Superhero animation pretty much a standard now in the world,
it has been for almost a decade now. But lately shows have been taking a lot of
negative hits on-line. Be it from angry over shows being canceled over low toy
sales. Or newer ones that haven’t taken well to the older crowd that had grown
up with them and panned dramatically over the tone. It seems like no one can
catch a break. But, that is not stopping companies from trying. The newest show
is Hulk Agents of S.M.A.S.H. which is a team based show putting together all of
the Hulks under one roof. At the time it was thought the hook of the series
would be a reality show deal, but it is more updated as Rick Jones web series
he is making. This makes more sense and allows for a much better concept than the
first.
Last year SDCC Marvel TV Panel showed off the show in a
sizzle reel promo giving the idea behind it and characters involved as well as
the creative mind of Paul Dini handling the series as well. And while Paul has
had a creative consultant credit with some of the newer Marvel shows, this is
the first time it felt like he had more of a hand in development and execution,
the second episode was written by him. The series has more look and feel to
that of Ultimate Spider-Man than it does to Avengers Assemble, now some will
read that and possible be excited or flip the table, but please hold off until
the end then you can flip all the tables you want.
The writing on the show shares some of the humor of Ultimate
Spider-Man but transfer it to more slapstick against the Hulk. Who is super
strength but is constantly crushed, knocked around, or blow up to one side as
the first episode goes on. With each time Hulk making the same ‘I am not
amused’ face right before it happens, which is funny the first time around but
by the end of the episode where you get these moments in rapid succession it
wanes greatly. Though that gag does seem to subside into the second part of the
pilot episode which makes the second the much stronger of the episodes.
It is like a muscled up Voltron Force.
Strength of the show here is with the voice cast, so far
everyone seems to be able to pull off the characters with ease. It is always
choice casting to get Clancy Brown on any show and here with Red Hulk he seems
to be having more fun than I have seen in a while. Also nice to see he isn't
playing a villain role. Seth Green is always fun to hear and able make a nice
Rick Jones even at the most over the top humor lines it doesn't come off hammy
but funny. Eliza Dushku as She-Hulk was an interesting choice as she hasn't had
much work in voice acting, but she fairs very well as Jenifer in the role,
Though less screen time as she comes in the second episode. And of course Fred
Tatasciore as the main man to be doing the Hulk for several years now once
again becomes the big gamma ‘monster’.
Ultimately though it begs the question if a Hulk series
could stand on its own. This writer has been pretty much under the assumption
that Hulk a great comic character, outside the medium he more of a great
supporting character. Here though, they seemed to surround Hulk with his other
Hulk counter points, Red, A-bomb/Rick Jones, Skaar, and She-Hulk. Who in light
of being a full time lawyer in the comics has had her profession changed to
that of a pilot? And surprisingly it seems to work for the show.
Outside of some the more childish humor thrown in at times
the show can take a deep tone with Hulk, a hero cast out and yet accepting of
it. Surrounding himself with others like him seems to build him up a little
bit. As first episodes go, this one feels more fleshed out than Avengers and
has the know with all to try and balance out the humor with more serious
moments. This could easily be the show that could break the mold for Hulk and
his supporting cast.
OVERALL: 7.0 out of 10
Hulks and the Agents of S.M.A.S.H airs on Disney XD Sundays
at 11/10 C
Bryan "BAC" Clendening writes for The Broken Infinite, follow him on twitter @BAClend
Much beloved writer Peter David, suffered a stroke on the last weekend of 2012 in Florida. And while his wife, Kathleen, has been giving updates on his personal blog, she and Peter David need our help. Don't recognize Peter David? He's the current writer of X- Factor (which is his second tour on the book as he wrote the now legendary Goverment line up during the 90s) as well as been a writer for the Hulk, Young Justice, Supergirl and much, much more.
The follow is taken directly from his wife, Kathleen, on Peter David's Site.
But first the daily Peter David Update: He was able with assistance to get up and sit in a chair where he spent most of the day. He worked with his various physical therapy and occupational therapy personnel on continuing to strengthen his arm and leg. The eye seems to be correcting itself a little but that’s going to be looked at in rehab as to what they can do besides a stylish eye-patch. He also revised an X-Factor script for his editor at Marvel, which I think made him feel good/more normal than he has been feeling.
Remember the waiting game? Well we MIGHT be moving him to his rehab facility but it is not a done deal because they don’t like some of the markers in various pieces of blood work. It may be an aberration and they are going to test him six ways from Sunday this morning to give us a go or no go on his going to rehab today. We have all the pieces of the jigsaw puzzle in place except the Doctor’s OK to go.
Hard to believe that one week ago all this started.
Now HOW YOU CAN HELP
Even though we have health insurance we have co-pays and the like. And since this stroke fell at the end of the year, we have all the new co-pays to deal with (I can honestly see those of you who have had to deal with this nodding your heads). And there are things that the insurance company just won’t cover (more head nodding). So we are at the beginning of what is going to be a very expensive year even though we are only 4 days in.
The most direct way is to buy his books from Crazy 8 Press (via ComicMix) or from Amazon or Barnes and Noble websites. These are books that he gets the money from directly and the most per book.
