digital copy of these books when you purchase them.

  The Season One first waves include:

 Fantastic Four: Season One will be written by Roberto Aguirre-Sacasa with art by David Marquez coming out in February.

X-Men: Season One written by Dennis Hopeless with art by  Jamie McKelvie will be released in March.


Daredevil: Season One written by Antony Johnson with art by Wellinton Alves seeing shelves in April.

and



Spiderman: Season One written by Cullen Bunn and Neil Edwards to appear in May. 

Dennis Hopeless commented on his upcoming X-Men: Season One release:

Our story is actually split into somewhat self-contained chapters. I wrote it just like I would a miniseries. I guess I took the "Season One" thing literally because it's structured a lot like a short television series. One story told in 5 episodes.
Continuity can be intimidating to the uninitiated. But these stories take place before most of the continuity happened. The reader doesn't need to have read anything else when they pick up a Season One book. As far as they're concerned, this is Marvel Universe day one.
It's just such a great premise. You have mutant teenagers trying to figure themselves out in a world that hates and fears them. And a rich bald mindreader who thinks he can change the world by training kids to be freedom fighters. That's brilliant.

I love writing the original five as teenagers. They're all messed up in such interesting ways. They trip over their own feet and hurt each other's feelings and fall in love every ten minutes. Just like we all did. But these are X-Men, so afterward they have to go out and fight Magneto.



All Season One books will come shrink wrapped, similar to polybagged comics with the code for a free digital copy with around 136 pages for $24.99 a book. The first Season One graphic novel, Fantastic Four: Season One, will hit stores in February.


VIDEO OF THE WEEK:
In honor of it being aired during the premiere of Green Lantern: The animated series:


IDW & TRUMANS GO WEIRD WESTERN WITH HAWKMEN

 Directly from IDW site

All-new miniseries illustrated and co-created by comics legend Tim Truman


Hawken #1San Diego, CA (November 15, 2011) — IDW Publishing is proud to announce the launch of HAWKEN, the all-new weird western series co-written and drawn by Tim Truman, best known for his work on Grimjack and Hawkman. The industry legend teams with his son, writer Ben Truman, to co-develop this original series.

“I’ve been affiliated with a lot of great co-creators and titles in the past, but I can safely say that none have effected me the way HAWKEN has,” says Tim Truman. “Something happened while doing this project with Ben. As far as my artwork goes, it’s been shot full of high-octane fuel.”

Starting tomorrow, HAWKEN follows the tale of Kitchell Hawken, an old man in search of revenge against the Ring, a brotherhood of arms merchants and corrupt politicians who once employed him. Scalped, tortured, and left for dead by the Ring, he arises from his near-death experience able to see the ghosts of everyone he’s killed. Are the phantoms real, or illusions from Hawken’s blood-soaked past?

“The ghosts provide a direct link between the readers and Hawken,” says Ben Truman. “He’s a tough old bastard on the outside, but his relationship with the ghosts provide insights into his inner world. I think readers will come for the two-fisted, six-gun action and stay for the character.”

In addition to co-writing HAWKENTim Truman will also provide illustrations for this six-issue series using his Wild West-style art to bring this eerie story to life.

“Shepherding HAWKEN has been an absolute pleasure, very much the opposite of the character himself,” says editor Denton J. Tipton. “Ben’s scripts are tough-as-nails and have spurred Tim into producing some of the finest work of his career. Saddle up and come along for the ride of a lifetime, or afterlife, as it were.”

Readers are encouraged to ask their retailers about the special “wanted poster” edition signed by Tim and Ben Truman.

HAWKEN #1 ($3.99, 32 pages, partial color) will be available November 16, 2011.




And this week . . . J1 AN-EX 4

Where J1 Studios, including us here in Comic Book Clash, will be out in force.

Till Next Week, Later!

Wednesday, October 5, 2011

DCnU Special #5 - What we thought of (WEEK 5) FINALE

Well, here are the final thoughts of the relaunch from various people. Take a look what people are saying.


ALL STAR WESTERN

Cassie Chan of San Francisco, CA

This was kinda weird. I don't read comics often (more into manga) but I was asked to. Out of all the titles I picked up, I only picked this up thinking I would be worse than the hairstyles on Jersey Shore. I was REALLY wrong about that. I thought for sure that this would be the ubersuck. It was soooo not. Jonah Hex is the man I want to protect me from big bads on a regular basis. Why? Cause he's just so freakin' tough. I loved the fact that we are looking at Gotham City in the past and we had this bad*** there before Batman ran around in is cape. The writers did a great job and the art was okay. Not what I'm used to but seriously enjoyed it and I want more.