His current Crazy 8 Press books are:
Pulling Up Stakes Part 1 Pulling Up Stakes Part 2 (Brand new) This is one novel broken into two pieces. This is the cover blurb Sick of vampire books? Movies? TV shows? Yeah. So are we. Sick of the entire unlife of vampires? Yeah. So is Vince Hammond. Unfortunately, Vince is in it up to his (wait for it) neck. Because Vince is a young vampire hunter who lives with his vampire hunter mother in an entire community of vampire hunters, who in turn are part of a cult of vampire hunters going back all the way to the French Revolution, which many believe to be an uprising of the poor against the rich but was actually a massive purging of vampires from the French nobility (hence the guillotine)
The Camelot Papers A powerful ruler who’s considered by many to be simple-minded and vacuous and has serious father issues. A no-nonsense, polarizing woman who favors pants suits and pursues dubious agendas involving social needs. A remarkably magnetic leader of men with a reputation as a skirt-chaser. A scheming, manipulative adviser who is constantly trying to control public perceptions. A man seen as the next, great hope for the people, except there are disputes over his background and many contend he’s not what he appears to be. George W? Hillary and Bill? Karl Rove? Obama? Try Arthur Pendragon, Guinevere, Lancelot, Merlin, and Galahad. Whatever you think of the state of today’s politics, The Camelot Papers shows you just how little matters have changed in the past thousand years or so. The Camelot Papers presents a fresh perspective on Arthurian legend by using modern day sensibility and combining it with a classic tale to bring a new insight into iconic characters.
The Hidden Earth Saga of which there are two published and the third is in the works.
These are science fiction mixed with mythological creatures and the fate of the Universe hangs in the balance. Big epic sweeping books with those great characters that Peter is famous for writing.
There are Print on Demand for all these books if you want a paper copy rather than electronic.
More HOW YOU CAN HELP
If you already have these or can’t purchase them for whatever reason, you can still help us a lot by getting word out all over the Internet about how they can help Peter. I am asking every blogger and people who have access to an audience to spread the word.
The more we sell of these books, the easier it will be for us to pay the bills as they start to pour in.
Buying his other books does help but that is very long term and isn’t much per books but it does help especially the Marvel graphic novels he has written.
I am talking to Glenn about a donate button or something but we don’t have the details wor ked out and I really want to get the ball rolling on getting this information out while Peter is fresh in everyone’s mind.
We do need your help to help him. He is working very hard at getting back to all that he loves to do and we are trying to ease his mind about whatever we can ease his mind about so he can do it faster.
We are now off to the Hospital to see what the verdict is about his moving today. I will update this when we know what is going on.
I am grateful to everyone who has helped or is going to help Peter.
Please read, retweet, tell your friends and donate/buy his work today. Many fans who know him, Peter David loves to add little personal notes at the beginning of each issue of X- Factor. I say we do all Iwe can to get this man the help he needs.
Marvel NOW continues its aggressive relaunch of titles, with either new jumping on points with new creative teams and/or directions. relaunches of titles or brand new titles, such as the recently announced Superior Spiderman.
Another Marvel title that is getting relaunched is the Secret Avengers. Taking ideas from the Secret War, SHIELD is using memory re-writing tech in order to have its own group of Avengers. Thing is ... most of the roster doesn't even know they are on that team.
The new Secret Avengers group will be SHIELD sanctioned and will include Nick Fury Jr, Hawkeye, Black Widow, Mockingbird, Taskmaster, Hulk and a brand new Iron Patriot whose identity has not been revealed. Bringing us this new team is writer Nick Spencer and artist Luke Ross.
Spencer had this to say to Entertainment Weekly:
"Nobody on this team actually knows that they're on this team. "S.H.I.E.L.D. has decided that they want their own Avengers team, but Avengers are loose cannons: They're independent operators, they don’t have security clearance, they have a history of becoming bad guys."
"I can’t reveal the identity of the Iron Patriot yet, but I think people are gonna like how he ends up in that suit," said Spencer. "That’s a suit that has a lot of history in the Marvel Universe, none of it good."
Spencer wrote a few issues of the current run back last year Fear Itself tie ins. No release date has been revealed yet.
I needed a week off from doing news. I wanted to do something a little different during this past holiday. And I think I found it.
Many of us are fans of comic books to the point that we are gonna die comic book fans. And as television became such a big part of comic book medium in general, studios began to pump out more and more cartoons. And Maaaaaaaaaaaannnnnn . . . there have been a LOT of comic book cartoons. And some cartoons from the most surprising places.
The following is my list of personal favorite Comic book Cartoon Openings. And since there are cartoon openings, there will be no sign of the live action Adam West Batman theme or Wonder Woman theme here. Yet, this will have some very interesting shows. We have several incarnations of a team and two of the most recognized heroes on the planet. These are measured by song, popularity of the show, popularity of the character, popularity of the song, arrangement and content of the opening. So sit back, relax . . . smell the nostalgia. Welcome to My . . .
TOP 25 BEST COMIC BOOK CARTOON OPENINGS
by Frankie Rodriguez
25) - THE MIGHTY THOR (1966)
Okay. It's only 20 seconds. And you see rainbows for a nice chunk of it. You see Asgard. And it is pretty old. Yes. Now watch it again. Seriously . . . And listen this time.
Cross the Rainbow Bridge of Asgard where the blooming heavens roar You'll be held in Breathless wonder, the God of Thunder, Mighty Thor
The fact that it shows where Thor came from, shows us some lightning and thunder was a big plus. The choir singing this song was very good at giving itself a mystical feel to their singing. They acknowledge that Thor is supposed to be this amazing character . . . from a place with a rainbow bridge. Sure, laugh it up but the song tells us we will be in breathless wonder from this God of Thunder and how close to Jack Kirby art that Thor looked . . . that was amazing. It gave people just enough to want to see and hear more of Thor.
Unfortunately, it's a very short opening and could have used a bit more meat to it. Which it is why it is on our final spot. Still . . . if you want to see more, look up episodes on Youtube and see the Mighty Thor!! (you know, cause he's dead in the comics for now)
24) WITCHBLADE (2006) - XTC by Psychic Lover
Top Cow's only entrant in our illustrious countdown. The opening is a nicely dark & haunting, while being sexy and violent all in one foul swoop. The images of the latest bearer of the Witchblade, Masane Amaha, is in a ravaged japan dealing with her new powers while being a single mother to her daughter, Rihoko. The opening shows us the dangers that she must face but also how the Witchblade has somewhat changes Masane, making her go through an actual internal struggle. The dark rock mixed with the hard and more upbeat chorus really helps work with the visuals and Masane's struggle. The fact that the song, XTC, is done by pop J-rock band Psychic Lover, who is known for anime & sentai openings (Yugioh GX opening, Boukenger Opening & Closing, etc.)
As to why it's 24? Well, it only lasted a single season and it is not even about the Witchblade bearer that we know. It's a whole new character with little connecting her to her predecessors other than the Witchblade itself. That and the show met with minimum popularity. This is done again in this countdown but in a much better way. But still, when Masane in full Witchblade gear comes at you for her XTC . . . you'd better give it to her.
23) SILVER SURFER (1996)
Marvel Strikes again with this theme. This orchestral theme really works for Silver Surfer, giving depth to the vast space that he is part of and gives food to his master, Galactus. The art mixes computer generation well with the cell animation, just giving you the feeling that this was gonna be EPIC.
The Problem? Make that Problems. First, there are very few visuals in the 30 second opening. Seriously, we see more of Galactus and Silver Surfer than anything else in that period. And lots and lots of space. Silver Surfer should be in space yes but for the love . . . give us a little more of his rogues gallery or something. And it being only 30 seconds hurts what could have easily been a theme for the ages. Despite that, it does give a great epic feel and vastness of space.
22) ULTRAFORCE (1995)
Who are Ultraforce you say? Don't know who they are you say? Back when comics was in a big boom, Malibu comics had licensed out their characters for a cartoon. And it lasted . . . a season. One Season. Yep. Tanked. But still, this opening is incredible. The music is fast and interesting, giving this group its own feel. The characters are introduced to you, not through song but through visuals . . . which include their own names, moods and power sets explained and the art for it was amazing . .. noting that there was definite George Perez influence, the man who original penciled Ultraforce when it first came out back in 1994, used for the art. The problem with this that one, you might not even know who they are . . . and 2, this was already done MUCH better. But you will see that later in the countdown. Still, if you want to take a look at a team from Malibu's Ultraverse, this would be it.
21) SUPER FRIENDS (1973)
Well, I know there are gonna be some controversy with this. The first DC entry and its the Superfriends. This iconic theme . . . all the way down in 21. But you ask . . . why? oh why? It's awesome. Yes it is awesome. It is iconic since they used a variation of it for 11 years. But here is my issue with this theme; while it works great with the animation, the fact that we are being told what they do works against it, not for it like Thor. Second, while visually appealing, the music gives Epic when I see campy and laughable. Sure, it was the 70s and all but still, you got big superheroes and two kids that don't seem to know what they are doing. Where is child services? Sigh. Still, this is ICONIC and good to listen to. It was used better later on but the damage had been done.
20) BLADE (2011)
Okay. Okay. I know I know. I can hear the "are you kidding me"s from here. But make no mistake, this show has one brilliantly epic theme behind it. The techno rock opening to the anime has a look and feel of the live action movies. It flows with the visuals well. And Blade looks a lot like his comic book counter part. It is amazing how well it looks. The downside . . . well, some of the vampires look a little more special than others, which can be confusing. And while the visuals synch up, I am still a little confused on some of them. Still, it is full of awesome and win which makes it get here. Kudos to Marvel & Madhouse for making a great theme to a character that should be getting more play in the comics . . . and yes, that is another reason why it is lower on the countdown.
19) IRON MAN (SEASON 2-1994)
Surprise. Surprise. You were thinking I would say his latest cartoon Armored Adventures or even the new anime. WRONG! What those and the first season of this show's theme lacked, this opening makes up for in spades. The sound of "I Am" with Tony Stark, damaged heart & all, pounding on steel to make new arm to the great guitar solo in the opening, this opening showed Tony's ingenuity, his sense of duty, his intelligence and how manly and awesome Tony Stark can be. We saw Tony build an armor, put it together, displayed his various other armors, him putting it on and then fly off like it was nothing. THAT IS AWESOME!
Yet the problem was is that this show was cancelled after this season. That and the fact that we didn't get to see Rhodey at all, who is a supporting cast member of the show. Such a shame for Iron Man getting cancelled, for it and Fantastic Four's second seasons during the 90s were so much better than their first seasons. Cest la vie. But if you are a man and you like Iron Man, this is the opening for you.
18) TEENAGE MUTANT NINJA TURTLES (1987)
Wait. Wait. Don't kill me. Stop booing me. I know a LOT of you fans like this old theme. Some of you are like, BLASPHEMER. Allow me to explain. This song was fun, charged with energy and full of exciting adventure and action with 4 teenaged turtles who were ninjas. And they were fighting against a group called the foot and an alien brain named Krang.
The opening was catchy and addictive and they used it for YEARS. The original show lasted about a decade on tv. Yes . . .THAT LONG. My problem with the theme steams from a couple of things . . .
1 - How are they ninjas when they have multicolored scarfs . . . some that can be seen easily at night.
2 - Why do we need them showing off their weapons while standing still.
3 - We are told more than shown that they are the worlds most fearsome fighting teens.