AQUAMAN

Gerald Williams of Hempstead, NY

Great story. In the hands of Geoff Johns, this will be a good book, if anyone bothers to buy it. As much as DC tries, Aquaman has never been a list. With Johns writing him, it may happen.


CBC's Frankie Rodriguez of  Vineland, NJ


I am gonna say this. This is one of the strongest and best number 1's I have EVER read. Seriously. Johns and Reis do it again with Aquaman. Addressing all the mocking and jokes at the heroes expense while going over his connections to Atlantis and to the Surface world while we see him be a hero and human at the same time. Slow set up for the Trench plus the characterizations of every person this issue were real and awesome. This book is both exquisite in its art & story. Not a single flaw to this book. Johns and Reis are going to make this character an A-lister and this is YOUR chance to jump on. SERIOUSLY, DO IT NOW!!!

BATMAN: THE DARK KNIGHT

CBC's Hector Ramirez of Philadelphia, PA


They really show batman as the bad*** that he is he was practically running the GCPD


D'Sean Reynolds of Bronx, NY

Yo, seriously. This book's writing SUCKED! Fo' real! Imma say this though . . . David Finch was killin' it with his art. Seriously, some of the best pages I seen him do yet but the story was Retarded. Replace this book with somethin' else and have Finch draw JLI or somethin'.





BLACKHAWKS

CBC's Frankie Rodriguez of Vineland, NJ

Blackhawks really surprised me. It just seemed so much more fun than Men of War book. The characters were reintroduced well and were very interesting. The plot made me want to read more and I felt the characters were fun, interesting and multi-dimensional enough that I want to know more. Kudos to Mike Costa for his writing on this book with Ken Lashley's superb writing. Honestly, this book is definitely a sleep hit with me and look forward to the next issue.


THE FLASH


CBC's Hector Ramirez of Philadelphia, PA


It was a good introduction to the character interesting story really shows him as a person and not just a superhero


Gerald Williams of Hempstead, NY

How many number 1’s are we going to see of this title? After Wally West disappeared during Infinite Crisis, Bart Allen became the Flash. The storyline sucked and DC gave it a quick death, thankfully. Then Wally was brought back but this time with his kids, which also sucked. Then after Barry Allen’s return, another number 1, which this time was worth reading and it lead into Flashpoint, the reason for the reboot. I like this number 1 so far and look forward to what they have in store, but I am skeptical. 




THE FURY OF FIRESTORM

Eric McLeod of FL


Firestorm is probably the most disappointing book I've picked up so far this month. I had high expectations because Gail Simone was writing, but this doesn't feel like her strongest work. It is by no means a bad book, but it falls to some cliches that I wish weren't used. The villains of the book are some terrorists who are after
something called "the god particle", which is integral to the Firestorm powers. The set-up of the Firestorm powers is actually pretty good, and there's a particular scene in the book that hints at seeing more Firestorms. The main problem I have with the book is Jason and Ronnie's relationship. These two are supposed to be the heroes of the book, right? I don't want to see my heroes spend most of the book bickering over petty things like their school status or bring race up almost immediately after meeting each other. Yes, one is white and one is black, one is a jock and one is a nerd. But there doesn't seem to be much motivation beyond those differences causing them to dislike each other as much as they do.  And Ronnie's "why don't we have any black friends?" question is bull because we see him hanging out with a black guy in several panels. The slaughter of the family at the beginning was also unnecessarily violent, but that seems to be par for the course in most DC books nowadays. I'm hesitant about picking up the next issue of this, and it's a shame that for once I'm not excited about a book written by Gail Simone.



Gerald Williams of Hempstead, NY

I like Gail Simone, so I’m willing to give her some leeway on this. During one of the conventions, she did say that Firestorm was no longer going to be fused so I am interested to see how this plays out.



GREEN LANTERN: NEW GUARDIANS

Louis Laughton of Chicago, IL

  This was actually very good. It establishes Kyle with a quick origin then jumps right into action, plot and story. Tony Bedard was really captures DC's space, introducing characters slowly and work in a mystery. Kirkham was great with his art, really diving into aliens and powers which mad things so well. I am definitely looking forward to it. We got an origin, a conflict set up, a look at each member of the cast and a good ending which begs the readers to pick up the next issue. Well done, Bedard & Kirkham. I want more.