And
Finally - IT IS A BASTARDIZATION OF THE ORIGINAL WORK!!!
I am sorry if I am getting people made but this old cartoon was a joke. Sure it was fun to watch. I know I did but seriously . . . Teenage Mutant Ninja Turtles has always been, according to co-creator Kevin Eastman, a love letter to Daredevil. Think about it. And does THIS look like a love letter to Daredevil or its original product? NOOOOOOOOOOOOOOOO! Still, the opening is kind of infectious which is why its number 18 on the countdown.
17) WILDC.A.T.S. (1995)
I know. You are probably laughing. Go ahead. You got it out of your system? Yeah? Good. Why does this rate higher than some of the others. Honestly, there are several reasons. The song is actually kinda of catchy for the most part. The art style is doing its best to do Jim Lee come to life. The opening has a lot of good action that makes you interested. You see the major players. You see the main characters. You get very little of the heroes thanks to the rap . . Oh the rap. *sigh*
Okay. The rap is BAD. Just very bad. And while the animation looks okay, there are some hiccups here and there. And the song is more nonsensical than it really should be. We know they are heroes. And that is pretty much it. We hear how awesome they are and they show it but . . . eh . . . Still, the tune is catchy and will stay with you.
16) X-MEN (ANIME -2011)
Epic. JUST EPIC! EPIC! That is what this opening is. With its orchestra, stunning visuals and great pace, we get to see the X-Men in a brand new way. Taking notes from Grant Morrison, the look of the X-Men is very much like his new X-MEN run with some changes. Plus, the little notes on the characters are appreciated. You can tell that this was gonna be a great epic like none other.
The problem is that people who don't know X-Men are gonna be confused as to who they are fighting and why. The villains are never really revealed until you watch the show which is a double edged sword for this show. Plus, with all the epic, we got names for all the good guys . . . why not the bad guys? And Emma Frost & Armor are main characters but their names are not up on their. Overall, a great way to kick off this new anime.
15) THE BATMAN (SEASON 1)
When this show first was announce, I, like many fans, were skeptical. It was definitely very different from the Bruce Timm beloved Batman Animated series which still hold roots today. This show was different. From look to feel. Yet it was a bit more frightening at times . . . at least it was with this theme. This theme definitely gave you a much darker Gotham City. More violent. And the visuals were definitely giving that off. The guitar of this song, by legendary guitarist, U2's The Edge, was soulful, horrific and dark in a way that pounded at your soul. Thus creating a darker Batman.
Unfortunately, the soul wasn't quite living up to that darker side after a while and this theme was dropped after the first season. The theme was so good that it felt as if it might not even belong with this show. And that is why it goes down but still . . . with the frightening whisper of "The Batman" at the end of the song, you will remember this theme.
14) TEEN TITANS (2003)
Yay! Teen Titans! Go! Teen Titans! GO! This unbridled joy of the song is part of its infectiousness. You listen to it and you bob your head. You start trying to sing it. You enjoy it and the visuals of their name constantly bombarding you alongside just the stars of our show . . . and only the stars of the show and their base. The style is great and visuals are sweet while awesome.
The problem is the song itself. We all know that it is two japanese j pop artists (Puffy Ami Yumi) doing the song in English and we got Engrish. And that wouldn't be bad but to this day . . . I still don't understand the second part of the second verse. Seriously. I HAVE NEVER UNDERSTOOD. Plus, the whole lack of what they are fighting is a little . . . interesting at times. And while the designs of the Titans go from awesome to what the frell, over all, this is a great . . .sweet, sugary pop theme that will make you have cavities in seconds.
13) INCREDIBLE HULK (1996)
How appropriate a number for one of the most interesting and unlucky characters of the Marvel Universe. Bruce Banner has to go through so much. And This theme shows that in spades. With a great instrumental going with the visuals that start slow but pick up and add on and on till you are bombarded, much like the Hulk is. It is an incredible opening that just grabs you in and holds on to you through a ride.
Unfortunately, the bombardment is a bit much when it comes to the opening. It feels as if you are suffocating with the Hulk, even after he smashes through stuff. And while the instrumental is great and fits so well, it is the visual sensory overload that takes this theme down. That and the fact that this opening was only one for a single season till they toned it down with some She-Hulk. Otherwise, Hulk would be sitting on the top. 12) FANTASTIC FOUR (SEASON 2 -1994)
The Fantastic Four have have Various incarnations in cartoon form over the years. Yet, this particular season, the second season of the Fantastic Four from the 90s which had better art, better story telling and wonderful episodes that could be held up against its source material. This opening reflected so much in so little time.
The joy that comes from this teams exploration. The EPIC villains they have with that giant sized Dr. Doom, they're differences in powers and personalities as well as them being a family that have been together for a while.
Each of this are so well done that make this theme nearly perfect for the team. And while it is pretty great for the Fantastic Four, one of its biggest problems was that it sounded . . .dated. While I am all for using older material told today, the sound of your theme should not sound as old as your parents. That coupled with the fact that this theme was only used for this one last season . . . brings it down a bit but Marvel's First Family still has one of the greatest cartoon themes of all time in my mind.
11 ) STATIC SHOCK (SEASON 1 OPENING)
This is pure nostalgia for me in multiple ways. Bruce Timm involved. Dwayne McDuffie one of the writers and over looked the show, as well as one of the characters creators. This show was gonna be great as a major fan of the Milestone line of books. And How I loved Static as a character. This opening was such a great introduction to a character that, once again, went a lot farther along than most people thought. The opening gave us great uses of his powers, a bit of his life at home and him being the smart hero as it is while giving us the background of his urban home of Dakota. This opening caputured that well yet there just seemed to be something missing.
It is not a bad theme and I love listening to it. I guess I wanted a little more from Static's theme. The theme just needed a little more . . .and I don't mean Lil Romeo. Otherwise, this theme would topped the charts with ease.
10) BATMAN BEYOND
Oh man! THIS THEME . . IS . . AWESOME!! The guitar with the techno, making a dark yet powerful blend to the ears. The Animation showing a very different and darker future for Gotham City that needs a new Batman. Our new hero, rising out of his own tragedy to take the mantle. The original hero still there, older. The grainy animation added to the mystique of the opening. With a great beat that will not leave your head, you will listen to this over and over again.
This is taking a classic character and doing them justice with a new face. And that is why this theme does so much better than other themes similar to it . . . like Witchblade. The only real pit fall to it is that sometime you can see how overly stylized it gets in the opening, which detracts from the music. Otherwise, get ready to go Beyond with Batman Beyond.
9) SPECTACULAR SPIDERMAN
This series was severely underrated and under appreciated by the networks. And this opening was no different. It has a great simplicity with its lyrics that are easy to follow with a great sound. The visuals were appealing. And a great way to see his origin and his supporting characters along with the beat of the music.
What brings this opening down is the fact how I can understand how the guitar is supposed to mimic a spider in some sense but it gives the series a darker feeling than it should. Other than that, this is a great theme and recommend it to anyone. Sorry Hector for not choosing the 90s theme. This one is better.
8) SUPERMAN (1988)
I love this theme. It is so epic. Fits with Superman so well. And the announcer is saying stuff we all know about Superman with some stunning visuals going on. This is a near flawless opening. Seriously, it is EPIC and AWESOME.
The problem is that we've heard it before in all the Superman movies from the late 70s, early 80s. Seriously . . . it is the same main theme of Superman from the movies. Not that it is a bad thing. It is smart marketing. Still, they had a chance to give the cartoon its own brand here and they didn't take advantage of it. Ah well. Next time Superman. *hears knock, goes to open* Oh hey Geo! What's up? *hear a punch and me going through a window. I land on the ground and look up for a moment* I'm . . . sorry.
7) BLACK PANTHER (2010)
When I first heard this theme and saw the opening, I was hooked. I wanted to know more and loved what I was seeing and hearing. The rendering of John Romita Jrs. art as animation with the music was done perfect. The visuals were all interesting and beautiful, giving way to its rich African roots. Getting an idea of both the cast, its surroundings along with the actors and actresses was very smart. The opening flows very well. The music is a great representation of Wakanda, mix traditional and ancient traditions with technology today, mixing tribal with hip hop flawlessly.
The only reason it is not high is cause it is more recent and the fact that the show only last 6 episodes. Tis a shame. But this theme will live on in infamy and holds a special place in my heart. Now to listen to it as I dance . . .
6) SPAWN (1998)
This cartoon broke new ground. It was almost exactly like the cartoon with its violence, sex and dark, yet rich visuals. Making full use of the ideals set in the comic, this opening was very much Spawn come to life. The style was similar to Todd McFarlene's, his creator and original artist, that it worked well yet still different that it did not hinder the animation.
This opening was mysterious, full of dark imagery and haunting things . . . like Al Simmons burnt face. And let me tell you . . . this opening scared the crap out of me. Seriously, this opening had me scared from the world go but I loved every second of it. It is so simplistic that it lets you have just enough to draw you in.
The only real problem was that it felt too simplistic in letting me imagine and I would think about not watching it cause I was scared. There. I admit. But one listen and look at this opening and you will know why.
5) SPIDERMAN (1966)
Talk about Iconic themes. You look at the opening and you see him swinging his web and going from one place to another. Spiderman! You probably know the words. Your parents know the words. Everyone you know knows the worlds. Your future wife or husband knows the words to the song. It is catchy and accurate. The opening itself allows you to see Spiderman swing around.
Which gets me to why I put it in #5. Did you remember how the opening looked like BEFORE you pressed play on here? Did you? Me neither. The song transcended the opening animation. And that is a great accomplishment but you don't remember the opening other than the song makes you wonder what was there and that is why this theme is #5.
4) JUSTICE LEAGUE UNLIMITED (2004)
This theme was awesome. It started off with a great orchestra building up to a great guitar with a symphony. And bang, you are in for it. And with the pictures of any episode in between some stunning Timm designed characters of the DC Universe on there, you were just glued. The fact that parts of the opening changed every episode kept the opening fresh. And that fact that there was a variable cast of thousands.
You see all the main leagues from Justice League plus a bunch of new members. Yet, with all that, the downfall of this opening is its strength. Depending on the visuals they used, they either enhanced the opening or spoiled it for you. Sometimes, you were feeling very excited, other times . . . the opening made you blah.
Other than that, this show's opening is still among the very best that I remember fondly at our #4.
3) AVENGERS: EARTH'S MIGHTIEST HEROES (2010)
I will be honest. This song was a surprise. When they announced the show, I expected some kind of general instrumental. Then I saw and heard the opening for this show. And my is it GLORIOUS!!! The lyrics work so well for the Avengers as the visuals show each Avenger in a place of origin while Iron Man is looking at them then they get together and when you hear "Avengers Assemble", you lose your mind in excitement as the song kicks up its chorus.
The fact that the song can work on its on as a single on its own is nearly unheard of in the US but common practice to shows in Japan. This visuals of the group fighting then getting together get you excited with the group shot at the end. It makes it all worth it.
The only reason this didn't top the countdown is cause of how overly effect the top 2 songs are. Yet, given time, this song might over take them.