I,VAMPIRE

Cassie Chan of San Francisco, CA

   Wow. This was GOOD. It was one of the titles that I wanted to get . . . being a fan of True Blood, Twilight and even Buffy the Vampire Slayer back in the day. This was very interesting how the two man characters have this really steamy romance yet such a deep hatred at the same time. Seriously, it is a great fix while waiting for True Blood to come back. The writer really got me hooked. The art was kinda dark for me but seriously fight. I bet Andrew is a hottie. I want more.

JUSTICE LEAGUE DARK


CBC's Hector Ramirez of Philadelphia, PA



Justice League Dark was confusing. Kind of creepy. I'm not sure if I'll be following this one


Eric McLeod of FL


I feel that the first issue of Justice League Dark suffers from the fact that not all of the characters are brought together. Don't get me wrong, we get a good look at a few characters such as Madame Xanadu,
Zatanna, and Shade the Changing Man, but Deadman and John Constantine get one page each. The Justice League of America gets more screen-time than the two of them combined, which doesn't feel right when the JLA is not supposed to be the focus here. I understand that the book is setting up JLD as a team that handles mystical threats that the JLA cannot handle, but I feel they could have kept the JLA appearance briefer and did a better job of introducing the main characters to help readers unfamiliar with the characters get a basic feel for them. The presentation of the villain Enchantress was great, however. She never spoke a word but the art alone did a fantastic job of presenting her as a threat, and I feel that alone should help draw readers in. I also loved Xanadu's ominous narration over desperate scenes. It really sets the mood. If JLD can get all of the characters teamed up by the next issue and in the spotlight, then most of the problems should be fixed and the book will be a solid read for fans of mystic heroes.

Dante Franklin of Baltimore, MD 

I've always been a fan of DC's magic characters and they all got a chance to shine here as they prepare to deal with the threat of the Enchantress. Peter Milligan crafts a tale that reads as the perfect blending of DC super heroics and Vertigo creepiness. Definitely recommended.


THE SAVAGE HAWKMAN


Gerald Williams of Hempstead, NY

Hated it. I hope this book ends quickly. 

CBC's Frankie Rodriguez of Vineland, NJ

Oddly enough, as slightly confused I was with the start of the book, this was actually good. Not GREAT. But good. It made me wonder what is up with Carter Hall, know who he is and the deal with his suit. Yet, I still think that it was a bit of a rough start yet I guess the beginning of the book was to grab readers. Daniel does a good job after the weird beginning. Unfortunately, I have seen better art from Philip Tan. I don't know if it's the inker or Tan himself but this doesn't seem like his usual work which has been better in the past (such as with The Outsiders). Still, it is a good start but I hope Daniel & Tan do better next issue. 


SUPERMAN


CBC's Hector Ramirez of Philadelphia, PA


Clark is whining about the Daily Planet expanding and being part of a larger corporation. I dont really like that. The fight was good but the ending kind of hurt. I felt sorry for Clark


CBC's Frankie Rodriguez of Vineland, NJ


You know, this book was just so solid and good. Perez's writing style was a bit of a throw back with some modern day sensibilities thrown in. The characters felt read. You felt for Clark. You got suspicious of other characters. You felt a bit betrayed by Lois. And the art by Jesus Merino was so damn GOOD. It is a perfect companion for Action Comics. Honestly, the two Superman titles are stronger than the majority of the Batman books (with the exception of Batman). This first issue was a great starting point and makes you want to read it again and again and wait for the next issue. 

TEEN TITANS


CBC's Hector Ramirez of Philadelphia, PA

They really made Kid Flash seem real irresponsible and childish; even more so than before. Red Robin is a really dynamic character. You see, Tim has really come into his own and those wings were bad***. The criminal Wonder Girl with the 90s Superboy complex (not liking her media given name) was a bit iffy and the Superboy ending would have fit better if it came out before Superboy#1.



Gerald Williams of Hempstead, NY

It will take time to get used to this concept. The Titans have always been the protégés of established heroes. With the exception of Red Robin, all the Titans have not met the heroes they are based on. It is also a reflection of the anti-hero sentiment of the new DC. 


VOODOO


Dante Franklin of Baltimore, MD 

When Voodoo was announced, I had a feeling it would be a sleeper. I had complete faith in Ron Marz as he's been killing it on Witchblade, a comic that I read regularly. So, I knew to look forward to good stuff. And he didn't disappoint. It's a cool premise with a shocker ending that leaves you eager for issue #2. And the art by Sami Basri is excellent. Very highly recommended. 

CBC's Frankie Rodriguez of Vineland, NJ
 
  Voodoo was intriguing and masterful. Basri and Marz brought us a great mystery in Voodoo as she is introduced into the DCnU. And while she is stripping, readers understand why she is doing it. The characters seem 3 dimension and not too cliche. The dialogue was good and the art was great. Voodoo's reintroduction we handled extremely well and gives way to a mystery that I look forward to seeing more of. Solid first issue and look forward to issue 2.




__ FINAL FIRST IMPRESSIONS ___

By CBC Special Correspondent, Joey Lester (SpacemanHardy of ScrewAttack fame) of Memphis, TN


Let me first admit offhand, I am not your typical comic book fan.  Whereas most avid readers can contribute their first steps into fandom by way of superheroes sporting brightly colored costumes and fighting similary dressed high-powered villians, I had a bit of a different first impression.  Instead of Superman or Batman comics, I have always been drawn to the lesser known, more avant-garde works.  Instead of DC and Marvel, I chose the independant comics of Red 5, Dark Horse, and post-90's Image.  To me, those stories were more unique, relied less heavily on fanfare and hype, and mostly stayed within their own individual continuities, without having the need to constantly bring in guest stars from other comic series just to get someone's attention.  Nothing burns me up more than having a story based around one character and then suddenly having another main character from a completely different story jump into their universe.  And don't EVEN get me started on having to buy another character's comic just to finish the plot arc of the comic I was reading through...

Because of this, I've generally been avoiding DC comics up to this point.  So when my good friend Seraph (aka CBC's chief Frankie Rodriguez) asked me to pick out three of the brand new comic series being created for DC's "New 52" reboot, I was more than just a little sceptical.  Nevertheless, I thought the matter over, and came to the conclusion that because this was basically a brand new beginning for DC, then perhaps it would be easier to "jump on in" than have to worry about existing history and continuity and such.

And so, I have selected the first issues of three of the brand new series that DC has created for it's re-launch: Animal Man #1, Frankenstein: Agent of S.H.A.D.E. #1, and finally, Blue Beetle #1.  Please note that I am going into all three of these series COMPLETELY BLIND, as I have absolutely no knowledge regarding the backstories or histories of the original series nor the characters within them.
____


Before I begin, there is one complaint I have with all three of these issues: THERE ARE TOO MANY ADS!!  Out of the 36 pages of the comic, not including the questions and fanart sections at the end, a total of 12 pages were entirely devoted to advertisements.  That's an entire THIRD of the book!!  And most of those were ads for other DC series that were getting a reboot as well.  Not only that, but the positioning of the ads was extremely problematic, as there were several sections of the comic that were cut into or interrupted by entire sheets of ads.  I can understand why DC would want to get the word out about all their new series, but when it disrupts my enjoyment of the story, there's gotta be a place to draw the line.  I paid 3 bucks for this comic, and only got 2 bucks worth of story.  I know other comics have ads in them as well, but the way DC handles theirs is just ridiculous.


Anyways, let's get on to my first impressions:


ANIMAL MAN #1

The first in the new series of Animal Man introduces us to our titular character, better known by his actual name Buddy Baker.  A full-page editorial on the first page is an interview between Buddy and a magazine reporter, which lets us in on a little of Buddy's backstory.  A former stuntman-turned-superhero, we find that Buddy has largely left his costume behind in order to take on a career in acting full-time.  While the article doesn't tell us exactly how Buddy got his powers or how they work (even after reading the entire comic, I STILL don't fully understand how they work), it does give us a decent amount of depth to his character and humanizes him enough as we learn about his everyday struggles of balancing his budding actring career and taking care of his wife and two kids.  

The story in this opener is rather simple: Buddy learns of a hostage situation at a local children's hospital and, wanting to experience the thrills of being a superhero one more time, decides to don his Animal Man costume and save the day for old time's sake.  The resulting plot plays out pretty much how you'd expect standard superhero fare to go, but there's a slight twist at the end that foreshadows darker things to come.  However this point is quickly overlooked and ignored by Buddy for the next two pages, as he returns to his home and turns in for the night.