2) X- MEN (1993)
It is a safe bet that most people, unless they are under the age of 18, know the X-Men cartoon theme from the 90s. It has been heard millions of times since then. So much so that many people think of it whenever they see something dealing with the X-Men and have not forgotten it. The instrumentals working at a great pace at first but builds and builds and builds and explodes at the end. You see the characters get introduced with names and an idea of their powers. You see some of their enemies. This show's theme and opening has been so greatly revered, it has not left most people's minds.
The only reason why it did not top the countdown is cause the #1 is THAT MUCH MORE PERFECT & MEMORABLE.
....
THE NUMBER 1 TOP COMIC BOOK CARTOON THEME OF ALL TIME IS . . . . . .
1) BATMAN: THE ANIMATED SERIES (1992)
You should have guessed it. But yes. It is none other than Bruce Timm's great creation that still holds threads today. This theme started not just the long and GLORIOUS dealings of us having Kevin Conroy as Batman & Mark Hammill as the Joker . . . it started a DYNASTY of themes. Justice League Unlimited, Static Shock, Batman Beyond could NOT have been here if it weren't for this opening. So beloved that this theme was worked into Batman Movies and used over and over and over and over again throughout the DC animated universe.
Anyone who has seen this opening remembers it. It still plays now on the Hub and other channels. You want to see who Batman is, watch the opening. Want to know how Gotham City is like? Watch the opening. Want to know how Epic Batman is . . . WATCH THE OPENING. It gives you just enough to want more and be hooked. The theme's orchastra gives a perfect blend of music to work with Batman's actions as well as visuals. Even after nearly 20 years now . . . I have not forgotten this theme. Have you? . . . See what I mean.
It is so grand and epic to work with a man dressed in a bat suit and it does perfectly. Thus why it is my number 1 pick for Top 25 Comic Book Cartoon Openings of all time.
Hope you enjoyed this special as I enjoyed writing it. This is Frankie Rodriguez saying thank you, good bye and good night.
Marvel has had a busy week as they have made a slew of announcements throughout it. These announcements confirm titles that they will be releasing in November during their Marvel Now Relaunch. Here are the titles with the ads as shown.
Monday, We got confirmation that Kieron Gillen and Greg Land would be taking over Iron Man:
Tuesday, We heard that The Mighty Thor will have a brand new creative team of Jason Aaron and Esad Ribic:
Wednesday, We heard that Hulk returns and is "Indestructible" as his new creative team is recent Eisner Award Winner Mark Waid and artist Leinil Yu:
Thursday, Deadpool gets to go nuts with writers/comedians Gerry Duggan and Brian Posehn with art by Tony Moore:
Then we were attacked by Marvel on Friday with 4 New Title Announcements as first, Rick Remender and John Romita Jr take over as the creative team for Captain America, as confirmed by twitter from current Captain America scribe Ed Brubaker.
Next up is the confirmation that Matt Fraction will be handling both Fantastic Four and the returning FF. Handling Fantatic Four with the scribe is superstar artist Mark Bagley.
Following up with Fraction on the Fantastic Four's sister title, FF, will be cult favorite artist, Mike Allred, leading the Future Foundation into the next stage of Marvel.
Finally, there is the finally promotion that states Legacy, featuring the team of writer Simon Spurrier and artist Tan Eng Huat. While most speculation states that this is probably X-Men Legacy relaunch, there is also some rumors that this could be for another Avengers related title, possibly dealing with the Picture with Nick Fury Jr and his photo of Wiccan, Miss America and Loki. Could it be the return of the Young Avengers? We won't know till November.
These titles join the following that were already confirmed:
- Uncanny Avengers with Rick Remember and John Cassidy -Avengers with Jonathan Hickman and Jerome Opena. - New Avengers with Jonathan Hickman and Steve Epting. - All New X-Men with Brian Michael Bendis and Stuart Immonen.
12 Brand new titles down, not counting Red She-Hulk will be taking over as the main star in Hulk but that is not getting relaunched. What does this mean for the last 10 titles yet to be announced or any other changes in creative teams on long standing books? Find out as we keep an eye on Marvel Now.
Hello Infinites! Welcome to another convention report. It's Broken Infinite (former CBC) EIC Frankie Rodriguez. You know. The guy that almost killed Stan Lee. *sigh*
Anyway, I mentioned that I had attended some of the panels during the Convention. Here is one of them. The Do's and Don'ts of a Career in Comics was on Friday night and it featured three artist: Carlo Pagulayan; most notably known for his art during Planet Hulk; Harvey Tolibao; currently artist on Green Arrow; and finally Stephen Segovia;who is mostly known for Ultimate Avengers vs. New Ultimates.
As I sat down, the moderator gave the three artists the floor and allowed them to introduce themselves and their current works. As each of them talked, fans were excited to listen about how these men all broke into the comic book industry. After some comical antidotes from the trio, particularly Segovia chirping in to keep the audiences attention, they opened the majority of the panel for questions.
After a fan how each artist learned to draw as the artist all pitched in their answers. Pagulayan stated with, "We're all self taught. We all didn't go to school for this. I would deconstruct Joe Quesada, Marc Silvestri . . . practicing all their styles while coming up with my own. . . I put in my first submission to a talent search in 1997 but it was lost in the mail."
Segovia added, "When I was a kid, I wanted to be a sketch artist. . . I drew children's comics because there really wasn't any super hero comics in the Philippines."
And Tolibao chirped with sound advice to potential artist, "To be a comic book artist it's to be a comic book artist for life. You can't stop believing in yourself. I wanted to be a comic book artist since I was 4. If you want to be an artist . . . you need someone to who is in the industry who knows their stuff and tell you honestly about your artwork."