I then turned the page.... and all hell broke lose.

I can't really even begin to describe the twist that happens next.  In fact, I don't think you'd want me to.  It's such a complete 180 that in all honesty I wouldn't want to deprive you of witnessing it for yourself.  All I will say is that what happens next, I did NOT see coming, and it ends the book on a very satisfying cliffhanger that pretty much requires you to check the next issue out if for nothing else but to just find out what the hell is going on.

As far as the artwork goes, Animal Man's is... strange, and yet not.  All of the lines are clean, yet the colors are rather washed out and pastel, and shading is used to a bard minimum.  If I had to describe it, I'd say that it almost resembles the pulp comics of the 40's and 50's, albeit with a more modern character design.

FINAL VERDICT: Animal Man #1 definitely made an impression.  It starts out slow and predictable, but ends with a "WTF?" scenario like no other.  I'll be checking out the next few issues of this for sure.


FRANKENSTEIN: AGENT OF S.H.A.D.E. #1

Following a prologue regarding a boy and his grandfather coming across a horde of monsters, the first issue of Frankenstein wastes no time in introducing us to it's main character, a large, grotesque, blade and gun-wielding representation of Mary Shelley's iconic beast.  Introductions are sparse, however, as we are instantly greeted by Frankenstein's creator Father Time (who apparently has take the form of a little girl), who fills the big guy in on the situation.  It seems as if a small rustic town in Washington state has been completely overrun by monsters, and Frank's as-of-yet unnamed "Wife" - who just so happens to be a green-skinned, gun-toting, six-armed hottie - has recently disappeared after having infiltrated the town square.  From their the comic takes us straight into the action, as Frank is quickly transported to the town and introduced to his new team, which naturally consists of several other famous monster types, including a vampire, werewolf, mummy, and yes... even a merfolk.  The rest of the comic is nothing more than standard scenes of watching this motley crew of monsterous heroes slaughtering wave after wave of Lovecraftian abominations all the while trying to hunt down and rescue any surviving citizens left in the town.

Sure, on the surface it seems like a rollicking good time.  But in my opinion, this comic suffers from two major flaws.  First off, we are given virtually NO backstory to Frankenstein, Father Time, or Frank's Wife.  All we know is that Frank is a legendary soldier and is widely respected for his work.  We can also surmise - although it is never actually stated - that he seems to have a computerized brain which relates info to him Terminator-style regarding any questions that he, and by extension, the reader, might have.  Other than that, though, it's anyone's guess.  Why does Father Time switch bodies every few years?  Why did he choose the body of a little girl?  What is Frank's wife's name?  Why does she have six arms?  There are just SO many questions left unanswered it leaves me frustrated.  Anyone who isn't already familiar with the character of Frankenstein from his previous series is going to be left in the dark.  I ask, isn't the purpose of a reboot to start over from the beginning?  Why aren't we getting an origin story?  Or at the very least, a backstory page.

Secondly, even though the concept of a giant movie monster teaming up with other movie monsters and fighting even scarier monsters may seem like an original idea, the truth is... this has all been done before.  Stories like Hellboy, Darkstalkers, and most recently Proof have all already taken this idea, and in my opinion, did it better.

Speaking of Hellboy, as far as the artwork is concerned, it looks like the artist here has been reading WAY too many Mike Mignola books as of late.  The art takes a more "gritty", "grimey" approach, with lots of jagged pencils, dark pastels, and overall dirty colorization.  This sort of dirty artwork has been used before in other books to great effect (seriously, if you haven't already, check out Proof, it's astounding), but here it just seems... overdone and unnessesary.

FINAL VERDICT: Even though I usually go for these types of stories, Frankenstein: Agent of S.H.A.D.E. just came across as derivative and unoriginal.  It failed to impress me, and I doubt I'll be checking out the following issues.


BLUE BEETLE #1

The final series from DC's New 52 that I checked out was Blue Beetle.  Normally, because I'm not typically a fan of your average superhero tale, this would usually be the type of story that I'd avoid.  But because so many fans across the internet have been speaking wonderful things about the Blue Beetle, I decided to go ahead and check it out anyways.  And BOY, am I glad I did.

The best thing I like about this first issue is exactly that: IT'S A FIRST ISSUE.  It actually has a prologue before going into the Beetle's origin story.  Considering I went into this series completely blind to the character's origin, this is exactly what I was looking for.

The issue starts out with a brief prologue showing the origins of the scarab medallion and how it came to earth.  It then shifts it's emphasis to our main character Jaime (pronounced "High-May", not "Jay-Me"), as he endures the typical high-school troubles of bullies and awkwardness around the girl he has a crush on.  The next few pages are less action-oriented and more focused on Jaime, setting up his backstory and introducing the reader to his family and friends.  Afterwards, the scene shifts to three masked super-villains raiding a warehouse in pursuit of a certain artifact, only to be stopped by three MORE masked super-villains out to steal the same artifact from them.  This all leads to a fight between the two teams, with Jaime and his friend Paco unknowingly landing right smack into the middle.  After being threatened by the villains, Jaime grabs the artifact and runs, leading to him being attacked in the back, the scarab emblem affixing itself to his spine, and our book ending with our very first shot of the eponymous Blue Beetle.

Even though this first issue is low on action and high on backstory, it is well-paced and never gets boring.  I was genuinely interested in Jaime as a character and the challenges he faced, as well as the sidestory regarding the villains, which set up some nice foreshadowing for some potential sinister future events.  One thing of particular note here is that, because Jaime is Latin-American, much of the dialog is written in a form of "Spanglish", with several Spanish phrases being interjected into the English phrases.  Even though I took a year of Spanish in high school, I definitely cannot say that I can speak the language with any sort of skill, and yet while reading the comic I never once felt out of place or lost because of the language barrier. The artwork in particular is especially good.  Even though there are a few instances of "derpy" facial expressions, the characters are all well-drawn with realistic proportions, and the colors are deep and expressive, all with masterful shading.

FINAL VERDICT: I definitely have to say this was the best of the three comics from DC's reboot that I personally have read.  I'll definitely be following the rest of this series.


So there you have it.  Three opinions of DC comics from a person who doesn't read DC comics.  Please note that these are only my personal opinions, and as always, your mileage may vary.

Until next time, this is Spaceman Hardy, telling you all to be good to yourselves, good to each other, and above all else...

KEEP IT MANLY!!!

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FINAL WORDS

by Frankie Rodriguez.

    52 number ones. 52 new #1s from DC Comics. It has been a long and expensive road to get here. Fall has now started and the DCnU finally has begun. Is it for everyone? No. At least not  yet but DC Comics is  really doing their best. And while not all the books have been great (I bought 38 of the new #1s myself when originally I was only going to get 25), this has ushered in a new age for comics. They are available online the same day. Print is finally getting some sales. And all 52 titles have sold out with the 2nd & 3rd issues having strong sales.
  People are finally excited about comics again and actually buying them. That is the most important thing. DC, you got people coming back to comics. Now you have to keep these readers here. And while we know a bunch of books are gonna get cancelled along the way, they have been planning more books down the road.
  Marvel and Image have also stepped up their game since this announcement with a slew of number 1s coming within the next 18 months. It is actually an exciting time to be collecting comics again. DC, even with your controversy, you have made people curious. Now show us that the #1s were just the beginning and the best is yet to come. You too Image. Same goes for you Marvel. That goes for the rest of you IDW, Avatar, Dynamite, Dark Horse, etc.
   Take this opportunity and don't waste it. DC, you have done well. Now, give us the best books that have ever existed and keep these readers here.
   You have all seen the views. And I am definitely picking up:

Wonder Woman
 Blue Beetle
Aquaman
Batman
Voodoo
Action Comics
Superman
Justice League
Justice League Dark
Justice League International
Mr. Terrific
Batwing
Static Shock
Demon Knights
Animal Man
& finally, my ABSOLUTE FAVORITE OF THE RELAUCH: STORMWATCH

But these are just the ones I am going to get. How long will I stay with them. And this list are just the definites. We aren't even discussing the maybes. Still, this is a good start for anyone. And don't limit yourselves folks. Just cause DC just launched books, doesn't mean there aren't other great books out there to look at (like X-FACTOR or INVINCIBLE or GIJOE) The time to get back into comics is now. Heck, we've got specials on the new X-Men Regenesis and Top Cow's 2011 pilot season planned. So let's see what you got.

And DC, Marvel, Image, IDW and the rest:

LET"S MAKE IT SHOWY.


Frankie Rodriguez (aka Seraph)
CBC Chief.