Pagulayan continued more of Tolibao about being an artist and how to make it as a comic book artist. "You will have to take criticism and be your own worst critic. If you are aware of your own short comings, than work on it."
"If you are gonna be an artist, buy comics. Study comics. Copy and learn the work of others and let that help you with your own work," replied Segovia.
As more questions about breaking to the business were given out, the three artist shared stories about their experiences that many felt were good, inspirational ideas. Just before the panel closed, Harvey Tolibao left the attendees with these words:
"If you want to make it in comics, you need to be comfortable. You have to love what you are doing."
After that, the panel wrapped up with fans thanking the artists for their time. It was a great panel with a lot of solid advice for any artist who wants to be in the comics industry.
It’s that time of the week again. I’m YTC here to serve you guys another helping of some golden milk, the CoW; Cover of the Week. Today I have Incredible Hulk 7.1 for you all to feast your eyes on. This right, here my friends… is art. There isn’t much going on, but there is so much going on. What we have here are two opposing beings joined together and yet struggling together for freedom. The picture does a good job of showcasing the separation between Banner and the Hulk and also the bond that binds them. This thing was really well drawn and expertly colored. It looks like a painting. I am unsure if it was done digitally or with actual paint, but Kormack earned his Golden Udder.
Here are thoughts of The Avengers live action movie that has premiere this past weekend. We got stuff from fans and CBC staff so let's get down to it.
Jeremy Jones
Ever had one of those kitchen let downs? Y'know, when what's cooking smells so yummy but when you finally tuck in, it's mediocre. Not bad exactly, just not as good as it's scent set-up. Marvel Studio's Avengers movie, released May 4th, is the exact opposite of a kitchen let down; the film was everything a fanboy could have hoped for, a veritable piece de resistance of comics-translated-to-the-big-screen movie magic. The promise made by Iron Man I&II, Thor, and Captain America movies over the last few years have herein been fulfilled. Let's keep it to three reasons why Avengers was so satisfying. Director Joss Whedon also wrote the screenplay; the resulting singularity of creative vision makes a powerful, sturdy framework upon which to lay dynamic, toothsome special effects. The overall writing finesse and depth of characterization is brilliant and engaging.
There was no need for distracting backstory filler, often a failing of comic book movies, as the non-comic reading movie public must be brought up to speed. Avengers avoids the backstory baggage thanks to the four previous solo movies and we get right down to business; the pot is hot at the jump and the aromatic ingredients simply sizzle.
With strong acting in the mix, this trifecta of movie magic is complete. For the most part, the main characters are adroitly portrayed, with verve, and even secondary characters like Maria Hill shine. Just a bit of Samuel L. Jackson showed through Nick Fury, otherwise, only the character was on screen, the actors disappeared as they should, perfectly: you believe. Avengers gets a well earned 9.5 of 10 stars.
If this movie was a meal, at its end you would've burped embarrassingly loudly then refused dessert.
CBC's Hector Ramirez
Avengers is the talk of the weekend and with great reasoning. Now naturally, I had to see it in imax 3D and I am glad I did. The graphics were great really worked with the 3d well. The story didn't have many holes in it. Of course, they had them quarrel amongst each other which you know fans wanted to see. When everyone starts working together, they really compliment each other well on the battlefield. The comedic element was a nice touch and catch phrases we will all be repeating for months to come. But speaking of catchphrases one very important catchphrase left unsaid: "Avengers Assemble" but due to the overall success, i'll let that slide. I will be listening for it in the sequel.
Derrick JonesLet me start off with I really like Joss Wheadon’s television work. I was a faithful watcher of Buffy the Vampire Slayer, Angel, dollhouse, and Firefly. I can even see his hand in some of the story line as the movie plays out. Having said all that I was not the biggest fan of The Avengers movie.
At times I feel the movie is trying to be too much to too many and falling short at every turn. It’s a buddy movie, except when it’s not, then it’s a romantic comedy (or a bromatic comedy) but then it shifts to pure eye candy action. For a movie that is just this side short of two hours and thirty minutes I felt like for the first hour and forty minutes of the movie I was in a sports car that was towed onto the street and pulled along until finally it was cut lose from the truck and allowed to hit speed.
All the actors played their parts well Robert Downey Jr. still manages to bring an unlikeable arrogant Tony Stark to the screen and Chris Evans, who annoyed the hell out of me in the Fantastic Four films, plays a really believable man out of time Captain America. For me however the runaway star of the movie is Mark Ruffalo as the third and best Bruce Banner. While I am familiar with the comic version of the Black Widow I would not mind seeing her in her own movie, but again I have to give props to Josh Wheadon (yeah Scarlett also ) for the writing of a female character that is not all victim or pure fem fatale bitch. In the end I would give this movie 3 out of 5 stars.
CBC's Darryll "YTC" Carter
Aside from my sister somewhat ruining the end of the movie for me (that's why I don't go out with familly) Joss Whedon pulled it off. And I'm glad he did though. I, myself, didn't walk away with the experience I was expecting the rest of the world seems to think I should have and would have if my sister wasn't present. That being said I feel like the movie was too Stark and Widow heavy. I expected the movie to focus on Downey and Iron Man a bit heavily and while it wasn't outlandish it was noticable to me. Alot of people disagree with me, saying "No way man it was the Hulk" or "naw, it was Thor". I'm speaking more so about screentime not who got the most badass moment. But speaking of badass moments I felt like Black Widow did more in the film than Captain America. And that bothers me. Cap bias aside, he is Captain fing America the leader. He did shine as a leader though once everyone began to cooperate, namely Stark and Thor and surprisingly the Hulk. Though I wager there isn't much for the Hulk to complain about when his orders are "Hulk.... Smash." Priceless.
J1 Studios' Brian Misher
Just saw with some friends this morning. ABSO-FREAKING-LUTELY AWESOME!!! I will be seeing this twice!
Christian Prokop aka Mildra the RPG Monk
Saw Avengers the other day. The monk approves.
Deandra McFadden
Omg! I love this movie. If you haven't seen this movie, go watch it now.
CBC's Frankie Rodriguez
This movie is beyond Epic. Beyond Awesome. This movie is exactly what it needs to be: Well paced, great characterizations and mind-breaking battles. This movie proves all the build up of the Marvel Movies continuity works and works well. And all the characters were very well balanced in this movie. No one over-shines anyone else in the film, in my opinion.
There are more than enough memorable moments, the pacing is excellent and the characters are all distinct and fleshed out well. Captain America is a god! And honestly, Mark Ruffalo is the best Bruce Banner ever to hit a screen, tv or movie. Such a multi-layered portrayal and the movie was just full of Whedon full but not overly full of pop-culture references. Kids will love it. Adults will love it. Just ... amazing work.
Since this month, is Avengers month here on J1 Studios and Comic Book Clash. I though this would be the proper occasion to take a look back a Marvel film, that while it has its flaws, it was released at the wrong time. Fanboys and Fangirls, here's the Review to Ang Lee's take on the Green Goliath himself, 2003's Hulk.
The 2003 Marvel Films (this pre-dates "Marvel Studios")/Universal Pictures distributed film, based off on "The Incredible Hulk" comic created by Stan "The Man" Lee and Jack "The King" Kirby. The script was written by Michael France and John Turman, but writer James Schamus, not only re-wrote the script later in the film's development, but Schamus also gets the "Story by" credit. The director was Ang Lee, mostly known at the time the director of "Crouching Tiger, Hidden Dragon".
This movie from it's theatrical release in June 20, 2003 to 2012, has gotten a bad reputation for it being a more serious take on the character itself and it being more of a character study rather than what we've got with the Marvel Studios' 2008 reboot, "The Incredible Hulk". Though this is a review, I want this review to be a positive one and to show fans why this movie, was and still is an underrated interpretation of the goliath.
For the first Hulk film (theatrical, not the "made for TV" movies), we have Eric Bana as Bruce Banner/Hulk, Banner's love interest, Betty Ross was portrayed by Jennifer Connolly (Labyrinth), Betty's father and Bruce's antagonist, "Thunderbolt" Ross was portrayed by Sam Elliot (Butch Cassidy and the Sundance Kid) and Anti-Mickey Rourke himself, Nick Nolte played David Banner, Bruce's demented father.
The plot to this film is as follows, David was trying to create super-soldiers for the U.S.military, by mutating his own DNA to study a way on how a body could recover quickly from a wound or injury.
However, this and the countless experiments that followed were denied by the U.S. army. When Bruce was born, it was discovered that David's mutated DNA was passed on to young Bruce and he was attempting to find a cure for his son as time passed. However, In 1973 after learning of David's "experiments", a then Lieutenant "Thunderbolt" Ross shuts down his research.
David, with losing his work that expanded years, he caused a massive explosion to the gamma reactor facilities in an attempt to kill his son. However, he accidentally kills his wife while she interfered with what was happening. After the "incident", David was re-located to a metal hospital, while a then 4 year old Bruce was sent into foster home and later adopted. As time progressed, Bruce suppressed the memories of his biological parents.
Long story short, due to his mutated DNA and the gamma radiation/nanomeds that happened latter in his life, created the beast inside Banner…. known only, as the Hulk.
While I do like Norton portrayal as Bruce in the Reboot and the supporting cast that portrayed their respective roles in "Incredible Hulk". I personally feel that the 2003 film's cast was not only had a stronger group of actors (excluding Nolte), but it was a better cast for the respective roles.
Lee's direction for the film, while different by showing a traumatized Bruce and its outcome with Banner's "inner feelings". He really had a very good eye for directing the action shots in the movie. Yes they were, few-in-far between, but they were not only choreographed with care, but at sometimes brutal.
The story while slow and yes at some points, sloppy. Its narrative felt like it was heavily inspired by Peter David's run on the ongoing series, from 1988 to its end in 1998 with issue #467 "The Lone and Level Sands".
When it comes to the score of Hulk. I honestly think that Danny Elfman was suited more for this film, then he was with the 2001 Spider-Man film and its sequel "Spider-Man 2", that followed in 2004. The way he captures the character(s) and their emotions in this film, was utilized properly then what we got with the first two (already mentioned) Spider-Man films by "Evil Dead" director, Sam Raimi.
To close this review, let me leave an allegory...
Like how 2004's "The Punisher" had the story down and 2008 "Punisher: War Zone" had the dark, vibrant and gritty tone. Ang Lee's Hulk had the more serious side of the character down, while the 2009 "Incredible Hulk" had the feel and excitement that a Hulk movie should have.
If this film was released a year or two after Christopher Nolan envisioned Batman's origins and universe with "Batman Begins", this film would probably not only received critical success in the box office, but would be probably be hailed by critics and comic fans alike as " a fresh, yet daring take" on Marvel's green goliath.
Rating: 4/5
While I did state that the plot was messy at some points in this film. This is not only a different take on the character, the supporting cast and its universe. It's a refreshing take that should be given another chance by the Merry Marvel Marching Society.
